℗ 2020 Philharmonia Baroque Productions
| Released | June 5, 2020 |
| Duration | 2h 20m 48s |
| Record Label | Philharmonia Baroque Productions |
| Catalogue No. | PBP-14 |
| Genre | Classical (Oratorio) |
Handel: Saul, HWV 53 (Live)
Philharmonia Baroque Orchestra, Nicholas McGegan, Charles Jennens, Philharmonia Chorale, Yulia Van Doren, Sherezade Panthaki, Daniel Okulitch, Aryeh Nussbaum Cohen, Jonathan Smucker, Aaron Sheehan, Christian Pursell
Available in 192 kHz / 24-bit, 96 kHz / 24-bit AIFF, FLAC high resolution audio formats
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Saul, HWV 53 (Excerpts)
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1.1
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No. 1, Overture (Live)
George Frideric Handel; Philharmonia Baroque Orchestra; Nicholas McGegan |
9:59 | |||
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1.2
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No. 2a, How Excellent Thy Name, O Lord (Live)
Charles Jennens; George Frideric Handel; Charles Jennens; Philharmonia Chorale; Philharmonia Baroque Orchestra; Nicholas McGegan |
2:50 | |||
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1.3
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No. 3, An Infant Rais'd by Thy Command (Live)
Charles Jennens; George Frideric Handel; Charles Jennens; Yulia Van Doren; Philharmonia Baroque Orchestra; Nicholas McGegan |
1:21 | |||
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1.4
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No, 4, Along the Monster Atheist Strode (Live)
Charles Jennens; George Frideric Handel; Charles Jennens; Philharmonia Chorale; Philharmonia Baroque Orchestra; Nicholas McGegan |
1:08 | |||
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1.5
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No. 5, The Youth Inspir'd by Thee, O Lord (Live)
Charles Jennens; George Frideric Handel; Charles Jennens; Philharmonia Chorale; Philharmonia Baroque Orchestra; Nicholas McGegan |
2:05 | |||
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1.6
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No. 2b, How Excellent Thy Name, O Lord (Live)
Charles Jennens; George Frideric Handel; Charles Jennens; Philharmonia Chorale; Philharmonia Baroque Orchestra; Nicholas McGegan |
2:38 | |||
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1.7
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No. 6, He Comes, He Comes! - No. 7, O Godlike Youth (Live)
Charles Jennens; George Frideric Handel; Charles Jennens; Sherezade Panthaki; Philharmonia Baroque Orchestra; Nicholas McGegan |
3:11 | |||
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1.8
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No. 8, Behold, O King (Live)
Charles Jennens; George Frideric Handel; Charles Jennens; Daniel Okulitch; Aryeh Nussbaum Cohen; Jonathan Smucker; Philharmonia Baroque Orchestra; Nicholas McGegan |
0:46 | |||
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1.9
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No. 9, O King, Your Favours with Delight (Live)
Charles Jennens; George Frideric Handel; Charles Jennens; Aryeh Nussbaum Cohen; Philharmonia Baroque Orchestra; Nicholas McGegan |
4:08 | |||
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1.10
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No. 10, Oh, Early Piety! (Live)
Charles Jennens; George Frideric Handel; Charles Jennens; Aaron Sheehan; Philharmonia Baroque Orchestra; Nicholas McGegan |
0:21 | |||
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1.11
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No. 11, What Abject Thoughts a Prince Can Have! (Live)
Charles Jennens; George Frideric Handel; Charles Jennens; Yulia Van Doren; Philharmonia Baroque Orchestra; Nicholas McGegan |
2:08 | |||
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1.12
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No. 12, Yet Think on Whom This Honour You Bestow (Live)
Charles Jennens; George Frideric Handel; Charles Jennens; Yulia Van Doren; Philharmonia Baroque Orchestra; Nicholas McGegan |
0:13 | |||
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1.13
