℗ 2010 PentaTone
Released | August 24, 2010 |
Duration | 1h 06m 50s |
Record Label | PentaTone |
Catalogue No. | PTC5186304 |
Genre | Classical (Instrumental) |
Beethoven: Piano Sonatas Opp. 78, 79, 14, 49
Mari Kodama
Available in 96 kHz / 24-bit AIFF, FLAC and 2.8224 MHz DSD high resolution audio formats
Piano Sonata No. 25 in G Major, Op. 79
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1.1
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I. Presto alla tedesca
Ludwig van Beethoven; Mari Kodama |
4:59 | |||
1.2
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II. Andante
Ludwig van Beethoven; Mari Kodama |
3:10 | |||
1.3
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III. Vivace
Ludwig van Beethoven; Mari Kodama |
2:05 | |||
Piano Sonata No. 24 in F-Sharp Major, Op. 78 "À Thérèse"
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1.4
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I. Adagio cantabile - Allegro ma non troppo
Ludwig van Beethoven; Mari Kodama |
8:05 | |||
1.5
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II. Allegro vivace
Ludwig van Beethoven; Mari Kodama |
3:13 | |||
Piano Sonata No. 9 in E Major, Op. 14, No. 1
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1.6
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I. Allegro
Ludwig van Beethoven; Mari Kodama |
7:03 | |||
1.7
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II. Allegretto
Ludwig van Beethoven; Mari Kodama |
3:02 | |||
1.8
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III. Rondo: Allegro comodo
Ludwig van Beethoven; Mari Kodama |
3:10 | |||
Piano Sonata No. 10 in G Major, Op. 14, No. 2
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1.9
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I. Allegro
Ludwig van Beethoven; Mari Kodama |
7:00 | |||
1.10
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II. Andante
Ludwig van Beethoven; Mari Kodama |
5:53 | |||
1.11
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III. Scherzo: Allegro assai
Ludwig van Beethoven; Mari Kodama |
3:37 | |||
Piano Sonata No. 19 in G Minor, Op. 49, No. 1
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1.12
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I. Andante
Ludwig van Beethoven; Mari Kodama |
4:05 | |||
1.13
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II. Rondo: Allegro
Ludwig van Beethoven; Mari Kodama |
3:45 | |||
Piano Sonata No. 20 in G Major, Op. 49 No. 2
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1.14
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I. Allegro ma non troppo
Ludwig van Beethoven; Mari Kodama |
4:17 | |||
1.15
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II. Tempo di menuetto
Ludwig van Beethoven; Mari Kodama |
3:26 | |||
Digital Booklet
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"Kodama is widely experienced and her performances of sonatas she calls ‘lyrical islands’ are graceful, fluent and musically transparent. Everything proceeds in a faultless flow of sound and in this sense her credentials are impeccable. Never bearing down heavily on the music, she always allows Beethoven his own voice."
- Gramophone
Released in 2010, this installment in Mari Kodama's cycle of the complete Beethoven piano sonatas received equal praise as past (and future) releases. Throughout the series, Kodama demonstrates her profound aesthetic sensibilities and highly personal and unique style.
96 kHz / 24-bit PCM and 2.8224 MHz DSD – PentaTone Studio Masters
Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -2.34 -6.96 to -0.14 | -23.65 -28.37 to -21.06 | -20.44 -25.20 to -17.50 | 13 12 to 15 | |
1 | I. Presto alla tedesca | -1.49 | -21.06 | -18.3 | 12 |
2 | II. Andante | -6.96 | -28.37 | -25.2 | 12 |
3 | III. Vivace | -0.90 | -22.34 | -18.9 | 13 |
4 | I. Adagio cantabile - Allegro ma non troppo | -0.14 | -22.41 | -19.0 | 13 |
5 | II. Allegro vivace | -1.42 | -21.35 | -17.5 | 13 |
6 | I. Allegro | -0.41 | -22.93 | -19.8 | 14 |
7 | II. Allegretto | -2.26 | -23.94 | -20.5 | 13 |
8 | III. Rondo: Allegro comodo | -2.63 | -21.58 | -18.3 | 12 |
9 | I. Allegro | -2.23 | -22.98 | -20.0 | 13 |
10 | II. Andante | -2.42 | -26.69 | -23.5 | 15 |
11 | III. Scherzo: Allegro assai | -1.82 | -22.73 | -19.4 | 13 |
12 | I. Andante | -2.63 | -24.51 | -21.5 | 14 |
13 | II. Rondo: Allegro | -2.19 | -24.36 | -21.3 | 14 |
14 | I. Allegro ma non troppo | -3.36 | -23.41 | -20.6 | 12 |
15 | II. Tempo di menuetto | -4.33 | -26.09 | -22.8 | 13 |