℗ 2020 Claves Records
Released | June 25, 2020 |
Duration | 2h 15m 43s |
Record Label | Claves Records |
Catalogue No. | DO 3028 |
Genre | Classical (Keyboard) |
Flowers of Degrowth
Benjamin Righetti
Available in 192 kHz / 24-bit, 96 kHz / 24-bit AIFF, FLAC high resolution audio formats
1.1
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Praeludium in G-dur, BWV 541
Johann Sebastian Bach; Benjamin Righetti |
2:59 | |||
1.2
|
Vater unser im Himmelreich, IGB 24
Georg Böhm; Benjamin Righetti |
4:44 | |||
Klaviersonate in e moll, Hob. XVI/34
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1.3
|
III. Rondo. Vivace molto, innocentemente (Arr. for Organ)
Benjamin Righetti; Franz Joseph Haydn; Benjamin Righetti |
3:47 | |||
Cantata Christ lag in Todesbanden, BWV 4, 2017 (Arr. for Organ)
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1.4
|
I. Sinfonia-Pro organo pleno
Benjamin Righetti; Johann Sebastian Bach; Gaël Liardon; Benjamin Righetti |
4:57 | |||
1.5
|
Passacaglia in d-moll, BuxWV 161
Dietrich Buxtehude; Benjamin Righetti |
6:29 | |||
1.6
|
Variations sur un thème de Clément Jannequin, JA 118 (AWV 99)
Jehan Alain; Benjamin Righetti |
6:28 | |||
1.7
|
Nun komm der Heiden Heiland, BWV 659
Johann Sebastian Bach; Benjamin Righetti |
4:33 | |||
1.8
|
Pièce Héroïque, M37
César Franck; Benjamin Righetti |
8:47 | |||
1.9
|
Trio super Nun komm der Heiden Heiland, BWV 660
Johann Sebastian Bach; Benjamin Righetti |
2:48 | |||
Messe pour les Paroisses
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1.10
|
Offertoire sur les Grands Jeux
François Couperin; Benjamin Righetti |
8:16 | |||
1.11
|
Nun komm der Heiden Heiland, BWV 661
Johann Sebastian Bach; Benjamin Righetti |
3:15 | |||
Dido and Aeneas, Z. 626, Act III
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1.12
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When I Am Laid in Earth (Dido's Lament / Arr. for Organ)
Henry Purcell; Benjamin Righetti |
3:41 | |||
Prelude in G minor, Op. 23 No. 5
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1.13
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Alla marcia (Arr. for Organ)
Sergei Rachmaninoff; Benjamin Righetti |
4:07 | |||
1.14
|
Cantilène Op. 26 (version pour orgue solo)
Benjamin Righetti; Benjamin Righetti |
5:11 | |||
1.15
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Praeludium in C-dur, BuxWV 137
Dietrich Buxtehude; Benjamin Righetti |
5:45 | |||
Pièces choisies pour l'orgue
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1.16
|
Plein jeu
Louis Marchand; Benjamin Righetti |
3:09 | |||
1.17
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Tierce en taille
Louis Marchand; Benjamin Righetti |
3:28 | |||
1.18
|
Basse de trompette
Louis Marchand; Benjamin Righetti |
3:01 | |||
1.19
|
Praeludium pro Organo pleno in Es-dur, BWV 552/1
Johann Sebastian Bach; Benjamin Righetti |
9:47 | |||
1.20
|
Christ unser Herr zum Jordan kam, BWV 684
Johann Sebastian Bach; Benjamin Righetti |
4:45 | |||
1.21
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Fuga à 5 con pedale pro Organo pleno in Es-dur, BWV 552/2
Johann Sebastian Bach; Benjamin Righetti |
6:30 | |||
1.22
|
Fantasia à gusto italiano in F-dur, Krebs-WV 422
Johann Ludwig Krebs; Benjamin Righetti |
4:19 | |||
La Damnation de Faust, Op. 24
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1.23
|
Marche Hongroise (Arr. for Organ by Benjamin Righetti)
Hector Berlioz; Benjamin Righetti |
5:45 | |||
Messe pour orgue
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1.24
|
Récit de tierce en taille
Nicolas de Grigny; Benjamin Righetti |
5:45 | |||
1.25
|
Passacaglia in c-moll, BWV 582
Johann Sebastian Bach; Benjamin Righetti |
13:27 |
Spring 2020: The fight against coronavirus brought all concerts to a halt for musicians. Among the various initiatives that rapidly flourished, here are Benjamin Righetti's Flowers of Degrowth, recorded on the Organ of Saint-François in Lausanne.
