℗ 2020 IBS Classical
Released | June 19, 2020 |
Duration | 44m 47s |
Record Label | IBS Classical |
Catalogue No. | IBS-42020 |
Genre | Classical (Orchestral) |
Rodrigo: Fantasía para un gentilhombre & Concierto de Aranjuez
Xianji Liu, Orquesta Sinfónica de RTVE, Pedro Amaral
Available in 96 kHz / 24-bit AIFF, FLAC high resolution audio formats
Fantasía para un gentilhombre
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1.1
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I. Villano y ricercar
Joaquín Rodrigo; Xianji Liu; Orquesta Sinfónica de RTVE; Pedro Amaral |
4:57 | |||
1.2
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II. Españoleta y fanfarria de la caballería de Nápoles
Joaquín Rodrigo; Xianji Liu; Orquesta Sinfónica de RTVE; Pedro Amaral |
9:47 | |||
1.3
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III. Danza de las hachas
Joaquín Rodrigo; Xianji Liu; Orquesta Sinfónica de RTVE; Pedro Amaral |
2:06 | |||
1.4
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IV. Canario
Joaquín Rodrigo; Xianji Liu; Orquesta Sinfónica de RTVE; Pedro Amaral |
5:01 | |||
Concierto de Aranjuez
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1.5
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I. Allegro con spirito
Joaquín Rodrigo; Xianji Liu; Orquesta Sinfónica de RTVE; Pedro Amaral |
6:12 | |||
1.6
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II. Adagio
Joaquín Rodrigo; Xianji Liu; Orquesta Sinfónica de RTVE; Pedro Amaral |
11:37 | |||
1.7
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III. Allegro gentile
Joaquín Rodrigo; Xianji Liu; Orquesta Sinfónica de RTVE; Pedro Amaral |
5:07 | |||
Digital Booklet
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This recording covers approximately five decades of literature for violoncello and orchestra. The fifty years between the two concertos by Vivaldi (ca. 1720), Haydn (ca. 1763) and Boccherini (publ. 1770). The Concerto for violoncello and strings in C minor RV 401 by Antonio Vivaldi (1678-1741) is a beautiful and enigmatic work. The autograph is written on an unusual type of paper, and virtually all the features of the document stand out from the rest of the 27 concerts for cello written by the Venetian author. Its dating around 1720 is still a hypothesis, as well as its purpose. Even more uncertain is the origin of the Concerto for two cellos and strings in G minor RV 531. The accumulation of low instruments could make us assume that Vivaldi would choose high tessituras for soloists, something feasible and regularly used in several of his concerts for cello. Nevertheless, Vivaldi abandons this possibility. Both soloists play in the central register of the instrument and, as in the case of other double concertos by the author, the speech is articulated with transparency through third parallel voices, imitations and unaccompanied episodes. What relationship could there be between the Concerto in C major Hob VIIb 1 by Joseph Haydn (1732-1809), a work written around 1763 in his secluded residence of Eisenstadt (about 60 km. from Vienna), and the Concerto in D major G. 479 by Luigi Boccherini (1743-1805).
96 kHz / 24-bit PCM – IBS Classical Studio Masters
Tracks 1-7 – contains material which utilizes a limited amount of the available bandwidth
Tracks 1-7 – contains material which utilizes a limited amount of the available bandwidth
Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -0.48 -1.03 to -0.02 | -20.40 -23.57 to -17.66 | -17.07 -20.20 to -14.50 | 12 10 to 14 | |
1 | I. Villano y ricercar | -0.85 | -20.19 | -16.8 | 11 |
2 | II. Españoleta y fanfarria de la caballería de Nápoles | -1.03 | -23.57 | -20.2 | 14 |
3 | III. Danza de las hachas | -0.12 | -17.66 | -14.5 | 10 |
4 | IV. Canario | -0.51 | -21.85 | -18.5 | 14 |
5 | I. Allegro con spirito | -0.02 | -18.34 | -15.0 | 11 |
6 | II. Adagio | -0.29 | -21.34 | -17.5 | 12 |
7 | III. Allegro gentile | -0.56 | -19.88 | -17.0 | 12 |