Swallow Tales
John Scofield, Steve Swallow, Bill Stewart
Available in 96 kHz / 24-bit AIFF, FLAC high resolution audio formats
1.1
|
She Was Young
John Scofield; Steve Swallow; Bill Stewart |
9:33 | |||
1.2
|
Falling Grace
John Scofield; Steve Swallow; Bill Stewart |
5:27 | |||
1.3
|
Portsmouth Figurations
John Scofield; Steve Swallow; Bill Stewart |
3:31 | |||
1.4
|
Awful Coffee
John Scofield; Steve Swallow; Bill Stewart |
9:28 | |||
1.5
|
Eiderdown
John Scofield; Steve Swallow; Bill Stewart |
7:13 | |||
1.6
|
Hullo Bolinas
John Scofield; Steve Swallow; Bill Stewart |
4:15 | |||
1.7
|
Away
John Scofield; Steve Swallow; Bill Stewart |
4:54 | |||
1.8
|
In F
John Scofield; Steve Swallow; Bill Stewart |
4:34 | |||
1.9
|
Radio
John Scofield; Steve Swallow; Bill Stewart |
4:21 | |||
Digital Booklet
|
Guitarist John Scofield celebrates the music of his friend and mentor Steve Swallow in an outgoing and spirited recording, made in an afternoon in New York City in March 2019 – “old school” style as Scofield says, acknowledging that more than forty years of preparation led up to it. Scofield was a 20-year-old student at Berklee when he first met and played with bassist Swallow, and they have continued ever since, in many different contexts.
“I love these songs,” says Scofield of the selection of Swallow compositions explored here – a broad range including tunes that have become standards, as well as some lesser-known works. The rapport between Scofield and Swallow is evident in every moment. Scofield: “Sometimes when we play it’s like one big guitar, the bass part and my part together.”
Behind the drum kit, Bill Stewart is alert to all the implications of the interaction. “What Bill does is more than ‘playing the drums,’” Scofield says. “He’s a melodic voice in the music, playing counterpoint, and comping, while also swinging really hard.” The guitarist himself plays with fire and invention throughout: “These two giants bring out the best in me.”
Swallow’s compositions, Scofield notes, “make perfect vehicles for improvisation. The changes are always interesting – but not too interesting! They’re grounded in reality with cadences that make sense. They’re never just intellectual exercises, and they’re so melodic. They’re all songs, rather than ‘pieces.’ They could all be sung.”
96 kHz / 24-bit PCM – ECM Records Studio Masters
Tracks 1-9 – contains material which utilizes a limited amount of the available bandwidth
Tracks 1-9 – contains material which utilizes a limited amount of the available bandwidth
Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -3.12 -8.26 to -1.12 | -22.05 -27.24 to -19.97 | -19.96 -24.90 to -18.00 | 13 11 to 14 | |
1 | She Was Young | -1.12 | -22.33 | -20.1 | 14 |
2 | Falling Grace | -2.86 | -21.18 | -19.2 | 12 |
3 | Portsmouth Figurations | -2.05 | -20.27 | -18.3 | 13 |
4 | Awful Coffee | -2.80 | -22.13 | -20.0 | 13 |
5 | Eiderdown | -2.26 | -19.97 | -18.0 | 13 |
6 | Hullo Bolinas | -3.84 | -23.54 | -21.4 | 12 |
7 | Away | -8.26 | -27.24 | -24.9 | 12 |
8 | In F | -2.68 | -21.41 | -19.3 | 13 |
9 | Radio | -2.19 | -20.41 | -18.4 | 11 |