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No. 13, Birth and Fortune I Despise! (Live)
Charles Jennens; George Frideric Handel; Charles Jennens; Aaron Sheehan; Philharmonia Baroque Orchestra; Nicholas McGegan |
2:13 | |||
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1.14
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No. 16, Thou, Merab, First in Birth (Live)
Charles Jennens; George Frideric Handel; Charles Jennens; Daniel Okulitch; Yulia Van Doren; Philharmonia Baroque Orchestra; Nicholas McGegan |
0:18 | |||
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1.15
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No. 17, My Soul Rejects the Thought with Scorn (Live)
Charles Jennens; George Frideric Handel; Charles Jennens; Yulia Van Doren; Philharmonia Baroque Orchestra; Nicholas McGegan |
1:16 | |||
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1.16
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No. 18, See, with What a Scornful Air (Live)
Charles Jennens; George Frideric Handel; Charles Jennens; Sherezade Panthaki; Philharmonia Baroque Orchestra; Nicholas McGegan |
1:04 | |||
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1.17
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No. 19, Ah, Lovely Youth (Live)
Charles Jennens; George Frideric Handel; Charles Jennens; Sherezade Panthaki; Philharmonia Baroque Orchestra; Nicholas McGegan |
0:49 | |||
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1.18
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No. 20, Symphony "Pour les carillons" (Live)
George Frideric Handel; Philharmonia Baroque Orchestra; Nicholas McGegan |
1:06 | |||
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1.19
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No. 21, Already See the Daughters of the Land (Live)
Charles Jennens; George Frideric Handel; Charles Jennens; Sherezade Panthaki; Philharmonia Baroque Orchestra; Nicholas McGegan |
0:18 | |||
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1.20
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No. 22, Welcome, Welcome, Mighty King! (Live)
Charles Jennens; George Frideric Handel; Charles Jennens; Philharmonia Chorale; Philharmonia Baroque Orchestra; Nicholas McGegan |
1:33 | |||
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1.21
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No. 23, What Do I Hear? Am I Then Sunk So Low (Live)
Charles Jennens; George Frideric Handel; Charles Jennens; Daniel Okulitch; Philharmonia Baroque Orchestra; Nicholas McGegan |
0:27 | |||
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1.22
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No. 24, David His Ten Thousands Slew (Live)
Charles Jennens; George Frideric Handel; Charles Jennens; Philharmonia Chorale; Philharmonia Baroque Orchestra; Nicholas McGegan |
0:32 | |||
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1.23
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No. 25, To Him Ten Thousands, and to Me but Thousands! (Live)
Charles Jennens; George Frideric Handel; Charles Jennens; Daniel Okulitch; Philharmonia Baroque Orchestra; Nicholas McGegan |
0:17 | |||
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1.24
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No. 26, With Rage I Shall Burst His Praises to Hear! (Live)
Charles Jennens; George Frideric Handel; Charles Jennens; Daniel Okulitch; Philharmonia Baroque Orchestra; Nicholas McGegan |
1:24 | |||
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1.25
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No. 27, Imprudent Women! (Live)
Charles Jennens; George Frideric Handel; Charles Jennens; Sherezade Panthaki; Aaron Sheehan; Philharmonia Baroque Orchestra; Nicholas McGegan |
0:49 | |||
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1.26
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No. 28, Fell Rage and Black Despair Possess'd (Live)
Charles Jennens; George Frideric Handel; Charles Jennens; Sherezade Panthaki; Philharmonia Baroque Orchestra; Nicholas McGegan |
2:43 | |||
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1.27
