℗ 2020 PENTATONE
Released June 5, 2020
Duration 53m 00s
Record Label PENTATONE
Catalogue No. PTC5186774
Genre Classical (Sacred)
 

Bruckner: Mass No. 2 in E Minor - Stravinsky: Mass

Rundfunkchor Berlin, Gijs Leenaars

Available in 48 kHz / 24-bit AIFF, FLAC audio formats
  • Select Format
    • AIFF 48 kHz | 24-bit
    • FLAC 48 kHz | 24-bit
Add to cart
discounted price

 
Mass No. 2 in E Minor, WAB 27 (1882 Version)  
1.1
I. Kyrie
Anton Bruckner; Clara Dent-Bóganyi; Florian Grube; Michael Kern; Ann-Kathrin Zacharias; Miriam Kofler; Alexander Voigt; Martin Kühner; Ingo Klinkhammer; Frank Stephan; Anne Mentzen; Lars Ranch; Jörg Niemand; Hannes Hölzl; Hartmut Grupe; Jan Donner; Rundfunkchor Berlin; G
7:21
1.2
IIa. Gloria. Gloria in excelsis deo
Anton Bruckner; Yoo-hoon Shin; Clara Dent-Bóganyi; Florian Grube; Michael Kern; Ann-Kathrin Zacharias; Miriam Kofler; Alexander Voigt; Martin Kühner; Ingo Klinkhammer; Frank Stephan; Anne Mentzen; Lars Ranch; Jörg Niemand; Hannes Hölzl; Hartmut Grupe; Jan Donner; Rundfun
1:45
1.3
IIb. Gloria. Qui tollis peccata mundi
Anton Bruckner; Clara Dent-Bóganyi; Florian Grube; Michael Kern; Ann-Kathrin Zacharias; Miriam Kofler; Alexander Voigt; Martin Kühner; Ingo Klinkhammer; Frank Stephan; Anne Mentzen; Lars Ranch; Jörg Niemand; Hannes Hölzl; Hartmut Grupe; Jan Donner; Rundfunkchor Berlin; G
1:50
1.4
IIc. Gloria. Quoniam tu solus sanctus
Anton Bruckner; Clara Dent-Bóganyi; Florian Grube; Michael Kern; Ann-Kathrin Zacharias; Miriam Kofler; Alexander Voigt; Martin Kühner; Ingo Klinkhammer; Frank Stephan; Anne Mentzen; Lars Ranch; Jörg Niemand; Hannes Hölzl; Hartmut Grupe; Jan Donner; Rundfunkchor Berlin; G
2:25
1.5
IIIa. Credo. Credo in unum Deum
Anton Bruckner; Yoo-hoon Shin; Clara Dent-Bóganyi; Florian Grube; Michael Kern; Ann-Kathrin Zacharias; Miriam Kofler; Alexander Voigt; Martin Kühner; Ingo Klinkhammer; Frank Stephan; Anne Mentzen; Lars Ranch; Jörg Niemand; Hannes Hölzl; Hartmut Grupe; Jan Donner; Rundfun
1:37
1.6
IIIb. Credo. Et incarnatus est
Anton Bruckner; Clara Dent-Bóganyi; Florian Grube; Michael Kern; Ann-Kathrin Zacharias; Miriam Kofler; Alexander Voigt; Martin Kühner; Ingo Klinkhammer; Frank Stephan; Anne Mentzen; Lars Ranch; Jörg Niemand; Hannes Hölzl; Hartmut Grupe; Jan Donner; Rundfunkchor Berlin; G
1:23
1.7
IIIc. Credo. Crucifixus
Anton Bruckner; Clara Dent-Bóganyi; Florian Grube; Michael Kern; Ann-Kathrin Zacharias; Miriam Kofler; Alexander Voigt; Martin Kühner; Ingo Klinkhammer; Frank Stephan; Anne Mentzen; Lars Ranch; Jörg Niemand; Hannes Hölzl; Hartmut Grupe; Jan Donner; Rundfunkchor Berlin; G
1:45
1.8
IIId. Credo. Et resurrexit
Anton Bruckner; Clara Dent-Bóganyi; Florian Grube; Michael Kern; Ann-Kathrin Zacharias; Miriam Kofler; Alexander Voigt; Martin Kühner; Ingo Klinkhammer; Frank Stephan; Anne Mentzen; Lars Ranch; Jörg Niemand; Hannes Hölzl; Hartmut Grupe; Jan Donner; Rundfunkchor Berlin; G
