℗ 2020 OMF
Released March 6, 2020
Duration 1h 15m 14s
Record Label OMF
Catalogue No. KDC-2075
Genre Classical (Chamber)
 

G.B. Viviani: Capricci armonici da chiesa e da camera, Op. 4 (Excerpts)

Sonoko Asabuki

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Capricci armonici da chiesa e da camera, Op. 4 (Excerpts)  
1.1
No. 3, Toccata prima
Giovanni Buonaventura Viviani; Sonoko Asabuki; Marie Nishiyama; Takashi Kaketa
3:28
1.2
No. 20, Sinfonia cantabile
Giovanni Buonaventura Viviani; Sonoko Asabuki; Marie Nishiyama; Takashi Kaketa
6:06
1.3
No. 5, Sonata prima
Giovanni Buonaventura Viviani; Sonoko Asabuki; Marie Nishiyama; Takashi Kaketa
5:10
1.4
No. 6, Sonata seconda
Giovanni Buonaventura Viviani; Sonoko Asabuki; Marie Nishiyama; Takashi Kaketa
3:54
1.5
No. 17, Capriccio prima
Giovanni Buonaventura Viviani; Sonoko Asabuki; Marie Nishiyama; Takashi Kaketa
1:50
1.6
No. 4, Toccata seconda
Giovanni Buonaventura Viviani; Sonoko Asabuki; Marie Nishiyama
5:07
1.7
No. 13, Introdutione prima
Giovanni Buonaventura Viviani; Sonoko Asabuki; Marie Nishiyama; Takashi Kaketa
5:44
1.8
No. 1, Symphonia prima
Giovanni Buonaventura Viviani; Sonoko Asabuki; Marie Nishiyama; Takashi Kaketa
5:14
1.9
No. 7, Aria prima
Giovanni Buonaventura Viviani; Sonoko Asabuki; Marie Nishiyama
2:58
1.10
No. 8, Aria seconda
Giovanni Buonaventura Viviani; Sonoko Asabuki; Marie Nishiyama; Takashi Kaketa
2:11
1.11
No. 9, Aria terza
Giovanni Buonaventura Viviani; Sonoko Asabuki; Marie Nishiyama; Takashi Kaketa
2:15
1.12
No. 14, Introdutione seconda
Giovanni Buonaventura Viviani; Sonoko Asabuki; Marie Nishiyama; Takashi Kaketa
4:38
1.13
No. 18a, Capriccio seconda
Giovanni Buonaventura Viviani; Sonoko Asabuki; Marie Nishiyama
2:01
1.14
No. 16a, Introdutione quarta. Balletto
Giovanni Buonaventura Viviani; Sonoko Asabuki; Marie Nishiyama; Takashi Kaketa
5:16
1.15
No. 15, Introdutione terza
Giovanni Buonaventura Viviani; Sonoko Asabuki; Marie Nishiyama; Takashi Kaketa
2:54
1.16
No. 10, Aria quarta
Giovanni Buonaventura Viviani; Sonoko Asabuki; Marie Nishiyama
2:03
1.17
No. 11, Aria quinta
Giovanni Buonaventura Viviani; Sonoko Asabuki; Marie Nishiyama; Takashi Kaketa
1:14
1.18
No. 12, Aria sesta
Giovanni Buonaventura Viviani; Sonoko Asabuki; Marie Nishiyama; Takashi Kaketa
0:53
1.19
No. 18b, Capriccio seconda. Allemanda - Corrente - Balletto - Sarabanda
Giovanni Buonaventura Viviani; Sonoko Asabuki; Marie Nishiyama
5:15
1.20
No. 16a, Introdutione quarta. Corrente
Giovanni Buonaventura Viviani; Sonoko Asabuki; Marie Nishiyama
2:41
1.21
No. 2, Symphonia seconda
Giovanni Buonaventura Viviani; Sonoko Asabuki; Marie Nishiyama; Takashi Kaketa
4:22
Tokyo-born Sonoko Asabuki studied viola with Nobuo Okada at the State University for the Arts and Music in Tokyo. In 2006 she obtained her Master’s degree and the “Young Artist Award”. In 2005 Sonoko won 1st prize at the Competition for String Instruments in Tochigi, and 2006 another first prize at the International Music Competition Hyogo in Japan. In 2007 she continued her viola studies with Prof. Wolfram Christ at the Hochschule für Musik in Freiburg in B. in Germany, where she obtained her diploma in 2009 with distinction. Deeply touched by Early Music, she began her studies in baroque violin with professors Chiara Banchini, Leila Schayegh and Amandine Beyer at the Schola Cantorum Basiliens, obtaining her Master’s degree in historically informed performance in 2012 with distinction. In 2011 she won 1st prize at the Wassenaer Competition in Amsterdam with the Den Haag Piano Quintet. She has worked with renowned musicians such as Chiara Banchini, Trevor Pinnock, Gottfried von der Goltz, Seiji Ozawa and numerous ensembles and orchestras such as Il Profondo, Barockorchester Capriccio Basel, Basler Barockorchester La Cetra, L’Allegra Fonte, and Bach Collegium Japan.
192 kHz / 24-bit, 96 kHz / 24-bit PCM – OMF Studio Masters
Track title
Peak
(dB FS)
RMS
(dB FS)
LUFS
(integrated)
DR
Album average
Range of values
-7.38
-10.83 to -5.39
-27.79
-30.64 to -24.35
-23.95
-26.80 to -20.80
13
12 to 14
1
No. 3, Toccata prima
-6.61-27.01-23.113
2
No. 20, Sinfonia cantabile
-6.53-26.85-23.113
3
No. 5, Sonata prima
-5.43-25.75-22.113
4
No. 6, Sonata seconda
-5.66-27.17-23.513
5
No. 17, Capriccio prima
-5.39-24.35-20.812
6
No. 4, Toccata seconda
-6.30-28.98-24.614
7
No. 13, Introdutione prima
-6.33-26.07-22.513
8
No. 1, Symphonia prima
-6.83-27.51-24.313
9
No. 7, Aria prima
-6.92-29.56-25.214
10
No. 8, Aria seconda
-8.12-27.48-24.313
11
No. 9, Aria terza
-8.69-28.69-25.113
12
No. 14, Introdutione seconda
-6.85-26.32-23.113
13
No. 18a, Capriccio seconda
-8.75-29.47-24.913
14
No. 16a, Introdutione quarta. Balletto
-6.64-27.39-23.614
15
No. 15, Introdutione terza
-6.78-26.50-22.912
16
No. 10, Aria quarta
-8.84-30.64-26.813
17
No. 11, Aria quinta
-9.31-29.70-24.613
18
No. 12, Aria sesta
-10.83-29.01-25.112
19
No. 18b, Capriccio seconda. Allemanda - Corrente - Balletto - Sarabanda
-7.68-29.36-25.314
20
No. 16a, Introdutione quarta. Corrente
-9.18-27.46-23.612
21
No. 2, Symphonia seconda
-7.40-28.43-24.412

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