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No. 31, Racked with Infernal Pains (Live)
Charles Jennens; George Frideric Handel; Charles Jennens; Jonathan Smucker; Philharmonia Baroque Orchestra; Nicholas McGegan |
0:19 | |||
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1.28
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No. 32, O Lord, Whose Mercies Numberless (Live)
Charles Jennens; George Frideric Handel; Charles Jennens; Aryeh Nussbaum Cohen; Philharmonia Baroque Orchestra; Nicholas McGegan |
4:11 | |||
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1.29
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No. 34, 'Tis All in Vain (Live)
Charles Jennens; George Frideric Handel; Charles Jennens; Aaron Sheehan; Philharmonia Baroque Orchestra; Nicholas McGegan |
0:16 | |||
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1.30
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No. 35, A Serpent, in My Bosom Warm'd (Live)
Charles Jennens; George Frideric Handel; Charles Jennens; Daniel Okulitch; Philharmonia Baroque Orchestra; Nicholas McGegan |
2:06 | |||
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1.31
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No. 36, Has He Escap'd My Rage? (Live)
Charles Jennens; George Frideric Handel; Charles Jennens; Daniel Okulitch; Philharmonia Baroque Orchestra; Nicholas McGegan |
0:20 | |||
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1.32
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No. 37, Capricious Man, in Humour Lost (Live)
Charles Jennens; George Frideric Handel; Charles Jennens; Yulia Van Doren; Philharmonia Baroque Orchestra; Nicholas McGegan |
3:55 | |||
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1.33
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No. 38, O Filial Piety! (Live)
Charles Jennens; George Frideric Handel; Charles Jennens; Aaron Sheehan; Philharmonia Baroque Orchestra; Nicholas McGegan |
1:15 | |||
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1.34
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No. 39, No, Cruel Father, No! (Live)
Charles Jennens; George Frideric Handel; Charles Jennens; Aaron Sheehan; Philharmonia Baroque Orchestra; Nicholas McGegan |
1:16 | |||
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1.35
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No. 41, Preserve Him for the Glory of Thy Name (Live)
Charles Jennens; George Frideric Handel; Charles Jennens; Philharmonia Chorale; Philharmonia Baroque Orchestra; Nicholas McGegan |
3:14 | |||
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1.36
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No. 42, Envy, Eldest Born of Hell (Live)
Charles Jennens; George Frideric Handel; Charles Jennens; Philharmonia Chorale; Philharmonia Baroque Orchestra; Nicholas McGegan |
2:31 | |||
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1.37
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No. 48, Hast Thou Obey'd My Orders (Live)
Charles Jennens; George Frideric Handel; Charles Jennens; Daniel Okulitch; Aaron Sheehan; Philharmonia Baroque Orchestra; Nicholas McGegan |
0:35 | |||
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1.38
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No. 49, Sin Not, O King (Live)
Charles Jennens; George Frideric Handel; Charles Jennens; Aaron Sheehan; Philharmonia Baroque Orchestra; Nicholas McGegan |
1:57 | |||
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1.39
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No. 50, As Great Jehovah Lives, I Swear (Live)
Charles Jennens; George Frideric Handel; Charles Jennens; Daniel Okulitch; Philharmonia Baroque Orchestra; Nicholas McGegan |
1:15 | |||
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1.40
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No. 51, From Cities Storm'd, and Battles Won (Live)
Charles Jennens; George Frideric Handel; Charles Jennens; Aaron Sheehan; Philharmonia Baroque Orchestra; Nicholas McGegan |
1:59 | |||
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1.41
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No. 52, Appear, My Friend (Live)