1:50
1.9
IIIe. Credo. Et in Spiritum Sanctum
Anton Bruckner; Clara Dent-Bóganyi; Florian Grube; Michael Kern; Ann-Kathrin Zacharias; Miriam Kofler; Alexander Voigt; Martin Kühner; Ingo Klinkhammer; Frank Stephan; Anne Mentzen; Lars Ranch; Jörg Niemand; Hannes Hölzl; Hartmut Grupe; Jan Donner; Rundfunkchor Berlin; G
2:35
1.10
IV. Sanctus
Anton Bruckner; Clara Dent-Bóganyi; Florian Grube; Michael Kern; Ann-Kathrin Zacharias; Miriam Kofler; Alexander Voigt; Martin Kühner; Ingo Klinkhammer; Frank Stephan; Anne Mentzen; Lars Ranch; Jörg Niemand; Hannes Hölzl; Hartmut Grupe; Jan Donner; Rundfunkchor Berlin; G
3:08
1.11
V. Benedictus
Anton Bruckner; Clara Dent-Bóganyi; Florian Grube; Michael Kern; Ann-Kathrin Zacharias; Miriam Kofler; Alexander Voigt; Martin Kühner; Ingo Klinkhammer; Frank Stephan; Anne Mentzen; Lars Ranch; Jörg Niemand; Hannes Hölzl; Hartmut Grupe; Jan Donner; Rundfunkchor Berlin; G
5:25
1.12
VI. Agnus Dei
Anton Bruckner; Clara Dent-Bóganyi; Florian Grube; Michael Kern; Ann-Kathrin Zacharias; Miriam Kofler; Alexander Voigt; Martin Kühner; Ingo Klinkhammer; Frank Stephan; Anne Mentzen; Lars Ranch; Jörg Niemand; Hannes Hölzl; Hartmut Grupe; Jan Donner; Rundfunkchor Berlin; G
5:24
Mass  
1.13
I. Kyrie
Igor Stravinsky; Gabriele Bastian; Clara Dent-Bóganyi; Florian Grube; Gudrun Vogler; Miriam Kofler; Alexander Voigt; Florian Dörpholz; Maximilian Sutter; Hannes Hölzl; Hartmut Grupe; Jörg Lehmann; Rundfunkchor Berlin; Gijs Leenaars
2:34
1.14
II. Gloria
Igor Stravinsky; Barbara Berg; Christine Lichtenberg; Gabriele Bastian; Clara Dent-Bóganyi; Florian Grube; Gudrun Vogler; Miriam Kofler; Alexander Voigt; Florian Dörpholz; Maximilian Sutter; Hannes Hölzl; Hartmut Grupe; Jörg Lehmann; Rundfunkchor Berlin; Gijs Leenaars
3:24
1.15
III. Credo
Igor Stravinsky; Gabriele Bastian; Mathis Koch; Clara Dent-Bóganyi; Florian Grube; Gudrun Vogler; Miriam Kofler; Alexander Voigt; Florian Dörpholz; Maximilian Sutter; Hannes Hölzl; Hartmut Grupe; Jörg Lehmann; Rundfunkchor Berlin; Gijs Leenaars
4:18
1.16
IV. Sanctus
Igor Stravinsky; Barbara Berg; Christine Lichtenberg; Mathis Koch; Wolfram Teßmer; Gabriele Bastian; Clara Dent-Bóganyi; Florian Grube; Gudrun Vogler; Miriam Kofler; Alexander Voigt; Florian Dörpholz; Maximilian Sutter; Hannes Hölzl; Hartmut Grupe; Jörg Lehmann; Rundfunkc
3:32
1.17
V. Agnus Dei
Igor Stravinsky; Gabriele Bastian; Clara Dent-Bóganyi; Florian Grube; Gudrun Vogler; Miriam Kofler; Alexander Voigt; Florian Dörpholz; Maximilian Sutter; Hannes Hölzl; Hartmut Grupe; Jörg Lehmann; Rundfunkchor Berlin; Gijs Leenaars
2:44
Digital Booklet
