℗ 2019 TACET Musikproduktion
| Released | July 3, 2020 |
| Duration | 1h 09m 23s |
| Record Label | TACET Musikproduktion |
| Catalogue No. | TACET250HDST |
| Genre | Classical (Orchestral) |
Dvořák: Symphony No. 9 in E Minor "From the New World" & Other Works
Concerto Budapest, Andràs Keller, Miklós Perényi
Available in 96 kHz / 24-bit AIFF, FLAC high resolution audio formats
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Symphony No. 9 in E Minor, Op. 95, B. 178 "From the New World"
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1.1
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I. Adagio - Allegro molto
Antonín Dvořák; Concerto Budapest; Andràs Keller |
11:54 | |||
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1.2
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II. Largo
Antonín Dvořák; Concerto Budapest; Andràs Keller |
11:45 | |||
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1.3
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III. Molto vivace
Antonín Dvořák; Concerto Budapest; Andràs Keller |
7:39 | |||
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1.4
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IV. Allegro con fuoco
Antonín Dvořák; Concerto Budapest; Andràs Keller |
11:13 | |||
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1.5
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Klid, Op. 68 No. 5 (Version for Cello & Orchestra)
Antonín Dvořák; Concerto Budapest; Andràs Keller; Miklós Perényi |
6:06 | |||
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1.6
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Rondo, Op. 94 (Version for Cello & Orchestra)
Antonín Dvořák; Concerto Budapest; Andràs Keller; Miklós Perényi |
7:31 | |||
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Slavonic Dance, Op. 46
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1.7
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No. 5
Antonín Dvořák; Concerto Budapest; Andràs Keller |
3:10 | |||
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1.8
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No. 6
Antonín Dvořák; Concerto Budapest; Andràs Keller |
5:51 | |||
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1.9
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No. 8
Antonín Dvořák; Concerto Budapest; Andràs Keller |
4:14 | |||
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Digital Booklet
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Dvořák’s 9th symphony paints the town red, for sure. But that’s not all! The strings of András Keller are able to blossom like flowers. They don’t play uniformly but with a seemingly congenital naturalness as if it were easy for 14 violins to sound as homogenously and at the same time as individually as a single violin. Also for the wind it is not the high performance that counts but the sensitivity and the flowing of the music, e. g. the English horn solo in the second movement. The brass: no power play but rich and gentle, always sensitive chords. – The tempi, the transitions, everything flows organically and invites you to go along. That is the great art of legato. Old-fashioned to some people, in fact timeless beautiful. No surprise that one role model for András Keller is Wilhelm Furtwängler. After that and without any showing off the loved by many cellist Miklós Perényi gently carries you off into the mysterious world of the rondo op 68/8 and “Klid” (silent wood) op. 95. Three slavonic dances from op. 46 round off the program.
96 kHz / 24-bit PCM – TACET Musikproduktion Studio Masters
| Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -2.92 -10.27 to -0.28 | -28.04 -34.70 to -22.81 | -23.48 -31.70 to -18.00 | 16 13 to 19 | |
| 1 | I. Adagio - Allegro molto | -0.28 | -26.60 | -20.7 | 15 |
| 2 | II. Largo | -2.49 | -32.84 | -27.0 | 19 |
| 3 | III. Molto vivace | -2.43 | -27.91 | -22.5 | 16 |
| 4 | IV. Allegro con fuoco | -0.28 | -23.60 | -18.0 | 15 |
| 5 | Klid, Op. 68 No. 5 (Version for Cello & Orchestra) | -10.27 | -32.18 | -29.1 | 13 |
| 6 | Rondo, Op. 94 (Version for Cello & Orchestra) | -7.90 | -34.70 | -31.7 | 18 |
| 7 | No. 5 | -1.15 | -25.28 | -22.1 | 15 |
| 8 | No. 6 | -0.76 | -26.42 | -21.9 | 16 |
| 9 | No. 8 | -0.75 | -22.81 | -18.3 | 13 |