℗ 2020 Solo Musica
| Released | June 19, 2020 |
| Duration | 2h 17m 51s |
| Record Label | Solo Musica |
| Catalogue No. | SM338 |
| Genre | Classical (Chamber) |
Beethoven: Complete Works for Piano & Cello
Margarita Höhenrieder, Julius Berger
Available in 96 kHz / 24-bit AIFF, FLAC high resolution audio formats
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Cello Sonata No. 1 in F Major, Op. 5 No. 1
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1.1
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I. Adagio sostenuto
Ludwig van Beethoven; Margarita Höhenrieder; Julius Berger |
2:57 | |||
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1.2
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II. Allegro
Ludwig van Beethoven; Margarita Höhenrieder; Julius Berger |
13:57 | |||
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1.3
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III. Rondo. Allegro vivace
Ludwig van Beethoven; Margarita Höhenrieder; Julius Berger |
6:43 | |||
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Cello Sonata No. 2 in G Minor, Op. 5 No. 2
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1.4
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I. Adagio sostenuto ed espressivo
Ludwig van Beethoven; Margarita Höhenrieder; Julius Berger |
4:15 | |||
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1.5
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II. Allegro molto più tosto presto
Ludwig van Beethoven; Margarita Höhenrieder; Julius Berger |
12:30 | |||
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1.6
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III. Rondo. Allegro
Ludwig van Beethoven; Margarita Höhenrieder; Julius Berger |
8:39 | |||
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Cello Sonata No. 3 in A Major, Op. 69
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1.7
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I. Allegro ma non tanto
Ludwig van Beethoven; Margarita Höhenrieder; Julius Berger |
11:37 | |||
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1.8
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II. Scherzo. Allegro molto
Ludwig van Beethoven; Margarita Höhenrieder; Julius Berger |
4:56 | |||
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1.9
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IIIa. Adagio cantabile
Ludwig van Beethoven; Margarita Höhenrieder; Julius Berger |
1:35 | |||
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1.10
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IIIb. Allegro vivace
Ludwig van Beethoven; Margarita Höhenrieder; Julius Berger |
6:54 | |||
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Cello Sonata No. 4 in C Major, Op. 102 No. 1
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2.1
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Ia. Andante
Ludwig van Beethoven; Margarita Höhenrieder; Julius Berger |
2:45 | |||
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2.2
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Ib. Allegro vivace
Ludwig van Beethoven; Margarita Höhenrieder; Julius Berger |
4:45 | |||
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2.3
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IIa. Adagio
Ludwig van Beethoven; Margarita Höhenrieder; Julius Berger |
2:53 | |||
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2.4
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IIb. Allegro vivace
Ludwig van Beethoven; Margarita Höhenrieder; Julius Berger |
4:13 | |||
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Cello Sonata No. 5 in D Major, Op. 102 No. 2
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2.5
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I. Allegro con brio
Ludwig van Beethoven; Margarita Höhenrieder; Julius Berger |
5:56 | |||
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2.6
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II. Adagio con molto sentimento d'affetto
Ludwig van Beethoven; Margarita Höhenrieder; Julius Berger |
7:22 | |||
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2.7
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III. Allegro
Ludwig van Beethoven; Margarita Höhenrieder; Julius Berger |
4:15 | |||
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2.8
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12 Variations on "See the Conqu'ring Hero Comes", WoO 45
Ludwig van Beethoven; Margarita Höhenrieder; Julius Berger |
12:59 | |||
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2.9
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12 Variations on "Ein Mädchen oder Weibchen", Op. 66
Ludwig van Beethoven; Margarita Höhenrieder; Julius Berger |
9:18 | |||
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2.10
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7 Variations on "Bei Männern welche Liebe fühlen", WoO 46
Ludwig van Beethoven; Margarita Höhenrieder; Julius Berger |
9:22 | |||
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Digital Booklet
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"Margarita Höhenrieder and I have known it all our lives: the elucidations of Carl Czerny or Rudolf Kolisch, the latest Urtext editions that will lead us to 'faithfulness to the text', the disquisitions from Romain Rolland to Eleonore Büning – we read, we discuss, it all seems helpful and necessary. At the end of the day it is the mature individual, the serious exponent, who makes the decision led by the promptings of conscience, and who simultaneously senses this 'growing' of which Zagajewski speaks. We climb a steep path, in order to approach Beethoven more closely. The summit of this path is visible, but not attainable. That is why we keep returning to this path, endless as it is. Beethoven lives in us, as he changes, as we change. Life aspires to art, art is a way forward, life is our way forward. Beethoven changes us through his 'growth'. We grow with him!"
- Julius Berger
96 kHz / 24-bit PCM – Solo Musica Studio Masters
| Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -2.42 -10.60 to -0.35 | -24.69 -30.56 to -21.71 | -21.39 -27.70 to -18.40 | 14 11 to 16 | |
| 1.1 | I. Adagio sostenuto | -1.95 | -24.96 | -21.3 | 13 |
| 1.2 | II. Allegro | -0.98 | -22.59 | -19.6 | 14 |
| 1.3 | III. Rondo. Allegro vivace | -2.02 | -23.61 | -20.5 | 13 |
| 1.4 | I. Adagio sostenuto ed espressivo | -0.62 | -25.31 | -21.6 | 15 |
| 1.5 | II. Allegro molto più tosto presto | -1.76 | -21.71 | -18.5 | 13 |
| 1.6 | III. Rondo. Allegro | -2.46 | -24.09 | -21.3 | 14 |
| 1.7 | I. Allegro ma non tanto | -0.78 | -22.88 | -19.4 | 14 |
| 1.8 | II. Scherzo. Allegro molto | -0.88 | -22.08 | -18.4 | 12 |
| 1.9 | IIIa. Adagio cantabile | -10.60 | -30.45 | -27.4 | 11 |
| 1.10 | IIIb. Allegro vivace | -0.44 | -22.47 | -18.8 | 14 |
| 2.1 | Ia. Andante | -8.86 | -30.56 | -27.7 | 13 |
| 2.2 | Ib. Allegro vivace | -0.76 | -22.59 | -19.5 | 15 |
| 2.3 | IIa. Adagio | -4.80 | -28.40 | -25.3 | 14 |
| 2.4 | IIb. Allegro vivace | -2.71 | -23.38 | -19.7 | 13 |
| 2.5 | I. Allegro con brio | -0.39 | -22.70 | -19.5 | 14 |
| 2.6 | II. Adagio con molto sentimento d'affetto | -5.34 | -30.08 | -26.8 | 15 |
| 2.7 | III. Allegro | -1.51 | -23.23 | -19.8 | 14 |
| 2.8 | 12 Variations on "See the Conqu'ring Hero Comes", WoO 45 | -0.67 | -25.10 | -21.6 | 16 |
| 2.9 | 12 Variations on "Ein Mädchen oder Weibchen", Op. 66 | -0.35 | -23.67 | -20.3 | 14 |
| 2.10 | 7 Variations on "Bei Männern welche Liebe fühlen", WoO 46 | -0.51 | -24.02 | -20.8 | 15 |