℗ 2020 Parlophone Records Limited; A Warner Classics release,
| Released | June 26, 2020 |
| Duration | 1h 18m 50s |
| Record Label | Warner Classics |
| Genre | Classical |
Mozart, Tchaikovsky & Glazunov: Violin Concertos
Jascha Heifetz, London Philharmonic Orchestra, Sir John Barbirolli
Available in MQA and 192 kHz / 24-bit, 96 kHz / 24-bit AIFF, FLAC high resolution audio formats
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Violin Concerto No. 5 in A Major, K. 219 "Turkish"
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1.1
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I. Allegro aperto
Wolfgang Amadeus Mozart; Sir John Barbirolli; London Philharmonic Orchestra |
9:57 | |||
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1.2
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II. Adagio
Wolfgang Amadeus Mozart; Sir John Barbirolli; London Philharmonic Orchestra |
10:49 | |||
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1.3
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III. Tempo di menuetto
Wolfgang Amadeus Mozart; Sir John Barbirolli; London Philharmonic Orchestra |
6:46 | |||
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Violin Concerto in A Minor, Op. 82
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1.4
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I. Moderato
Alexander Glazunov; Sir John Barbirolli; London Philharmonic Orchestra |
4:22 | |||
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1.5
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II. Andante
Alexander Glazunov; Sir John Barbirolli; London Philharmonic Orchestra |
7:27 | |||
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1.6
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III. Cadenza
Alexander Glazunov; Sir John Barbirolli; London Philharmonic Orchestra |
2:18 | |||
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1.7
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IV. Animando
Alexander Glazunov; Sir John Barbirolli; London Philharmonic Orchestra |
5:47 | |||
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Violin Concerto in D Major, Op. 35
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1.8
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I. Allegro moderato
Pyotr Ilyich Tchaikovsky; Sir John Barbirolli; London Philharmonic Orchestra |
16:47 | |||
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1.9
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II. Canzonetta. Andante
Pyotr Ilyich Tchaikovsky; Sir John Barbirolli; London Philharmonic Orchestra |
6:53 | |||
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1.10
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III. Finale. Allegro vivicissimo
Pyotr Ilyich Tchaikovsky; Sir John Barbirolli; London Philharmonic Orchestra |
7:44 | |||
Warner Classics and Parlophone release this wonderful legacy recording of Sir John Barbirolli heading the London Philharmonic Orchestra to present a programme of Violin Concertos from Mozart, Tchaikovsky & Glazunov.
Born in London of Italian-French parents, Sir John Barbirolli (1899–1970) trained as a cellist and played in theatre and café orchestras before joining the Queen’s Hall Orchestra under Sir Henry Wood in 1916. His conducting career began with the formation of his own orchestra in 1924, and between 1926 and 1933 he was active as an opera conductor at Covent Garden and elsewhere. Orchestral appointments followed: the Scottish Orchestra (1933–36), the New York Philharmonic (1936–42), the Hallé Orchestra (1943–70) and the Houston Symphony (1961–67).
Barbirolli guest conducted many of the world’s leading orchestras and was especially admired as an interpreter of the music of Mahler, Sibelius, Elgar, Vaughan Williams, Delius, Puccini and Verdi. He made many outstanding recordings, including the complete Brahms and Sibelius symphonies, as well as operas by Verdi and Puccini and much English repertoire.
192 kHz / 24-bit, 96 kHz / 24-bit PCM – Warner Classics Studio Masters
Tracks 1-3 – 44.1 kHz / 24-bit PCM, mastered in 96 kHz / 24-bit; 44.1 kHz / 24-bit PCM, mastered in 192 kHz / 24-bit Tracks 4-10 – contains high-resolution digital transfers of material originating from an analogue master source
Tracks 1-3 – 44.1 kHz / 24-bit PCM, mastered in 96 kHz / 24-bit; 44.1 kHz / 24-bit PCM, mastered in 192 kHz / 24-bit Tracks 4-10 – contains high-resolution digital transfers of material originating from an analogue master source
| Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -3.12 -7.44 to -0.13 | -25.88 -30.87 to -21.24 | -21.91 -26.50 to -17.70 | 14 12 to 16 | |
| 1 | I. Allegro aperto | -1.77 | -25.91 | -21.5 | 16 |
| 2 | II. Adagio | -6.92 | -30.87 | -26.5 | 13 |
| 3 | III. Tempo di menuetto | -1.26 | -24.33 | -20.2 | 15 |
| 4 | I. Moderato | -4.93 | -26.43 | -22.6 | 13 |
| 5 | II. Andante | -2.97 | -24.70 | -21.2 | 14 |
| 6 | III. Cadenza | -7.44 | -28.57 | -23.6 | 14 |
| 7 | IV. Animando | -1.36 | -21.24 | -17.7 | 12 |
| 8 | I. Allegro moderato | -0.13 | -24.29 | -20.3 | 15 |
| 9 | II. Canzonetta. Andante | -2.87 | -27.74 | -24.4 | 16 |
| 10 | III. Finale. Allegro vivicissimo | -1.58 | -24.76 | -21.1 | 15 |