℗ 2020 Getting Out Our Dreams/Def Jam Recordings, a division of UMG Recordings
| Released | June 26, 2020 |
| Duration | 33m 33s |
| Record Label | Getting Out Our Dreams/Def Jam Recordings |
| Genre | Alternative |
Modus Vivendi (Instrumental Selections)
070 Shake
Available in 88.2 kHz / 24-bit AIFF, FLAC high resolution audio formats
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1.1
|
Don't Break The Silence (Instrumental Selections)
070 Shake |
1:55 | |||
|
1.2
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Morrow (Instrumental Selections)
070 Shake |
4:12 | |||
|
1.3
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The Pines (Instrumental Selections)
070 Shake |
3:38 | |||
|
1.4
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Guilty Conscience (Instrumental Selections)
070 Shake |
3:36 | |||
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1.5
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It's Forever (Instrumental Selections)
070 Shake |
0:17 | |||
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1.6
|
Microdosing (Instrumental Selections)
070 Shake |
3:50 | |||
|
1.7
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Nice To Have (Instrumental Selections)
070 Shake |
3:56 | |||
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1.8
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Under The Moon (Instrumental Selections)
070 Shake |
3:34 | |||
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1.9
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Daydreamin (Instrumental Selections)
070 Shake |
2:54 | |||
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1.10
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Terminal B (Instrumental Selections)
070 Shake |
5:41 |
"Shedding collaborations entirely, the album consists solely of 070 Shake’s hypnotising hooks and shape-shifting vocals. It cements the 22-year-old as a unique artist, proving to everyone – and perhaps even herself – that she doesn’t need anyone but her voice to vault herself to success. On Modus Vivendi, she manages to craft a sound that’s anthemic, and built for festivals and clubs; but within the grooves, she’s precise. Nothing feels out of place. This is project sculpted away from current trends."
- NME
Kanye West's G.O.O.D. music imprint releases a selection of instrumental tracks from American hip-hop artist 070 Shake's Modus Vivendi. Notably included on "Ghost Town" from Kanye West's ye, 070 Shake has been on an incredible rise. The album features production from Mike Dean and indie rock musician Dave Hamelin, among others.
88.2 kHz / 24-bit PCM – Getting Out Our Dreams/Def Jam Recordings Studio Masters
Track 1 – 48 kHz / 24-bit PCM Tracks 2, 7-10 – 48 kHz / 24-bit PCM, mastered in 88.2 kHz / 24-bit Track 4 – 44.1 kHz / 24-bit PCM, mastered in 88.2 kHz / 24-bit; contains material which has been processed by a perceptual audio coding algorithm
Track 1 – 48 kHz / 24-bit PCM Tracks 2, 7-10 – 48 kHz / 24-bit PCM, mastered in 88.2 kHz / 24-bit Track 4 – 44.1 kHz / 24-bit PCM, mastered in 88.2 kHz / 24-bit; contains material which has been processed by a perceptual audio coding algorithm
| Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -1.28 -7.19 to -0.20 | -14.04 -23.78 to -10.05 | -12.68 -20.00 to -8.70 | 7 4 to 11 | |
| 1 | Don't Break The Silence (Instrumental Selections) | -0.57 | -17.50 | -16.6 | 11 |
| 2 | Morrow (Instrumental Selections) | -0.34 | -12.18 | -11.3 | 7 |
| 3 | The Pines (Instrumental Selections) | -0.40 | -10.05 | -9.6 | 4 |
| 4 | Guilty Conscience (Instrumental Selections) | -2.58 | -17.77 | -16.9 | 8 |
| 5 | It's Forever (Instrumental Selections) | -7.19 | -23.78 | -20.0 | 11 |
| 6 | Microdosing (Instrumental Selections) | -0.51 | -11.74 | -10.6 | 7 |
| 7 | Nice To Have (Instrumental Selections) | -0.20 | -13.48 | -13.3 | 8 |
| 8 | Under The Moon (Instrumental Selections) | -0.22 | -10.30 | -9.1 | 5 |
| 9 | Daydreamin (Instrumental Selections) | -0.42 | -11.15 | -8.7 | 5 |
| 10 | Terminal B (Instrumental Selections) | -0.33 | -12.46 | -10.7 | 6 |