℗ 2020 PENTATONE
| Released | June 26, 2020 |
| Duration | 47m 28s |
| Record Label | PENTATONE |
| Catalogue No. | PTC5186740 |
| Genre | Classical (Orchestral) |
Zemlinsky: Die Seejungfrau (After H. Andersen) [Live]
Netherlands Philharmonic Orchestra, Marc Albrecht
Available in 96 kHz / 24-bit AIFF, FLAC high resolution audio formats
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Die Seejungfrau (After H. Andersen)
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1.1
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I. Sehr mäßig bewegt (Live)
Alexander von Zemlinsky; Netherlands Philharmonic Orchestra; Marc Albrecht |
15:56 | |||
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1.2
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II. Sehr bewegt, rauschend (Live)
Alexander von Zemlinsky; Netherlands Philharmonic Orchestra; Marc Albrecht |
17:06 | |||
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1.3
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III. Sehr gedehnt, mit schmerzvollem Ausdruck (Live)
Alexander von Zemlinsky; Netherlands Philharmonic Orchestra; Marc Albrecht |
14:26 | |||
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Digital Booklet
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Marc Albrecht and the Netherlands Philharmonic Orchestra present Zemlinsky’s lush symphonic poem "Die Seejungfrau". Zemlinsky was a child of fin-de-siècle Vienna, who for decades has been overshadowed by colleagues such as Gustav Mahler – the man who married Alma, the woman Zemlinsky also loved - and Arnold Schoenberg – the man who would later become his brother-in-law. In recent times, Zemlinsky is finally gaining the recognition he deserves. The same applies to his symphonic poem "Die Seejungfrau", based on Andersen’s Little Mermaid story. Zemlinsky withdrew the score after its premiere in 1905; the three movements were first reunited in the 1980s thanks to scholars, after which the piece could start its second life. "Die Seejungfrau" seems inspired by Zemlinsky’s love in vain for Alma, clothed in cinematic fin-de-siècle music with Debussy-like evocations of the sea.
This new recording marks the final PENTATONE album of Marc Albrecht as chief conductor of the Netherlands Philharmonic Orchestra. It is their sixth collective PENTATONE recording, and underlines their proficiency in German late-Romantic repertoire.
96 kHz / 24-bit PCM – PENTATONE Studio Masters
Tracks 1-3 – 88.2 kHz / 24-bit PCM, mastered in 96 kHz / 24-bit
Tracks 1-3 – 88.2 kHz / 24-bit PCM, mastered in 96 kHz / 24-bit
| Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -0.29 -0.32 to -0.27 | -24.70 -25.13 to -24.18 | -19.23 -19.70 to -19.00 | 15 14 to 15 | |
| 1 | I. Sehr mäßig bewegt (Live) | -0.32 | -24.78 | -19.7 | 14 |
| 2 | II. Sehr bewegt, rauschend (Live) | -0.27 | -24.18 | -19.0 | 15 |
| 3 | III. Sehr gedehnt, mit schmerzvollem Ausdruck (Live) | -0.27 | -25.13 | -19.0 | 15 |