℗ 2020 Craft Recordings., Distributed by Concord.
| Released | July 24, 2020 |
| Duration | 42m 05s |
| Record Label | Craft Recordings |
| Catalogue No. | CR02542 |
| Genre | Rock |
Blue Aquarius
Blue Aquarius
Available in 192 kHz / 24-bit, 96 kHz / 24-bit AIFF, FLAC high resolution audio formats
|
1.1
|
God Is Love
Blue Aquarius |
4:41 | |||
|
1.2
|
Rock Me Maharaj Ji
Blue Aquarius |
4:38 | |||
|
1.3
|
Know Him While You Can
Blue Aquarius |
3:28 | |||
|
1.4
|
At The Feet Of The Master
Blue Aquarius |
4:25 | |||
|
1.5
|
Arti
Blue Aquarius |
2:24 | |||
|
1.6
|
How Many Lifetimes (Live At Hammersmith Odeon)
Blue Aquarius |
4:46 | |||
|
1.7
|
Oh Maharaj Ji (Live At Hammersmith Odeon)
Blue Aquarius |
3:57 | |||
|
1.8
|
Foxfire (Live At Hammersmith Odeon)
Blue Aquarius |
5:11 | |||
|
1.9
|
Alive And Well (Live At Hammersmith Odeon)
Blue Aquarius |
4:12 | |||
|
1.10
|
Satguru Has Come (Live At Hammersmith Odeon)
Blue Aquarius |
4:23 |
Blue Aquarius's self-titled album comes as part of Craft Recordings rollout of the first-ever digital release of 25 albums from the catalogue of Stax Records subsidiary Gospel Truth Records. Titles are being released every week in chronological order, building towards to September’s Gospel Heritage Month.
The Gospel Truth catalogue ranged from the divine gospel of Maceo Woods to the cutting-edge message music of Louise McCord and the label’s marquee act Rance Allen. Its 1970s archives reach beyond the realms of simply the black American gospel tradition and showcased a diverse collection of talent.
Gospel Truth was established in 1972 as the brainchild of Stax executive Al Bell. He enlisted the help of radio promotions pioneer and songwriter Dave Clark and Stax label staffer Mary Peak Patterson to oversee the imprint’s formation. Gospel Truth sought to “carry the message of today’s gospel to the people on the street,” as promotional material for the label’s launch announced.
What stood Gospel Truth apart from other gospel labels was the accessibility of its signings. Clark’s keen eye and ear had the knack of combining traditional gospel musicians with raw and revolutionary artists at home in rock, funk and soul, resulting in a sound that resonated with the hip audience of the 1970s.
192 kHz / 24-bit, 96 kHz / 24-bit PCM – Craft Recordings Studio Masters
Tracks 1-10 – contains high-resolution digital transfers of material originating from an analogue master source
Tracks 1-10 – contains high-resolution digital transfers of material originating from an analogue master source
| Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -0.49 -0.52 to -0.48 | -14.40 -16.58 to -12.59 | -11.23 -13.00 to -9.70 | 9 8 to 10 | |
| 1 | God Is Love | -0.49 | -14.51 | -11.5 | 8 |
| 2 | Rock Me Maharaj Ji | -0.48 | -16.58 | -13.0 | 10 |
| 3 | Know Him While You Can | -0.49 | -15.04 | -12.1 | 10 |
| 4 | At The Feet Of The Master | -0.50 | -14.47 | -11.4 | 8 |
| 5 | Arti | -0.50 | -13.65 | -9.9 | 9 |
| 6 | How Many Lifetimes (Live At Hammersmith Odeon) | -0.52 | -12.59 | -9.7 | 8 |
| 7 | Oh Maharaj Ji (Live At Hammersmith Odeon) | -0.50 | -16.17 | -13.0 | 10 |
| 8 | Foxfire (Live At Hammersmith Odeon) | -0.51 | -13.26 | -10.1 | 8 |
| 9 | Alive And Well (Live At Hammersmith Odeon) | -0.48 | -14.49 | -11.1 | 9 |
| 10 | Satguru Has Come (Live At Hammersmith Odeon) | -0.49 | -13.27 | -10.5 | 8 |