℗ 2020 Naxos
| Released | June 12, 2020 |
| Duration | 54m 15s |
| Record Label | Naxos |
| Catalogue No. | 8.574103 |
| Genre | Classical (Orchestral) |
Cimarosa: Overtures, Vol. 7
Czech Chamber Philharmonic Orchestra Pardubice, Michael Halász
Available in 96 kHz / 24-bit AIFF, FLAC high resolution audio formats
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Judith
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1.1
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Overture
Domenico Cimarosa; Czech Chamber Philharmonic Orchestra Pardubice; Michael Halász |
6:29 | |||
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Il convito
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1.2
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Overture (1782 Florence Version)
Domenico Cimarosa; Czech Chamber Philharmonic Orchestra Pardubice; Michael Halász |
3:59 | |||
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Amor rende sagace
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1.3
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Overture
Domenico Cimarosa; Czech Chamber Philharmonic Orchestra Pardubice; Michael Halász |
6:16 | |||
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San Filippo Neri che risuscita Paolo Massimi
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1.4
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Overture
Domenico Cimarosa; Czech Chamber Philharmonic Orchestra Pardubice; Michael Halász |
4:01 | |||
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Il trionfo della fede
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1.5
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Overture
Domenico Cimarosa; Czech Chamber Philharmonic Orchestra Pardubice; Michael Halász |
6:12 | |||
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Il capriccio drammatico
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1.6
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Overture
Domenico Cimarosa; Czech Chamber Philharmonic Orchestra Pardubice; Michael Halász |
5:10 | |||
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Il martirio
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1.7
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Overture
Domenico Cimarosa; Czech Chamber Philharmonic Orchestra Pardubice; Michael Halász |
5:21 | |||
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Absalom
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1.8
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Overture
Domenico Cimarosa; Czech Chamber Philharmonic Orchestra Pardubice; Michael Halász |
6:25 | |||
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Il matrimonio per sussurro
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1.9
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Overture. Allegro con spirito
Domenico Cimarosa; Czech Chamber Philharmonic Orchestra Pardubice; Michael Halász |
3:24 | |||
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1.10
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Overture. Andante
Domenico Cimarosa; Czech Chamber Philharmonic Orchestra Pardubice; Michael Halász |
2:13 | |||
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1.11
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Overture. Allegro
Domenico Cimarosa; Czech Chamber Philharmonic Orchestra Pardubice; Michael Halász |
1:13 | |||
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Il padre alla moda
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1.12
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Overture
Domenico Cimarosa; Czech Chamber Philharmonic Orchestra Pardubice; Michael Halász |
3:32 | |||
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Digital Booklet
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Domenico Cimarosa was a prolific composer of church and instrumental music, but his reputation rests principally on his operas. During the second half of the 18th century, and until the arrival of Rossini, he was the most successful and performed operatic composer in Europe, and one of the last exponents of the Neapolitan School. His bracing and vivacious overtures in this final volume include the hugely popular "Il convito" (‘The Banquet’), a triumph in Venice and Florence, as well as some examples of his expressively moving overtures for oratorios.
96 kHz / 24-bit PCM – Naxos Studio Masters
| Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -2.75 -5.68 to -1.00 | -24.21 -28.44 to -22.77 | -20.15 -24.90 to -18.60 | 13 13 to 14 | |
| 1 | Overture | -1.80 | -23.01 | -18.6 | 13 |
| 2 | Overture (1782 Florence Version) | -2.79 | -23.48 | -19.3 | 13 |
| 3 | Overture | -1.00 | -23.89 | -19.6 | 14 |
| 4 | Overture | -2.49 | -22.77 | -18.9 | 13 |
| 5 | Overture | -4.22 | -23.92 | -20.1 | 13 |
| 6 | Overture | -1.73 | -24.19 | -20.3 | 14 |
| 7 | Overture | -2.96 | -24.62 | -20.0 | 13 |
| 8 | Overture | -2.22 | -24.32 | -20.6 | 13 |
| 9 | Overture. Allegro con spirito | -2.64 | -24.71 | -20.2 | 13 |
| 10 | Overture. Andante | -5.68 | -28.44 | -24.9 | 14 |
| 11 | Overture. Allegro | -3.13 | -23.64 | -20.2 | 14 |
| 12 | Overture | -2.37 | -23.56 | -19.1 | 14 |