℗ 2016 Gramola Records
| Released | 2016 |
| Duration | 57m 14s |
| Record Label | Gramola Records |
| Catalogue No. | Gramola99053 |
| Genre | Classical (Chamber Music) |
Ludwig van Beethoven: Die Violinsonaten Vol. 4: Nr. 6 Op. 30/1 - Nr. 7 Op. 30/2 - Rondo WoO 41- 6 Deutsche Tänze WoO 42
Thomas Albertus Irnberger, Michael Korstick
Available in 192 kHz / 24-bit, 96 kHz / 24-bit AIFF, FLAC high resolution audio formats
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Sonata No. 6 in A Major, Op. 30 No. 1
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1.1
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I. Allegro
Ludwig van Beethoven; Thomas Albertus Irnberger; Michael Korstick |
7:11 | |||
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1.2
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II. Adagio molto espressivo
Ludwig van Beethoven; Thomas Albertus Irnberger; Michael Korstick |
8:00 | |||
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1.3
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III. Allegretto con variazioni
Ludwig van Beethoven; Thomas Albertus Irnberger; Michael Korstick |
7:49 | |||
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1.4
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Rondo in G Major, WoO 41
Ludwig van Beethoven; Thomas Albertus Irnberger; Michael Korstick |
4:30 | |||
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1.5
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Six German Dances, WoO 42
Ludwig van Beethoven; Thomas Albertus Irnberger; Michael Korstick |
4:11 | |||
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Sonata No. 7 in C Minor, Op. 30 No. 2
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1.6
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I. Allegro con brio
Ludwig van Beethoven; Thomas Albertus Irnberger; Michael Korstick |
7:25 | |||
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1.7
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II. Adagio cantabile
Ludwig van Beethoven; Thomas Albertus Irnberger; Michael Korstick |
9:48 | |||
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1.8
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III. Scherzo. Allegro
Ludwig van Beethoven; Thomas Albertus Irnberger; Michael Korstick |
3:27 | |||
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1.9
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IV. Finale. Allegro - Presto
Ludwig van Beethoven; Thomas Albertus Irnberger; Michael Korstick |
4:53 | |||
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Digital Booklet
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This fourth and final volume of the complete recordings of Beethoven's violin sonatas from violinist Thomas Albertus Irnberger and pianist Michael Korstick focuses on two sonatas, both composed in 1802, reflecting Beethoven's emotional state at the time: on one hand, there is a new affection, professional success and aspiration, while on the other hand his emerging severe hearing loss was threatening his artistic and psychological existence. The two sonatas are ever so different in style and characterized by heavy mood swings, in contrast to the other works on this album that convey ease and almost juvenile cheerfulness, a trait also prevalent in the interpretation of Irnberger and Korstick.
192 kHz / 24-bit, 96 kHz / 24-bit PCM – Gramola Records Studio Masters
| Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -1.38 -4.19 to -0.11 | -24.95 -29.92 to -22.55 | -21.50 -26.50 to -18.80 | 15 13 to 17 | |
| 1 | I. Allegro | -0.16 | -23.32 | -19.9 | 15 |
| 2 | II. Adagio molto espressivo | -4.19 | -29.85 | -26.3 | 15 |
| 3 | III. Allegretto con variazioni | -1.29 | -24.07 | -20.8 | 16 |
| 4 | Rondo in G Major, WoO 41 | -3.17 | -25.09 | -21.8 | 13 |
| 5 | Six German Dances, WoO 42 | -1.80 | -22.66 | -19.6 | 14 |
| 6 | I. Allegro con brio | -0.13 | -22.77 | -19.1 | 15 |
| 7 | II. Adagio cantabile | -0.23 | -29.92 | -26.5 | 17 |
| 8 | III. Scherzo. Allegro | -1.34 | -24.30 | -20.7 | 14 |
| 9 | IV. Finale. Allegro - Presto | -0.11 | -22.55 | -18.8 | 16 |