The Rundfunkchor Berlin, led by its chief conductor Gijs Leenaars and accompanied by wind players from the Rundfunk-Sinfonieorchester Berlin, presents masses by Bruckner and Stravinsky. The mass is arguably the oldest genre in music history, full of traditions, but also an inexhaustible soil for originality and innovation. This mix of tradition and innovation makes the genre an ideal vehicle for Bruckner and Stravinsky, who were both masters at blending the old and new into a uniquely personal musical idiom. Bruckner’s Mass in E Minor and Stravinsky’s Mass share their unusual orchestrations of almost a cappella voices with a sparse, extraordinary wind accompaniment. While Bruckner was inspired by open air “country masses”, Stravinsky’s Mass is emblematic of his neo-classical style. The Rundfunkchor Berlin is one of the most established German choirs, and has participated in several PENTATONE releases of Wagner operas, as well as a recording of Bruckner’s Mass in F Minor (2013) and Richard Strauss’s Die Tageszeiten (2015). The Rundfunk-Sinfonieorchester Berlin has an even more extensive PENTATONE discography, containing collaborations with conductors such as Marek Janowski, Jakub Hrůša and Vladimir Jurowski. Gijs Leenaars makes his PENTATONE debut.
48 kHz / 24-bit PCM – PENTATONE Studio Masters
Track title
Peak
(dB FS)
RMS
(dB FS)
LUFS
(integrated)
DR
Album average
Range of values
-3.49
-12.02 to -0.66
-23.89
-32.16 to -17.98
-19.99
-29.10 to -13.40
12
10 to 15
1
I. Kyrie
-0.66-21.42-17.112
2
IIa. Gloria. Gloria in excelsis deo
-0.66-18.62-13.410
3
IIb. Gloria. Qui tollis peccata mundi
-1.48-28.05-23.215
4
IIc. Gloria. Quoniam tu solus sanctus
-0.66-19.22-15.611
5
IIIa. Credo. Credo in unum Deum
-0.66-20.75-16.811
6
IIIb. Credo. Et incarnatus est
-12.02-32.16-28.612
7
IIIc. Credo. Crucifixus
-10.10-32.13-29.113
8
IIId. Credo. Et resurrexit
-0.66-18.17-14.511
9
IIIe. Credo. Et in Spiritum Sanctum
-0.66-18.58-13.910
10
IV. Sanctus
-0.66-17.98-13.610
11
V. Benedictus
-0.66-23.62-19.814
12
VI. Agnus Dei
-0.81-23.35-19.413
13
I. Kyrie
-10.17-27.70-24.711
14
II. Gloria
-8.48-30.41-27.215
15
III. Credo
-0.66-25.34-22.115
16
IV. Sanctus
-0.66-20.48-15.711
17
V. Agnus Dei
-9.67-28.17-25.111

Offers & New Releases

exclusive benefits for mailing list members

Subscribe Now

What is High-Resolution Audio?

High-resolution audio offers the highest-fidelity available, far surpassing the sound quality of traditional CDs. When you listen to music on a CD or tracks purchased via consumer services such as iTunes, you are hearing a low-resolution version of what was actually recorded and mastered in the studio. ProStudioMasters offers the original studio masters — exactly as the artist, producers and sound engineers mastered them — for download, directly to you.

What do I need for playback?

You may need additional software / hardware to take full advantage of the higher 24-bit high-res audio formats, but any music lover that has heard 16-bit vs 24-bit will tell you it's worth it!

Software for Mac OS X

Software for Windows

Hardware Suggestions