℗ 2020 harmonia mundi / ORA Singers
 

Spem in alium. Vidi aquam

Suzi Digby, ORA Singers

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1.1
Spem in alium nunquam habui (Forty-Part Motet)
Thomas Tallis; Anonymous; Suzi Digby; ORA Singers
9:19
1.2
O Souverain Pasteur et Maistre
Derrick Gerarde; Anonymous; Suzi Digby; ORA Singers
5:24
1.3
In Monte Oliveti
Alfonso Ferrasbosco I; Anonymous; Suzi Digby; ORA Singers
4:04
1.4
Domine, salva nos
William Byrd; Anonymous; Suzi Digby; ORA Singers
3:06
1.5
Fructum salutiferum
Anonymous; Suzi Digby; ORA Singers
0:28
1.6
Tua est potentia
Derrick Gerarde; Anonymous; Suzi Digby; ORA Singers
3:39
1.7
Pater Noster
Philip Van Wilder; Anonymous; Suzi Digby; ORA Singers
4:08
1.8
In jejunio et fletu
Thomas Tallis; Anonymous; Suzi Digby; ORA Singers
4:15
1.9
Decantabat populus Israel
Alfonso Ferrasbosco I; Anonymous; Suzi Digby; ORA Singers
3:04
1.10
Ex altari tuo, Domine
Anonymous; Suzi Digby; ORA Singers
0:30
1.11
Judica me, Domine
Alfonso Ferrasbosco I; Anonymous; Suzi Digby; ORA Singers
7:08
1.12
Fac cum servo tuo
William Byrd; Anonymous; Suzi Digby; ORA Singers
4:17
1.13
Derelinquit impius
Thomas Tallis; Anonymous; Suzi Digby; ORA Singers
3:42
1.14
Vidi civitatem
Philip Van Wilder; Anonymous; Suzi Digby; ORA Singers
8:06
1.15
Vidi aquam (Forty-Part Motet)
James MacMillan; Anonymous; Suzi Digby; ORA Singers
9:07
Digital Booklet
Total Playing Time    70:17
A musical banquet from the Golden Age: this programme brings together a true choral landmark from the sixteenth century, with its present-day reflection, a commission by Sir James MacMillan. These two monumental, large-scale pieces bookend a 'tasting menu' of Renaissance works by Byrd, Tallis and many other composers. Common to them all is a link to Nonsuch Palace, arguably the location of the first performance of Spem in alium, and the centre of a rich vein of Tudor musical patronage.
96 kHz / 24-bit PCM – harmonia mundi Studio Masters

Tracks 5, 10 – 44.1 kHz / 24-bit PCM, mastered in 96 kHz / 24-bit

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