℗ 2020 Paraty
| Released | August 28, 2020 |
| Duration | 49m 32s |
| Record Label | Paraty |
| Catalogue No. | PTY229188D |
| Genre | Classical (Keyboard (specific genres)) |
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4 Lieder, Op. 27
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1.1
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II. Cäcilie (Arr. for Piano)
Richard Strauss; Alissa Zoubritski |
2:06 | |||
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1.2
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IV. Morgen (Arr. for Piano)
Richard Strauss; Alissa Zoubritski |
3:53 | |||
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1.3
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Sonetto del Petrarca, Op. 104
Franz Liszt; Alissa Zoubritski |
5:45 | |||
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Goyescas
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1.4
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Quejas, o La Maja y el Ruiseñor
Enrique Granados; Alissa Zoubritski |
5:53 | |||
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6 Romances, Op. 21
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1.5
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V. Lilacs (Arr. for Piano)
Sergei Rachmaninoff; Alissa Zoubritski |
2:17 | |||
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6 Romances, Op. 38
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1.6
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III. Daisies (Arr. for Piano)
Sergei Rachmaninoff; Alissa Zoubritski |
2:25 | |||
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Die schöne Müllerin, D. 795
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1.7
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Wohin? (Arr. for Piano)
Franz Schubert; Alissa Zoubritski |
2:48 | |||
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1.8
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Lullaby, Op. 16 No. 1 (Arr. for Piano)
Sergei Rachmaninoff; Alissa Zoubritski |
4:01 | |||
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1.9
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Le Rossignol, S. 250/1 (Arr. for Piano)
Alexander Alabiev; Alissa Zoubritski |
3:45 | |||
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1.10
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Les Chemins de l'Amour, FP.106 (Arr. for Piano)
Francis Poulenc; Alissa Zoubritski |
3:35 | |||
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1.11
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d'après la mélodie pour voix et piano Tic-Tac
Jean-Baptiste Robin; Alissa Zoubritski |
1:55 | |||
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2 Mélodies hébraïques, M.A 22
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1.12
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I. Kaddisch (Arr. for Piano)
Maurice Ravel; Alissa Zoubritski |
4:30 | |||
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6 Romances, Op. 38
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1.13
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V. The Dream (Arr. for Piano)
Sergei Rachmaninoff; Alissa Zoubritski |
3:04 | |||
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Myrthen, Op. 25
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1.14
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I. Widmung (Arr. for Piano)
Robert Schumann; Alissa Zoubritski |
3:35 | |||
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Digital Booklet
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"Designed as a lyrical recital from Schubert to the 21st century, this programme celebrates voice, poetry, and the piano in a unique genre, piano transcription. This stems from years of cooperation with the lyrical sphere, where musical and human experiences considerably influenced my way of playing and of apprehending music. Pieces might be short, yet the extreme polyphonic and harmonic density together with a particularly virtuoso style captivate player and audience all along. The challenge is huge; hearing and giving to hear - with ten fingers - a melodic line, its accompaniment, even possibly letting people guess the text within the interpretation. After Schumann, Siloti, and Reger, this is the challenge I wished to take up to add to this recording melodies I very much like and which were missing from the repertoire, Francis Poulenc's Les Chemins de l'Amour and Sergei Rachmaninoff's The Dream op. 38 no. 5."
- Alissa Zoubritski
48 kHz / 24-bit PCM – Paraty Studio Masters
| Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -2.53 -9.76 to -0.30 | -25.23 -32.72 to -20.41 | -21.55 -28.90 to -17.20 | 13 12 to 15 | |
| 1 | II. Cäcilie (Arr. for Piano) | -0.48 | -20.41 | -17.2 | 13 |
| 2 | IV. Morgen (Arr. for Piano) | -9.76 | -32.72 | -28.9 | 14 |
| 3 | Sonetto del Petrarca, Op. 104 | -0.47 | -23.54 | -19.4 | 14 |
| 4 | Quejas, o La Maja y el Ruiseñor | -0.89 | -24.36 | -20.1 | 14 |
| 5 | V. Lilacs (Arr. for Piano) | -3.63 | -26.49 | -23.3 | 13 |
| 6 | III. Daisies (Arr. for Piano) | -5.08 | -28.71 | -24.7 | 14 |
| 7 | Wohin? (Arr. for Piano) | -2.61 | -24.10 | -21.2 | 12 |
| 8 | Lullaby, Op. 16 No. 1 (Arr. for Piano) | -3.25 | -25.79 | -22.5 | 13 |
| 9 | Le Rossignol, S. 250/1 (Arr. for Piano) | -2.11 | -25.33 | -21.2 | 13 |
| 10 | Les Chemins de l'Amour, FP.106 (Arr. for Piano) | -2.02 | -24.78 | -21.5 | 14 |
| 11 | d'après la mélodie pour voix et piano Tic-Tac | -0.30 | -22.78 | -18.3 | 12 |
| 12 | I. Kaddisch (Arr. for Piano) | -1.51 | -26.10 | -21.7 | 15 |
| 13 | V. The Dream (Arr. for Piano) | -2.58 | -26.53 | -23.2 | 13 |
| 14 | I. Widmung (Arr. for Piano) | -0.75 | -21.64 | -18.5 | 12 |