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Chris Stamey’s collaboration with The Fellow Travelers, A Brand-New Shade Of Blue, was inspired by the intimate small-combo sound of the late ’50s and early ’60s—a time when the “cool jazz” compositions of such luminaries as John Coltrane, Bill Evans, Miles Davis, and Thelonious Monk lived alongside the expanding pop vocabulary of Burt Bacharach and Jimmy Webb. The music started as song sheets, in the old style: just words and melodies on paper. Members of an N.C. ad hoc collective of singers and players, known informally as The Fellow Travelers, next gathered in Stamey’s Modern Recording studio in early 2020 to read through the songbook and bring the tunes to life. Next came thrillingly expressive solos by 19-year-old tenor-sax prodigy Elijah Freeman and N.C. jazz-scene linchpins Foureman, Will Campbell (alto and soprano sax), Evan Ringel (trombone), and Ben Robinson (trumpet), which connected and underlined the detailed, evocative lyrics. The project was well underway when the pandemic stopped in-person sessions cold. But the undaunted Fellow Travelers were able to assemble home studios, some for the first time, and complete the arrangements. As the songs took shape, additional sonic details came from Dale Baker (bongos), Matt Douglas (Mountain Goats) (bass clarinet, bari sax), Karen Galvin and Libby Rodenbough (Mipso) (violins), Peter Holsapple (The dB’s) (banjo), Rachel Kiel (flute and harmonies), Slippy McGhee (harmonica), Mark Simonsen (vibraphone), and Josh Starmer (’celli). “These are songs for late nights and rainy days. I wrote most of it in the dark of winter, in whispers, in the ‘wee small hours of the morning,’ that magic time ‘when the whole wide world is fast asleep.’ And these great singers and musicians kept that mood alive throughout the sessions that followed.” - Chris Starney