From March to May 2020, in this period of enforced de-growth that left him more time for his personal work, he recorded 25 works, more than 2 hours of music halfway between live and studio work. Forced to do his own recording, he chose to make one-shot music videos, as fixed shots. Working without video editing, with a camera filming continuously, two microphones and his Nagra, he sought both to simplify the technical work in order to produce these clips in a short time, and also to offer the listeners the purest possible experience, as close as possible to a concert, at a time when video was no longer an alternative to the latter, but a substitute.
Whereas albums are usually recorded in the middle of the night in downtown churches and noise is avoided during editing, these videos were shot during the day. Here and there you can hear street traffic or the noise of a passer-by, and you can even hear the bells ringing, just like during concerts. In a quest not for some elusive perfection but rather for true sincere gestures that connect us and speak to the listeners as directly as possible right behind the microphones, may these recordings be a witness to this period of de-growth and may they remind us that artistic creation thrives on calm and free time.
192 kHz / 24-bit, 96 kHz / 24-bit PCM – Claves Records Studio Masters
Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -6.36 -14.97 to -0.20 | -24.32 -33.29 to -16.80 | -21.51 -30.60 to -13.90 | 11 9 to 15 | |
1 | Praeludium in G-dur, BWV 541 | -6.16 | -23.49 | -20.0 | 11 |
2 | Vater unser im Himmelreich, IGB 24 | -11.16 | -27.98 | -25.8 | 10 |
3 | III. Rondo. Vivace molto, innocentemente (Arr. for Organ) | -6.54 | -33.29 | -30.6 | 15 |
4 | I. Sinfonia-Pro organo pleno | -2.39 | -20.30 | -17.0 | 11 |
5 | Passacaglia in d-moll, BuxWV 161 | -3.81 | -24.08 | -21.8 | 12 |
6 | Variations sur un thème de Clément Jannequin, JA 118 (AWV 99) | -14.97 | -32.81 | -29.8 | 11 |
7 | Nun komm der Heiden Heiland, BWV 659 | -11.62 | -27.66 | -25.4 | 10 |
8 | Pièce Héroïque, M37 | -0.39 | -20.02 | -16.4 | 12 |
9 | Trio super Nun komm der Heiden Heiland, BWV 660 | -9.33 | -25.87 | -23.7 | 11 |
10 | Offertoire sur les Grands Jeux | -1.37 | -21.20 | -17.8 | 11 |
11 | Nun komm der Heiden Heiland, BWV 661 | -2.28 | -18.85 | -16.6 | 10 |
12 | When I Am Laid in Earth (Dido's Lament / Arr. for Organ) | -0.40 | -19.34 | -16.2 | 11 |
13 | Alla marcia (Arr. for Organ) | -0.39 | -20.59 | -17.8 | 12 |
14 | Cantilène Op. 26 (version pour orgue solo) | -14.90 | -31.84 | -29.7 | 10 |
15 | Praeludium in C-dur, BuxWV 137 | -1.25 | -21.25 | -17.7 | 12 |
16 | Plein jeu | -1.11 | -16.80 | -13.9 | 10 |
17 | Tierce en taille | -12.55 | -28.14 | -25.4 | 10 |
18 | Basse de trompette | -13.69 | -28.94 | -25.6 | 10 |
19 | Praeludium pro Organo pleno in Es-dur, BWV 552/1 | -1.15 | -18.91 | -16.1 | 12 |
20 | Christ unser Herr zum Jordan kam, BWV 684 | -14.08 | -31.10 | -28.2 | 11 |
21 | Fuga à 5 con pedale pro Organo pleno in Es-dur, BWV 552/2 | -2.42 | -19.44 | -16.4 | 11 |
22 | Fantasia à gusto italiano in F-dur, Krebs-WV 422 | -13.41 | -28.87 | -27.3 | 9 |
23 | Marche Hongroise (Arr. for Organ by Benjamin Righetti) | -0.20 | -20.83 | -17.3 | 12 |
24 | Récit de tierce en taille | -12.56 | -27.72 | -25.2 | 10 |
25 | Passacaglia in c-moll, BWV 582 | -0.76 | -18.71 | -16.0 | 12 |