℗ 2015 Reference Recordings
| Released | November 13, 2015 |
| Duration | 1h 11m 16s |
| Record Label | Reference Recordings |
| Catalogue No. | FR-718SACD |
| Genre | Classical (Orchestral) |
Beethoven: Symphony No. 5 - Symphony No. 7 (Live)
Pittsburgh Symphony Orchestra, Manfred Honeck
Available in 192 kHz / 24-bit, 96 kHz / 24-bit AIFF, FLAC high resolution audio formats
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Symphony No. 5 in C Minor, Op. 67
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1.1
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I. Allegro con brio
Ludwig van Beethoven; Pittsburgh Symphony Orchestra; Manfred Honeck |
7:11 | |||
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1.2
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II. Andante con moto
Ludwig van Beethoven; Pittsburgh Symphony Orchestra; Manfred Honeck |
9:06 | |||
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1.3
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III. Allegro
Ludwig van Beethoven; Pittsburgh Symphony Orchestra; Manfred Honeck |
4:56 | |||
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1.4
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IV. Allegro
Ludwig van Beethoven; Pittsburgh Symphony Orchestra; Manfred Honeck |
10:08 | |||
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Symphony No. 7 in A Major, Op. 92
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1.5
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I. Poco sostenuto - Vivace
Ludwig van Beethoven; Pittsburgh Symphony Orchestra; Manfred Honeck |
13:54 | |||
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1.6
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II. Allegretto
Ludwig van Beethoven; Pittsburgh Symphony Orchestra; Manfred Honeck |
8:31 | |||
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1.7
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III. Presto, assai meno presto
Ludwig van Beethoven; Pittsburgh Symphony Orchestra; Manfred Honeck |
8:58 | |||
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1.8
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IV. Allegro con brio
Ludwig van Beethoven; Pittsburgh Symphony Orchestra; Manfred Honeck |
8:32 | |||
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Digital Booklet
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Collated from three concerts recorded live in December 2014, Manfred Honeck leads the Pittsburgh Symphony in a distinctive interpretation of these most beloved works, proof there is always discovery in the well travelled ground of Beethoven’s symphonies when played with conviction and passion. There are no classic symphonies that have been performed more often than Beethoven's: his Fifth Symphony includes history’s four most famous notes and the Seventh Symphony was revolutionary in its emphasis on rhythm.
"A recording of Beethoven is always a great occasion and event. The marrying of the music’s historic interpretation with the brilliance of the Pittsburgh Symphony Orchestra’s playing have made this recording possible. It has been a joy to look deeply into that which Beethoven has composed, while also discovering the sense and content of the music and thus the reason why it has been written. For me, this is always the most beautiful part of the creative process."
- Manfred Honeck
192 kHz / 24-bit, 96 kHz / 24-bit PCM – Reference Recordings Studio Masters
Recorded Live: December 5 to 7, 2014 Heinz Hall for the Performing Arts, Pittsburgh, PA Recording Producer: Dirk Sobotka (Soundmirror, Boston) Balance Engineer: Mark Donahue (Soundmirror, Boston) Recording Engineer: John Newton (Soundmirror, Boston) Mastering: Mark Donahue (Soundmirror, Boston) Music Notes: Manfred Honeck Editing and Coordination: Mary Persin Technical Notes: Mark Donahue, John Newton and Dirk Sobotka Design: Bill Roarty Front Cover Design: Brian Hughes Back Cover Photo: Michael Sahaida
Recorded Live: December 5 to 7, 2014 Heinz Hall for the Performing Arts, Pittsburgh, PA Recording Producer: Dirk Sobotka (Soundmirror, Boston) Balance Engineer: Mark Donahue (Soundmirror, Boston) Recording Engineer: John Newton (Soundmirror, Boston) Mastering: Mark Donahue (Soundmirror, Boston) Music Notes: Manfred Honeck Editing and Coordination: Mary Persin Technical Notes: Mark Donahue, John Newton and Dirk Sobotka Design: Bill Roarty Front Cover Design: Brian Hughes Back Cover Photo: Michael Sahaida
| Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -0.76 -1.15 to -0.68 | -19.96 -24.01 to -17.02 | -15.26 -19.20 to -13.50 | 11 10 to 13 | |
| 1 | I. Allegro con brio | -0.69 | -18.15 | -13.9 | 11 |
| 2 | II. Andante con moto | -0.70 | -21.37 | -15.2 | 11 |
| 3 | III. Allegro | -0.70 | -22.02 | -16.0 | 11 |
| 4 | IV. Allegro | -0.68 | -17.12 | -13.5 | 10 |
| 5 | I. Poco sostenuto - Vivace | -0.69 | -19.34 | -15.0 | 11 |
| 6 | II. Allegretto | -1.15 | -24.01 | -19.2 | 13 |
| 7 | III. Presto, assai meno presto | -0.77 | -20.67 | -15.5 | 11 |
| 8 | IV. Allegro con brio | -0.68 | -17.02 | -13.8 | 10 |