℗ 2015 Genuin
| Released | November 6, 2015 |
| Duration | 1h 09m 16s |
| Record Label | Genuin |
| Catalogue No. | GEN15375 |
| Genre | Classical (Instrumental) |
Bach Without Words: Transcriptions of Bach Chorales and Chorale Preludes
Anna Christiane Neumann
Available in 96 kHz / 24-bit AIFF, FLAC high resolution audio formats
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Gottes Zeit ist die allerbeste Zeit, BWV 106, "Actus tragicus"
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1.1
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Sonatina (arr. by G. Kurtag for Piano four hands)
Gyorgy Kurtag; Johann Sebastian Bach; Anna Christiane Neumann; Anja Kleinmichel |
2:23 | |||
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1.2
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Nun komm, der Heiden Heiland
Anonymous; Johann Sebastian Bach; Anna Christiane Neumann |
0:31 | |||
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1.3
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Nun komm, der Heiden Heiland, BWV 659 (arr. by F. Busoni for Piano)
Johann Sebastian Bach; Ferruccio Busoni; Anna Christiane Neumann |
4:27 | |||
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Cantata No. 147, “Herz und Mund und Tat und Leben”
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1.4
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Jesu bleibet meine Freude (arr. by A.C. Neumann for Piano)
Johann Sebastian Bach; Anna Christiane Neumann; Anna Christiane Neumann |
1:02 | |||
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1.5
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Jesu bleibet meine Freude (arr. by A.C. Neumann for piano)
Johann Sebastian Bach; Anna Christiane Neumann; Anna Christiane Neumann |
2:21 | |||
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1.6
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Der Tag, der ist so freudenreich
Johann Sebastian Bach; Anna Christiane Neumann |
1:01 | |||
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1.7
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Der Tag, der ist so freudenreich, BWV 605 (arr. by C. Lambert for Piano)
Johann Sebastian Bach; Constant Lambert; Anna Christiane Neumann |
1:31 | |||
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1.8
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In dulci jubilo
Johann Sebastian Bach; Anna Christiane Neumann |
0:54 | |||
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1.9
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In dulci jubilo, BWV 751 (arr. by W. Kempff for Piano)
Johann Sebastian Bach; Wilhelm Kempff; Anna Christiane Neumann |
1:51 | |||
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1.10
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In dulci jubilo, BWV 729 (arr. by L. Berners for Piano)
Johann Sebastian Bach; Lord (Gerald Hugh Tyrwhitt-Wilson) Berners; Anna Christiane Neumann |
2:02 | |||
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1.11
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O Mensch, bewein dein Sünde groß
Johann Sebastian Bach; Anna Christiane Neumann |
1:33 | |||
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1.12
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O Mensch, bewein dein Sünde groß, BWV 622 (arr. by H. Howells for Piano)
Johann Sebastian Bach; Herbert Howells; Anna Christiane Neumann |
3:42 | |||
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1.13
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Herzlich tut mich verlangen
Johann Sebastian Bach; Anna Christiane Neumann |
0:56 | |||
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1.14
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Herzlich tut mich verlangen, BWV 727 (arr. by W. Walton for Piano)
Johann Sebastian Bach; William Walton; Anna Christiane Neumann |
1:30 | |||
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1.15
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O Lamm Gottes, unschuldig
Johann Sebastian Bach; Anna Christiane Neumann |
0:50 | |||
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1.16
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O Lamm Gottes, unschuldig, BWV deest (arr. by G. Kurtag for Piano 4 hands)
Gyorgy Kurtag; Johann Sebastian Bach; Anna Christiane Neumann; Anja Kleinmichel |
4:09 | |||
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St. Matthew Passion, BWV 244
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1.17