Charles Jennens; George Frideric Handel; Charles Jennens; Daniel Okulitch; Aaron Sheehan; Philharmonia Baroque Orchestra; Nicholas McGegan |
0:32 | |||
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1.42
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No. 53, Your Words, O King (Live)
Charles Jennens; George Frideric Handel; Charles Jennens; Aryeh Nussbaum Cohen; Philharmonia Baroque Orchestra; Nicholas McGegan |
1:02 | |||
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Saul, HWV 53 (Excerpts) & Scene 5
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1.43
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No. 54, Yes, He Shall Wed My Daughter! - No. 55, A Father's Will Has Authorized My Love (Live)
Charles Jennens; George Frideric Handel; Charles Jennens; Daniel Okulitch; Sherezade Panthaki; Philharmonia Baroque Orchestra; Nicholas McGegan |
1:18 | |||
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Saul, HWV 53 (Excerpts)
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1.44
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No. 56, O Fairest of Ten Thousand Fair (Live)
Charles Jennens; George Frideric Handel; Charles Jennens; Sherezade Panthaki; Aryeh Nussbaum Cohen; Philharmonia Baroque Orchestra; Nicholas McGegan |
2:52 | |||
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1.45
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No. 57, Is There a Man, Who All His Ways (Live)
Charles Jennens; George Frideric Handel; Charles Jennens; Philharmonia Chorale; Philharmonia Baroque Orchestra; Nicholas McGegan |
1:37 | |||
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1.46
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No. 58, Symphony (Live)
George Frideric Handel; Philharmonia Baroque Orchestra; Nicholas McGegan |
4:31 | |||
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1.47
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No. 59, Thy Father Is As Cruel (Live)
Charles Jennens; George Frideric Handel; Charles Jennens; Aryeh Nussbaum Cohen; Philharmonia Baroque Orchestra; Nicholas McGegan |
0:37 | |||
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1.48
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No. 60, At Persecution I Can Laugh (Live)
Charles Jennens; George Frideric Handel; Charles Jennens; Sherezade Panthaki; Aryeh Nussbaum Cohen; Philharmonia Baroque Orchestra; Nicholas McGegan |
1:22 | |||
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1.49
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No. 61, Whom Dost Thou Seek (Live)
Charles Jennens; George Frideric Handel; Charles Jennens; Sherezade Panthaki; Christian Pursell; Philharmonia Baroque Orchestra; Nicholas McGegan |
0:40 | |||
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1.50
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No. 62, No, No, Let the Guilty Tremble (Live)
Charles Jennens; George Frideric Handel; Charles Jennens; Sherezade Panthaki; Philharmonia Baroque Orchestra; Nicholas McGegan |
1:30 | |||
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1.51
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No. 63, Mean as He Was, He Is My Brother Now (Live)
Charles Jennens; George Frideric Handel; Charles Jennens; Yulia Van Doren; Philharmonia Baroque Orchestra; Nicholas McGegan |
0:51 | |||
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1.52
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No. 64, Author of Peace (Live)
Charles Jennens; George Frideric Handel; Charles Jennens; Yulia Van Doren; Philharmonia Baroque Orchestra; Nicholas McGegan |
3:20 | |||
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1.53
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No. 65, Symphony (Live)
George Frideric Handel; Philharmonia Baroque Orchestra; Nicholas McGegan |
1:16 | |||
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1.54
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No. 66, The Time at Length Is Come (Live)
Charles Jennens; George Frideric Handel; Charles Jennens; Daniel Okulitch; Philharmonia Baroque Orchestra; Nicholas McGegan |
0:44 | |||
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1.55
