℗ 2020 OMF
Released | March 6, 2020 |
Duration | 1h 15m 14s |
Record Label | OMF |
Catalogue No. | KDC-2075 |
Genre | Classical (Chamber) |
G.B. Viviani: Capricci armonici da chiesa e da camera, Op. 4 (Excerpts)
Sonoko Asabuki
Available in 192 kHz / 24-bit, 96 kHz / 24-bit AIFF, FLAC high resolution audio formats
Capricci armonici da chiesa e da camera, Op. 4 (Excerpts)
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1.1
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No. 3, Toccata prima
Giovanni Buonaventura Viviani; Sonoko Asabuki; Marie Nishiyama; Takashi Kaketa |
3:28 | |||
1.2
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No. 20, Sinfonia cantabile
Giovanni Buonaventura Viviani; Sonoko Asabuki; Marie Nishiyama; Takashi Kaketa |
6:06 | |||
1.3
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No. 5, Sonata prima
Giovanni Buonaventura Viviani; Sonoko Asabuki; Marie Nishiyama; Takashi Kaketa |
5:10 | |||
1.4
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No. 6, Sonata seconda
Giovanni Buonaventura Viviani; Sonoko Asabuki; Marie Nishiyama; Takashi Kaketa |
3:54 | |||
1.5
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No. 17, Capriccio prima
Giovanni Buonaventura Viviani; Sonoko Asabuki; Marie Nishiyama; Takashi Kaketa |
1:50 | |||
1.6
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No. 4, Toccata seconda
Giovanni Buonaventura Viviani; Sonoko Asabuki; Marie Nishiyama |
5:07 | |||
1.7
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No. 13, Introdutione prima
Giovanni Buonaventura Viviani; Sonoko Asabuki; Marie Nishiyama; Takashi Kaketa |
5:44 | |||
1.8
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No. 1, Symphonia prima
Giovanni Buonaventura Viviani; Sonoko Asabuki; Marie Nishiyama; Takashi Kaketa |
5:14 | |||
1.9
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No. 7, Aria prima
Giovanni Buonaventura Viviani; Sonoko Asabuki; Marie Nishiyama |
2:58 | |||
1.10
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No. 8, Aria seconda
Giovanni Buonaventura Viviani; Sonoko Asabuki; Marie Nishiyama; Takashi Kaketa |
2:11 | |||
1.11
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No. 9, Aria terza
Giovanni Buonaventura Viviani; Sonoko Asabuki; Marie Nishiyama; Takashi Kaketa |
2:15 | |||
1.12
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No. 14, Introdutione seconda
Giovanni Buonaventura Viviani; Sonoko Asabuki; Marie Nishiyama; Takashi Kaketa |
4:38 | |||
1.13
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No. 18a, Capriccio seconda
Giovanni Buonaventura Viviani; Sonoko Asabuki; Marie Nishiyama |
2:01 | |||
1.14
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No. 16a, Introdutione quarta. Balletto
Giovanni Buonaventura Viviani; Sonoko Asabuki; Marie Nishiyama; Takashi Kaketa |
5:16 | |||
1.15
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No. 15, Introdutione terza
Giovanni Buonaventura Viviani; Sonoko Asabuki; Marie Nishiyama; Takashi Kaketa |
2:54 | |||
1.16
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No. 10, Aria quarta
Giovanni Buonaventura Viviani; Sonoko Asabuki; Marie Nishiyama |
2:03 | |||
1.17
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No. 11, Aria quinta
Giovanni Buonaventura Viviani; Sonoko Asabuki; Marie Nishiyama; Takashi Kaketa |
1:14 | |||
1.18
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No. 12, Aria sesta
Giovanni Buonaventura Viviani; Sonoko Asabuki; Marie Nishiyama; Takashi Kaketa |
0:53 | |||
1.19
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No. 18b, Capriccio seconda. Allemanda - Corrente - Balletto - Sarabanda
Giovanni Buonaventura Viviani; Sonoko Asabuki; Marie Nishiyama |
5:15 | |||
1.20
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No. 16a, Introdutione quarta. Corrente
Giovanni Buonaventura Viviani; Sonoko Asabuki; Marie Nishiyama |
2:41 | |||
1.21
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No. 2, Symphonia seconda
Giovanni Buonaventura Viviani; Sonoko Asabuki; Marie Nishiyama; Takashi Kaketa |
4:22 |
Tokyo-born Sonoko Asabuki studied viola with Nobuo Okada at the State University for the Arts and Music in Tokyo. In 2006 she obtained her Master’s degree and the “Young Artist Award”. In 2005 Sonoko won 1st prize at the Competition for String Instruments in Tochigi, and 2006 another first prize at the International Music Competition Hyogo in Japan.
