℗ 2008 San Francisco Symphony
Released June 19, 2020
Duration 1h 51m 35s
Record Label SFS Media
Genre Classical
 

Mahler: Symphony No. 8 & Adagio from Symphony No. 10

San Francisco Symphony, Michael Tilson Thomas

Available in MQA and 44.1 kHz / 24-bit AIFF, FLAC audio formats
  • Select Format
    • AIFF 44.1 kHz | 24-bit
    • FLAC 44.1 kHz | 24-bit
    • MQA 44.1 kHz | 24-bit
Add to cart
discounted price

 
Symphony No. 10  
1.1
Adagio
Gustav Mahler; San Francisco Symphony; Michael Tilson Thomas
27:46
Symphony No. 8 in E-Flat Major  
1.2
Pt. 1, Veni, creator spiritus
Gustav Mahler; San Francisco Symphony; Michael Tilson Thomas
7:24
1.3
Pt. 1, Accende lumen sensibus
Gustav Mahler; San Francisco Symphony; Michael Tilson Thomas
4:29
1.4
Pt. 1, Infunde amorem cordibus
Gustav Mahler; San Francisco Symphony; Michael Tilson Thomas
8:55
1.5
Pt. 1, Gloria Patri Domino
Gustav Mahler; San Francisco Symphony; Michael Tilson Thomas
2:40
1.6
Pt. 2, Poco Adagio
Gustav Mahler; San Francisco Symphony; Michael Tilson Thomas
11:13
1.7
Pt. 2, Waldung, sie schwankt heran
Gustav Mahler; San Francisco Symphony; Michael Tilson Thomas
4:56
1.8
Pt. 2, Ewiger Wonnebrand
Gustav Mahler; San Francisco Symphony; Michael Tilson Thomas
1:15
1.9
Pt. 2, Wie Felsenabgrund mir zu Füssen
Gustav Mahler; San Francisco Symphony; Michael Tilson Thomas
4:36
1.10
Pt. 2, Gerettet ist das edle Glied
Gustav Mahler; San Francisco Symphony; Michael Tilson Thomas
5:39
1.11
Pt. 2, Hier ist die Aussicht frei
Gustav Mahler; San Francisco Symphony; Michael Tilson Thomas
4:19
1.12
Pt. 2, Dir, der Unberührbaren
Gustav Mahler; San Francisco Symphony; Michael Tilson Thomas
5:02
1.13
Pt. 2, Du schwebst zu Höhen
Gustav Mahler; San Francisco Symphony; Michael Tilson Thomas
1:19
1.14
Pt. 2, Bei dem Bronn, zu dem schon weiland
Gustav Mahler; San Francisco Symphony; Michael Tilson Thomas
7:59
1.15
Pt. 2, Komm, hebe dich zu höhen Sphären
Gustav Mahler; San Francisco Symphony; Michael Tilson Thomas
1:16
1.16
Pt. 2, Blicket auf
Gustav Mahler; San Francisco Symphony; Michael Tilson Thomas
6:32
1.17
Pt. 2, Alles Vergängliche
Gustav Mahler; San Francisco Symphony; Michael Tilson Thomas
6:15
Grammy Award - Best Classical Album, 2010 Grammy Award - Best Choral Performance, 2010 Grammy Award - Best Engineered Album, Classical, 2010 "Tilson Thomas's reading is always warm and spontaneous-sounding but its real strength lies in the way phrases connect ... (he draws) more colour and variety from the score than almost any of his rivals” ..." - Gramophone "The soundstage is panoramic in its breadth; the choruses, orchestra and soloists are so carefully balanced across the acoustic space that no single component overwhelms the others. Here, one experiences the music as it sounds in the concert hall ..." - Fanfare "Five Stars ... distinctive for its deft combination of lean sonority, clean playing, clear recording, probing insights and characterization ... remarkably transparent yet impactful recorded sound ... never before has this music seemed so delicate and concentrated, so redolent of the magical intimacy of chamber music ... one of the most consistently satisfying and stimulating Mahler Eighths ..." - BBC Music Magazine The San Francisco Symphony and noted Mahlerian Michael Tilson Thomas present Mahler's immense Symphony No. 8, featuring scores of musicians, three choruses and a cast of soloists, recorded live in concert in November 2008. A tale of damnation and salvation, the symphony is quintessentially a romantic work, but it owes a great debt to the towering Baroque choral works of J.S. Bach. This triple-Grammy winning album is a volume in the highly acclaimed complete cycle of Mahler symphonies from the SFS, recorded between 2001 and 2009.
44.1 kHz / 24-bit PCM – SFS Media Studio Masters
Track title
Peak
(dB FS)
RMS
(dB FS)
LUFS
(integrated)
DR
Album average
Range of values
-6.89
-21.12 to -0.15
-30.25
-44.62 to -18.16
-26.09
-42.50 to -14.20
14
11 to 18
1
Adagio
-0.39-28.51-22.318
2
Pt. 1, Veni, creator spiritus
-2.02-25.83-20.814
3
Pt. 1, Accende lumen sensibus
-12.05-36.90-33.714
4
Pt. 1, Infunde amorem cordibus
-0.20-19.94-16.112
5
Pt. 1, Gloria Patri Domino
-0.16-18.16-14.211
6
Pt. 2, Poco Adagio
-9.14-30.62-25.512
7
Pt. 2, Waldung, sie schwankt heran
-21.12-44.62-42.513
8
Pt. 2, Ewiger Wonnebrand
-11.85-31.41-28.212
9
Pt. 2, Wie Felsenabgrund mir zu Füssen
-4.95-26.37-23.013
10
Pt. 2, Gerettet ist das edle Glied
-3.78-30.06-25.515
11
Pt. 2, Hier ist die Aussicht frei
-7.69-33.26-28.817
12
Pt. 2, Dir, der Unberührbaren
-7.74-35.56-31.015
13
Pt. 2, Du schwebst zu Höhen
-9.07-32.98-29.512
14
Pt. 2, Bei dem Bronn, zu dem schon weiland
-4.91-30.65-26.015
15
Pt. 2, Komm, hebe dich zu höhen Sphären
-18.09-39.99-37.213
16
Pt. 2, Blicket auf
-3.83-28.45-23.714
17
Pt. 2, Alles Vergängliche
-0.15-21.00-15.612

Offers & New Releases

exclusive benefits for mailing list members

Subscribe Now

What is High-Resolution Audio?

High-resolution audio offers the highest-fidelity available, far surpassing the sound quality of traditional CDs. When you listen to music on a CD or tracks purchased via consumer services such as iTunes, you are hearing a low-resolution version of what was actually recorded and mastered in the studio. ProStudioMasters offers the original studio masters — exactly as the artist, producers and sound engineers mastered them — for download, directly to you.

What do I need for playback?

You may need additional software / hardware to take full advantage of the higher 24-bit high-res audio formats, but any music lover that has heard 16-bit vs 24-bit will tell you it's worth it!

Software for Mac OS X

Software for Windows

Hardware Suggestions