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No. 67, Where Is the Son of Jesse? (Live)
Charles Jennens; George Frideric Handel; Charles Jennens; Daniel Okulitch; Aaron Sheehan; Philharmonia Baroque Orchestra; Nicholas McGegan |
1:05 | |||
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1.56
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No. 68, Oh, Fatal Consequence of Rage (Live)
Charles Jennens; George Frideric Handel; Charles Jennens; Philharmonia Chorale; Philharmonia Baroque Orchestra; Nicholas McGegan |
4:47 | |||
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1.57
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No. 69, Wretch That I Am (Live)
Charles Jennens; George Frideric Handel; Charles Jennens; Daniel Okulitch; Philharmonia Baroque Orchestra; Nicholas McGegan |
2:25 | |||
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1.58
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No. 70, 'Tis Said, Here Lives a Woman (Live)
Charles Jennens; George Frideric Handel; Charles Jennens; Daniel Okulitch; Philharmonia Baroque Orchestra; Nicholas McGegan |
0:45 | |||
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1.59
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No. 71, With Me What Would'st Thou? (Live)
Charles Jennens; George Frideric Handel; Charles Jennens; Daniel Okulitch; Jonathan Smucker; Philharmonia Baroque Orchestra; Nicholas McGegan |
0:36 | |||
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1.60
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No. 72, Infernal Spirits (Live)
Charles Jennens; George Frideric Handel; Charles Jennens; Jonathan Smucker; Philharmonia Baroque Orchestra; Nicholas McGegan |
1:58 | |||
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1.61
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No. 73, Why Hast Thou Forc'd Me from the Realms of Peace (Live)
Charles Jennens; George Frideric Handel; Charles Jennens; Daniel Okulitch; Christian Pursell; Philharmonia Baroque Orchestra; Nicholas McGegan |
3:14 | |||
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1.62
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No. 74, Symphony (Live)
George Frideric Handel; Philharmonia Baroque Orchestra; Nicholas McGegan |
0:37 | |||
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1.63
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No. 75, Whence Comest Thou? (Live)
Charles Jennens; George Frideric Handel; Charles Jennens; Aryeh Nussbaum Cohen; Jonathan Smucker; Philharmonia Baroque Orchestra; Nicholas McGegan |
1:16 | |||
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1.64
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No. 76, Impious Wretch, of Race Accurst! (Live)
Charles Jennens; George Frideric Handel; Charles Jennens; Aryeh Nussbaum Cohen; Philharmonia Baroque Orchestra; Nicholas McGegan |
1:53 | |||
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1.65
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No. 77, Dead March (Live)
George Frideric Handel; Philharmonia Baroque Orchestra; Nicholas McGegan |
3:22 | |||
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1.66
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No. 78, Mourn, Israel, Mourn (Live)
Charles Jennens; George Frideric Handel; Charles Jennens; Philharmonia Chorale; Philharmonia Baroque Orchestra; Nicholas McGegan |
2:43 | |||
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1.67
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No. 79, Oh, Let It Not in Gath Be Heard (Live)
Charles Jennens; George Frideric Handel; Charles Jennens; Aaron Sheehan; Philharmonia Baroque Orchestra; Nicholas McGegan |
2:03 | |||
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1.68
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No. 80, From This Unhappy Day (Live)
Charles Jennens; George Frideric Handel; Charles Jennens; Yulia Van Doren; Philharmonia Baroque Orchestra; Nicholas McGegan |
2:46 | |||
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1.69
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No. 81, Brave Jonathan His Bow Never Drew (Live)
Charles Jennens; George Frideric Handel; Charles Jennens; Aryeh Nussbaum Cohen; Philharmonia Baroque Orchestra; Nicholas McGegan |
