℗ 2015 Peral Music under exclusive license to Universal Music Classics, a Division of UMG Recordings, Inc
| Released | October 1, 2015 |
| Duration | 59m 02s |
| Record Label | Universal Music Classics / UMGI |
| Genre | Classical |
Piano Duos II: Schumann - Debussy - Bartók (Live)
Daniel Barenboim, Martha Argerich
Available in 48 kHz / 24-bit AIFF, FLAC audio formats
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6 Studien in kanonischer Form, Op.56 (arr. for two Pianos)
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1.1
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I. Nicht zu schnell
Robert Schumann; Daniel Barenboim; Martha Argerich |
2:27 | |||
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1.2
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II. Mit innigem Ausdruck
Robert Schumann; Daniel Barenboim; Martha Argerich |
3:26 | |||
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1.3
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III. Andantino
Robert Schumann; Daniel Barenboim; Martha Argerich |
1:55 | |||
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1.4
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IV. Innig
Robert Schumann; Daniel Barenboim; Martha Argerich |
3:27 | |||
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1.5
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V. Nicht zu schnell
Robert Schumann; Daniel Barenboim; Martha Argerich |
2:16 | |||
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6 Studien in kanonischer Form, Op.56 (arr. for two pianos)
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1.6
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VI. Adagio
Robert Schumann; Daniel Barenboim; Martha Argerich |
2:54 | |||
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En blanc et noir, L.134 (arr. for two Pianos)
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1.7
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I. Avec emportement
Claude Debussy; Daniel Barenboim; Martha Argerich |
4:21 | |||
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1.8
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II. Lent. Sombre
Claude Debussy; Daniel Barenboim; Martha Argerich |
6:12 | |||
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1.9
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III. Scherzando
Claude Debussy; Daniel Barenboim; Martha Argerich |
4:26 | |||
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Sonata for 2 Pianos and Percussion, Sz. 110
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1.10
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I. Assai lento
Béla Bartók; Daniel Barenboim; Martha Argerich; Pedro Manuel Torrejón González; Lev Loftus |
13:24 | |||
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1.11
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II. Lento, ma non troppo
Béla Bartók; Daniel Barenboim; Martha Argerich; Pedro Manuel Torrejón González; Lev Loftus |
6:50 | |||
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1.12
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III. Allegro non troppo
Béla Bartók; Daniel Barenboim; Martha Argerich; Pedro Manuel Torrejón González; Lev Loftus |
7:24 | |||
Legendary pianists Daniel Barenboim and Martha Argerich reunite for Piano Duos II, recorded live at an unforgettable concert performance in summer 2015 at the Teatro Colón in Buenos Aires. A follow-up to the duo's 2014 live concert album, this digital-only release includes Debussy's En blanc et noir, Schumann's Six Studies in Canon Form and Bartók's Sonata for Two Pianos and Percussion.
48 kHz / 24-bit PCM – Universal Music Classics / UMGI Studio Masters
| Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -4.24 -9.48 to -0.26 | -27.48 -31.10 to -23.35 | -23.86 -27.90 to -19.30 | 15 11 to 17 | |
| 1 | I. Nicht zu schnell | -9.14 | -28.82 | -25.9 | 11 |
| 2 | II. Mit innigem Ausdruck | -6.58 | -29.28 | -26.2 | 13 |
| 3 | III. Andantino | -6.51 | -27.88 | -24.6 | 13 |
| 4 | IV. Innig | -3.77 | -26.86 | -23.7 | 13 |
| 5 | V. Nicht zu schnell | -5.68 | -27.48 | -24.5 | 15 |
| 6 | VI. Adagio | -9.48 | -31.10 | -27.9 | 14 |
| 7 | I. Avec emportement | -1.41 | -24.42 | -20.7 | 15 |
| 8 | II. Lent. Sombre | -0.26 | -26.75 | -21.8 | 17 |
| 9 | III. Scherzando | -1.98 | -28.12 | -24.5 | 16 |
| 10 | I. Assai lento | -0.28 | -23.35 | -19.3 | 15 |
| 11 | II. Lento, ma non troppo | -4.55 | -30.56 | -25.4 | 17 |
| 12 | III. Allegro non troppo | -1.24 | -25.20 | -21.8 | 15 |