In 2007 she continued her viola studies with Prof. Wolfram Christ at the Hochschule für Musik in Freiburg in B. in Germany, where she obtained her diploma in 2009 with distinction. Deeply touched by Early Music, she began her studies in baroque violin with professors Chiara Banchini, Leila Schayegh and Amandine Beyer at the Schola Cantorum Basiliens, obtaining her Master’s degree in historically informed performance in 2012 with distinction.
In 2011 she won 1st prize at the Wassenaer Competition in Amsterdam with the Den Haag Piano Quintet. She has worked with renowned musicians such as Chiara Banchini, Trevor Pinnock, Gottfried von der Goltz, Seiji Ozawa and numerous ensembles and orchestras such as Il Profondo, Barockorchester Capriccio Basel, Basler Barockorchester La Cetra, L’Allegra Fonte, and Bach Collegium Japan.
192 kHz / 24-bit, 96 kHz / 24-bit PCM – OMF Studio Masters
Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -7.38 -10.83 to -5.39 | -27.79 -30.64 to -24.35 | -23.95 -26.80 to -20.80 | 13 12 to 14 | |
1 | No. 3, Toccata prima | -6.61 | -27.01 | -23.1 | 13 |
2 | No. 20, Sinfonia cantabile | -6.53 | -26.85 | -23.1 | 13 |
3 | No. 5, Sonata prima | -5.43 | -25.75 | -22.1 | 13 |
4 | No. 6, Sonata seconda | -5.66 | -27.17 | -23.5 | 13 |
5 | No. 17, Capriccio prima | -5.39 | -24.35 | -20.8 | 12 |
6 | No. 4, Toccata seconda | -6.30 | -28.98 | -24.6 | 14 |
7 | No. 13, Introdutione prima | -6.33 | -26.07 | -22.5 | 13 |
8 | No. 1, Symphonia prima | -6.83 | -27.51 | -24.3 | 13 |
9 | No. 7, Aria prima | -6.92 | -29.56 | -25.2 | 14 |
10 | No. 8, Aria seconda | -8.12 | -27.48 | -24.3 | 13 |
11 | No. 9, Aria terza | -8.69 | -28.69 | -25.1 | 13 |
12 | No. 14, Introdutione seconda | -6.85 | -26.32 | -23.1 | 13 |
13 | No. 18a, Capriccio seconda | -8.75 | -29.47 | -24.9 | 13 |
14 | No. 16a, Introdutione quarta. Balletto | -6.64 | -27.39 | -23.6 | 14 |
15 | No. 15, Introdutione terza | -6.78 | -26.50 | -22.9 | 12 |
16 | No. 10, Aria quarta | -8.84 | -30.64 | -26.8 | 13 |
17 | No. 11, Aria quinta | -9.31 | -29.70 | -24.6 | 13 |
18 | No. 12, Aria sesta | -10.83 | -29.01 | -25.1 | 12 |
19 | No. 18b, Capriccio seconda. Allemanda - Corrente - Balletto - Sarabanda | -7.68 | -29.36 | -25.3 | 14 |
20 | No. 16a, Introdutione quarta. Corrente | -9.18 | -27.46 | -23.6 | 12 |
21 | No. 2, Symphonia seconda | -7.40 | -28.43 | -24.4 | 12 |