2:35 | |||
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1.70
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No. 82, Eagles Were Not so Swift as They (Live)
Charles Jennens; George Frideric Handel; Charles Jennens; Philharmonia Chorale; Philharmonia Baroque Orchestra; Nicholas McGegan |
0:22 | |||
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1.71
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No. 83, In Sweetest Harmony They Lived (Live)
Charles Jennens; George Frideric Handel; Charles Jennens; Sherezade Panthaki; Philharmonia Baroque Orchestra; Nicholas McGegan |
4:33 | |||
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1.72
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No. 84, O Fatal Day! How Low the Mighty Lie! (Live)
Charles Jennens; George Frideric Handel; Charles Jennens; Aryeh Nussbaum Cohen; Philharmonia Chorale; Philharmonia Baroque Orchestra; Nicholas McGegan |
4:40 | |||
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1.73
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No. 85, Ye Men of Judah, Weep No More! (Live)
Charles Jennens; George Frideric Handel; Charles Jennens; Jonathan Smucker; Philharmonia Baroque Orchestra; Nicholas McGegan |
0:31 | |||
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1.74
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No. 86, Gird on Thy Sword, Thou Man of Might (Live)
Charles Jennens; George Frideric Handel; Charles Jennens; Philharmonia Chorale; Philharmonia Baroque Orchestra; Nicholas McGegan |
5:39 | |||
Young David has just slain Goliath, earning him the rapturous admiration of the Israelites and the murderous envy of King Saul. This Biblical tale of love and jealousy, madness and mourning, family feuds and supernatural apparitions inspired one of Handel’s most inventive and popular oratorios. Renowned Handel expert Nic McGegan leads an all-star cast through the full dramatic range from tender lyricism to full-throttle triumph and glory.
192 kHz / 24-bit, 96 kHz / 24-bit PCM – Philharmonia Baroque Productions Studio Masters
| Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -6.88 -20.21 to -1.09 | -29.11 -38.80 to -19.34 | -25.58 -34.30 to -16.60 | 13 10 to 16 | |
| 1 | No. 1, Overture (Live) | -11.05 | -31.97 | -29.0 | 14 |
| 2 | No. 2a, How Excellent Thy Name, O Lord (Live) | -2.69 | -23.54 | -19.9 | 13 |
| 3 | No. 3, An Infant Rais'd by Thy Command (Live) | -5.02 | -26.98 | -22.7 | 12 |
| 4 | No, 4, Along the Monster Atheist Strode (Live) | -6.48 | -25.98 | -23.2 | 12 |
| 5 | No. 5, The Youth Inspir'd by Thee, O Lord (Live) | -5.42 | -25.01 | -22.3 | 13 |
| 6 | No. 2b, How Excellent Thy Name, O Lord (Live) | -1.18 | -20.61 | -17.6 | 12 |
| 7 | No. 6, He Comes, He Comes! - No. 7, O Godlike Youth (Live) | -4.32 | -27.27 | -23.6 | 14 |
| 8 | No. 8, Behold, O King (Live) | -11.96 | -33.43 | -29.9 | 14 |
| 9 | No. 9, O King, Your Favours with Delight (Live) | -7.40 | -30.60 | -27.3 | 14 |
| 10 | No. 10, Oh, Early Piety! (Live) | -9.42 | -31.45 | -27.9 | 11 |
| 11 | No. 11, What Abject Thoughts a Prince Can Have! (Live) | -3.58 | -27.55 | -23.8 | 14 |
| 12 | No. 12, Yet Think on Whom This Honour You Bestow (Live) | -10.32 | -33.49 | -29.7 | 15 |
| 13 | No. 13, Birth and Fortune I Despise! (Live) | -4.76 | -30.03 | -26.3 | 12 |
| 14 | No. 16, Thou, Merab, First in Birth (Live) | -8.08 | -30.59 | -26.7 | 12 |
| 15 | No. 17, My Soul Rejects the Thought with Scorn (Live) | -1.68 | -25.72 | -22.3 | 14 |
| 16 | No. 18, See, with What a Scornful Air (Live) | -2.80 | -25.23 | -21.9 | 13 |
| 17 | No. 19, Ah, Lovely Youth (Live) | -4.81 | -28.19 | -24.7 | 13 |
| 18 | No. 20, Symphony "Pour les carillons" (Live) | -20.21 | -38.80 | -34.3 | 12 |
| 19 | No. 21, Already See the Daughters of the Land (Live) | -3.80 | -26.43 | -21.8 | 11 |
| 20 | No. 22, Welcome, Welcome, Mighty King! (Live) | -5.97 | -26.26 | -22.5 | 13 |
| 21 | No. 23, What Do I Hear? Am I Then Sunk So Low (Live) | -9.36 | -28.81 | -25.2 | 12 |
| 22 | No. 24, David His Ten Thousands Slew (Live) | -2.03 | -19.34 | -16.6 | 11 |
| 23 | No. 25, To Him Ten Thousands, and to Me but Thousands! (Live) | -10.92 | -30.06 | -26.5 | 12 |