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Final Chorus: Wir setzen uns mit Tränen nieder (arr. by A. Willner for Piano)
Johann Sebastian Bach; Arthur Willner; Anna Christiane Neumann |
3:07 | |||
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1.18
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Ach bleib' bei uns, Herr Jesu Christ, BWV 253 (arr. by R. Vaughan Williams for Piano)
Johann Sebastian Bach; Ralph Vaughan Williams; Anna Christiane Neumann |
1:04 | |||
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1.19
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Ach bleib' bei uns, Herr Jesu Christ, BWV 649 (arr. by R. Vaughan Williams for Piano)
Johann Sebastian Bach; Ralph Vaughan Williams; Anna Christiane Neumann |
4:18 | |||
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1.20
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Liebster Jesu, wir sind hier
Johann Sebastian Bach; Anna Christiane Neumann |
0:41 | |||
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1.21
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Liebster Jesu, wir sind hier, BWV 731
Johann Sebastian Bach; Harriet Cohen; Anna Christiane Neumann |
2:06 | |||
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1.22
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Ich ruf zu dir, Herr Jesu Christ
Johann Sebastian Bach; Anna Christiane Neumann |
1:20 | |||
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1.23
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Ich ruf zu dir, Herr Jesu Christ, BWV 639 (arr. by M. Reger for Piano)
Johann Sebastian Bach; Max Reger; Anna Christiane Neumann |
2:14 | |||
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1.24
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Aus tiefer Not schrei ich zu dir
Johann Sebastian Bach; Anna Christiane Neumann |
0:57 | |||
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1.25
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Aus tiefer Not schrei ich zu dir, BWV 687 (arr. by G. Kurtag for Piano 4 hands)
Gyorgy Kurtag; Johann Sebastian Bach; Anna Christiane Neumann; Anja Kleinmichel |
5:14 | |||
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1.26
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Allein Gott in der Höh’ sei Ehr
Johann Sebastian Bach; Anna Christiane Neumann |
0:42 | |||
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1.27
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Allein Gott in der Höh’ sei Ehr’, BWV 711 (arr. by G. Kurtag for Piano 4 hands)
Gyorgy Kurtag; Johann Sebastian Bach; Anna Christiane Neumann; Anja Kleinmichel |
2:27 | |||
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1.28
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Es ist gewisslich an der Zeit, BWV 307 (arr. by W. Kempff for Piano)
Johann Sebastian Bach; Wilhelm Kempff; Anna Christiane Neumann |
0:47 | |||
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1.29
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Es ist gewisslich an der Zeit, BWV 734 (arr. by W. Kempff for Piano)
Johann Sebastian Bach; Wilhelm Kempff; Anna Christiane Neumann |
1:39 | |||
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1.30
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Komm süßer Tod, BWV 478 (arr. by F. Bridge for Piano)
Johann Sebastian Bach; Frank Bridge; Anna Christiane Neumann |
2:42 | |||
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1.31
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Wachet auf, ruft uns die Stimme
Johann Sebastian Bach; Anna Christiane Neumann |
1:37 | |||
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1.32
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Wachet auf, ruft uns die Stimme, BWV 645 (arr. by M. Hess for Piano)
Myra Hess; Johann Sebastian Bach; Anna Christiane Neumann |
4:48 | |||
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1.33
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Air from the Orchestral Suite No. 3, BWV 1068 (arr. by M. Reger for Piano 4 hands)
Johann Sebastian Bach; Max Reger; Anna Christiane Neumann; Anja Kleinmichel |
2:50 | |||
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Digital Booklet
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German pianist Anna Christiane Neumann dedicates this programme to transcriptions of Bach chorales, choruses and arias drawn from the composer's cantatas and passions. Performed on a modern grand piano, lines, colours and counterpoints never heard before all merge together, giving a rounded character to the timeless pieces on this unprecedented compilation. Second pianist Anja Kleinmichel joins Neumann on several pieces played four hands.
96 kHz / 24-bit PCM – Genuin Studio Masters
Recorded at Mendelssohn-Saal, Gewandhaus Leipzig, Germany September 1–3, 2014 Recording Producer: Piotr Furmanczyk Editing: Piotr Furmanczyk, Michael Silberhorn Piano: Steinway D No. 468885 Piano Tuner: Stephan Wittig, Leipzig Text: Dr. Johannes Block, Lutherstadt Wittenberg English Translation: Matthew Harris, Buchen Booklet Editing: Nora Gohlke, Leipzig Photography: Sonja Zierow, Tomo Storelli (cover), Lisa Gathmann (p. 14), Fotohaus Klinger (p. 13) Layout: Silke Bierwolf, Leipzig Graphic Concept: Thorsten Stapel, Münster
Recorded at Mendelssohn-Saal, Gewandhaus Leipzig, Germany September 1–3, 2014 Recording Producer: Piotr Furmanczyk Editing: Piotr Furmanczyk, Michael Silberhorn Piano: Steinway D No. 468885 Piano Tuner: Stephan Wittig, Leipzig Text: Dr. Johannes Block, Lutherstadt Wittenberg English Translation: Matthew Harris, Buchen Booklet Editing: Nora Gohlke, Leipzig Photography: Sonja Zierow, Tomo Storelli (cover), Lisa Gathmann (p. 14), Fotohaus Klinger (p. 13) Layout: Silke Bierwolf, Leipzig Graphic Concept: Thorsten Stapel, Münster
| Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -6.40 -13.06 to -0.53 | -25.72 -32.09 to -19.21 | -22.84 -29.40 to -16.40 | 12 10 to 16 | |
| 1 | Sonatina (arr. by G. Kurtag for Piano four hands) | -9.50 | -28.77 | -25.7 | 12 |
| 2 | Nun komm, der Heiden Heiland | -10.37 | -27.88 | -24.6 | 10 |
| 3 | Nun komm, der Heiden Heiland, BWV 659 (arr. by F. Busoni for Piano) | -0.83 | -25.99 | -23.2 | 14 |
| 4 | Jesu bleibet meine Freude (arr. by A.C. Neumann for Piano) | -8.43 | -26.49 | -23.4 | 11 |
| 5 | Jesu bleibet meine Freude (arr. by A.C. Neumann for piano) | -8.19 | -26.52 | -23.9 | 11 |
| 6 | Der Tag, der ist so freudenreich | -8.75 | -25.54 | -22.7 | 11 |
| 7 | Der Tag, der ist so freudenreich, BWV 605 (arr. by C. Lambert for Piano) | -4.09 | -22.59 | -19.8 | 10 |
| 8 | In dulci jubilo | -5.68 | -22.39 | -19.5 | 11 |
| 9 | In dulci jubilo, BWV 751 (arr. by W. Kempff for Piano) | -6.43 | -25.29 | -22.6 | 12 |
| 10 | In dulci jubilo, BWV 729 (arr. by L. Berners for Piano) | -0.53 | -19.21 | -16.4 | 12 |
| 11 | O Mensch, bewein dein Sünde groß | -5.55 | -25.09 | -22.4 | 12 |
| 12 | O Mensch, bewein dein Sünde groß, BWV 622 (arr. by H. Howells for Piano) | -5.26 | -27.43 | -24.8 | 14 |
| 13 | Herzlich tut mich verlangen | -6.63 | -27.39 | -24.1 | 12 |
| 14 | Herzlich tut mich verlangen, BWV 727 (arr. by W. Walton for Piano) | -5.70 | -26.76 | -23.8 | 12 |
| 15 | O Lamm Gottes, unschuldig | -6.24 | -25.27 | -22.5 | 10 |
| 16 | O Lamm Gottes, unschuldig, BWV deest (arr. by G. Kurtag for Piano 4 hands) | -9.41 | -28.99 | -26.4 | 13 |
| 17 | Final Chorus: Wir setzen uns mit Tränen nieder (arr. by A. Willner for Piano) | -2.70 | -22.49 | -19.6 | 12 |
| 18 | Ach bleib' bei uns, Herr Jesu Christ, BWV 253 (arr. by R. Vaughan Williams for Piano) | -13.06 | -32.09 | -29.4 | 11 |
| 19 | Ach bleib' bei uns, Herr Jesu Christ, BWV 649 (arr. by R. Vaughan Williams for Piano) | -9.88 | -27.93 | -25.4 | 12 |
| 20 | Liebster Jesu, wir sind hier | -8.20 | -25.86 | -22.8 | 10 |
| 21 | Liebster Jesu, wir sind hier, BWV 731 | -9.02 | -28.74 | -25.6 | 11 |
| 22 | Ich ruf zu dir, Herr Jesu Christ | -7.94 | -28.64 | -25.8 | 12 |
| 23 | Ich ruf zu dir, Herr Jesu Christ, BWV 639 (arr. by M. Reger for Piano) | -8.04 | -27.71 | -25.1 | 13 |
| 24 | Aus tiefer Not schrei ich zu dir | -11.10 | -28.71 | -25.7 | 11 |
| 25 | Aus tiefer Not schrei ich zu dir, BWV 687 (arr. by G. Kurtag for Piano 4 hands) | -0.53 | -24.53 | -21.4 | 16 |
| 26 | Allein Gott in der Höh’ sei Ehr | -5.79 | -22.28 | -19.6 | 11 |
| 27 | Allein Gott in der Höh’ sei Ehr’, BWV 711 (arr. by G. Kurtag for Piano 4 hands) | -2.39 | -22.95 | -20.2 | 12 |
| 28 | Es ist gewisslich an der Zeit, BWV 307 (arr. by W. Kempff for Piano) | -1.98 | -21.28 | -18.3 | 10 |
| 29 | Es ist gewisslich an der Zeit, BWV 734 (arr. by W. Kempff for Piano) | -4.46 | -20.58 | -17.7 | 10 |
| 30 | Komm süßer Tod, BWV 478 (arr. by F. Bridge for Piano) | -1.87 | -23.68 | -20.4 | 13 |
| 31 | Wachet auf, ruft uns die Stimme | -7.09 | -26.67 | -23.4 | 12 |
| 32 | Wachet auf, ruft uns die Stimme, BWV 645 (arr. by M. Hess for Piano) | -9.53 | -26.77 | -24.3 | 11 |
| 33 | Air from the Orchestral Suite No. 3, BWV 1068 (arr. by M. Reger for Piano 4 hands) | -6.11 | -26.27 | -23.2 | 13 |