| 24 | No. 26, With Rage I Shall Burst His Praises to Hear! (Live) | -8.96 | -29.54 | -26.4 | 14 |
| 25 | No. 27, Imprudent Women! (Live) | -9.85 | -30.73 | -27.1 | 12 |
| 26 | No. 28, Fell Rage and Black Despair Possess'd (Live) | -2.02 | -30.47 | -26.7 | 16 |
| 27 | No. 31, Racked with Infernal Pains (Live) | -12.31 | -34.49 | -30.3 | 12 |
| 28 | No. 32, O Lord, Whose Mercies Numberless (Live) | -8.58 | -33.44 | -29.9 | 14 |
| 29 | No. 34, 'Tis All in Vain (Live) | -15.53 | -35.87 | -32.5 | 14 |
| 30 | No. 35, A Serpent, in My Bosom Warm'd (Live) | -7.46 | -30.17 | -27.2 | 16 |
| 31 | No. 36, Has He Escap'd My Rage? (Live) | -8.84 | -31.06 | -26.9 | 15 |
| 32 | No. 37, Capricious Man, in Humour Lost (Live) | -1.09 | -26.51 | -22.6 | 14 |
| 33 | No. 38, O Filial Piety! (Live) | -7.64 | -30.22 | -26.9 | 14 |
| 34 | No. 39, No, Cruel Father, No! (Live) | -6.18 | -29.69 | -26.9 | 14 |
| 35 | No. 41, Preserve Him for the Glory of Thy Name (Live) | -4.64 | -25.62 | -22.4 | 13 |
| 36 | No. 42, Envy, Eldest Born of Hell (Live) | -3.48 | -25.77 | -22.8 | 13 |
| 37 | No. 48, Hast Thou Obey'd My Orders (Live) | -7.78 | -33.18 | -29.6 | 14 |
| 38 | No. 49, Sin Not, O King (Live) | -6.49 | -31.86 | -28.6 | 14 |
| 39 | No. 50, As Great Jehovah Lives, I Swear (Live) | -10.08 | -28.89 | -25.8 | 11 |
| 40 | No. 51, From Cities Storm'd, and Battles Won (Live) | -8.97 | -30.15 | -26.9 | 13 |
| 41 | No. 52, Appear, My Friend (Live) | -7.40 | -33.11 | -28.7 | 14 |
| 42 | No. 53, Your Words, O King (Live) | -9.46 | -30.18 | -27.3 | 11 |
| 43 | No. 54, Yes, He Shall Wed My Daughter! - No. 55, A Father's Will Has Authorized My Love (Live) | -5.28 | -30.11 | -25.6 | 15 |
| 44 | No. 56, O Fairest of Ten Thousand Fair (Live) | -1.80 | -27.20 | -23.8 | 14 |
| 45 | No. 57, Is There a Man, Who All His Ways (Live) | -6.31 | -26.49 | -23.4 | 13 |
| 46 | No. 58, Symphony (Live) | -10.58 | -29.66 | -27.0 | 12 |
| 47 | No. 59, Thy Father Is As Cruel (Live) | -7.45 | -28.72 | -25.0 | 12 |
| 48 | No. 60, At Persecution I Can Laugh (Live) | -1.37 | -24.86 | -21.2 | 13 |
| 49 | No. 61, Whom Dost Thou Seek (Live) | -7.19 | -30.59 | -26.0 | 13 |
| 50 | No. 62, No, No, Let the Guilty Tremble (Live) | -1.82 | -26.00 | -22.4 | 14 |
| 51 | No. 63, Mean as He Was, He Is My Brother Now (Live) | -9.50 | -31.52 | -27.4 | 13 |
| 52 | No. 64, Author of Peace (Live) | -5.71 | -29.21 | -25.1 | 14 |
| 53 | No. 65, Symphony (Live) | -4.42 | -22.57 | -19.8 | 12 |
| 54 | No. 66, The Time at Length Is Come (Live) | -8.37 | -28.13 | -24.6 | 13 |
| 55 | No. 67, Where Is the Son of Jesse? (Live) | -3.49 | -29.40 | -25.3 | 15 |
| 56 | No. 68, Oh, Fatal Consequence of Rage (Live) | -2.28 | -24.62 | -21.5 | 14 |
| 57 | No. 69, Wretch That I Am (Live) | -6.02 | -29.83 | -26.0 | 13 |
| 58 | No. 70, 'Tis Said, Here Lives a Woman (Live) | -9.54 | -32.71 | -28.8 | 13 |
| 59 | No. 71, With Me What Would'st Thou? (Live) | -11.70 | -34.16 | -30.1 | 14 |
| 60 | No. 72, Infernal Spirits (Live) | -8.26 | -30.35 | -27.0 | 13 |
| 61 | No. 73, Why Hast Thou Forc'd Me from the Realms of Peace (Live) | -4.61 | -30.11 | -26.4 | 15 |
| 62 | No. 74, Symphony (Live) | -4.22 | -24.76 | -22.0 | 12 |
| 63 | No. 75, Whence Comest Thou? (Live) | -6.92 | -30.07 | -26.4 | 14 |
| 64 | No. 76, Impious Wretch, of Race Accurst! (Live) | -7.16 | -28.64 | -25.1 | 12 |
| 65 | No. 77, Dead March (Live) | -10.82 | -35.17 | -32.4 | 14 |
| 66 | No. 78, Mourn, Israel, Mourn (Live) | -8.99 | -29.91 | -27.0 | 12 |
| 67 | No. 79, Oh, Let It Not in Gath Be Heard (Live) | -11.05 | -31.53 | -28.0 | 12 |
| 68 | No. 80, From This Unhappy Day (Live) | -5.87 | -29.53 | -25.2 | 14 |
| 69 | No. 81, Brave Jonathan His Bow Never Drew (Live) | -9.39 | -31.18 | -27.5 | 13 |
| 70 | No. 82, Eagles Were Not so Swift as They (Live) | -3.08 | -25.83 | -22.5 | 10 |
| 71 | No. 83, In Sweetest Harmony They Lived (Live) | -5.78 | -28.35 | -24.1 | 13 |
| 72 | No. 84, O Fatal Day! How Low the Mighty Lie! (Live) | -4.72 | -27.40 | -23.8 | 14 |
| 73 | No. 85, Ye Men of Judah, Weep No More! (Live) | -13.14 | -35.71 | -32.7 | 12 |
| 74 | No. 86, Gird on Thy Sword, Thou Man of Might (Live) | -2.42 | -21.54 | -18.3 | 12 |