℗ 2020 Songlines Recordings
| Released | September 4, 2020 |
| Duration | 1h 04m 44s |
| Record Label | Songlines Recordings |
| Catalogue No. | SGL1631-2 |
| Genre | Jazz |
Cell Walk
Sara Schoenbec, Wayne Horvitz
Available in 96 kHz / 24-bit AIFF, FLAC high resolution audio formats
|
1.1
|
Undecided
Sara Schoenbec; Wayne Horvitz |
3:49 | |||
|
1.2
|
Twining
Sara Schoenbec; Wayne Horvitz |
2:11 | |||
|
1.3
|
No Blood Relation
Sara Schoenbec; Wayne Horvitz |
4:18 | |||
|
1.4
|
Long Wing
Sara Schoenbec; Wayne Horvitz |
3:00 | |||
|
1.5
|
3 Places in Southern California
Sara Schoenbec; Wayne Horvitz |
2:26 | |||
|
1.6
|
The Fifth Day
Sara Schoenbec; Wayne Horvitz |
6:37 | |||
|
1.7
|
Deep Well Well
Sara Schoenbec; Wayne Horvitz |
3:31 | |||
|
1.8
|
Tin Palace
Sara Schoenbec; Wayne Horvitz |
2:14 | |||
|
1.9
|
Cell Walk
Sara Schoenbec; Wayne Horvitz |
3:37 | |||
|
1.10
|
Sutter St.
Sara Schoenbec; Wayne Horvitz |
6:13 | |||
|
1.11
|
Laughter
Sara Schoenbec; Wayne Horvitz |
3:07 | |||
|
1.12
|
For Lou Harrison
Sara Schoenbec; Wayne Horvitz |
2:58 | |||
|
1.13
|
Sleeper Ship
Sara Schoenbec; Wayne Horvitz |
3:28 | |||
|
1.14
|
Ironbound
Sara Schoenbec; Wayne Horvitz |
5:58 | |||
|
1.15
|
Marcuselle
Sara Schoenbec; Wayne Horvitz |
3:58 | |||
|
1.16
|
We Will Be Silk
Sara Schoenbec; Wayne Horvitz |
3:21 | |||
|
1.17
|
American Bandstand
Sara Schoenbec; Wayne Horvitz |
3:58 |
Sara Schoenbeck and Wayne Horvitz have been musical partners for 20 years, notably in Horvitz’s chamber jazz group The Gravitas Quartet (formed 2004) and his Some Days Are Forever Afternoon project. They formed this duo in 2018 to play a program of their own music – composed, improvised, and everywhere in between, a study of the crossroads where texture and extended technique meet with and support the expression of melody and song.
There is something unexpected and quite special in how beautifully the two instruments blend (mostly acoustically, at other times involving electronics on the piano). As Peter Monaghan (Earshot Jazz) points out, “As a double-reed contraption…it’s notoriously difficult to master, let alone import to jazz contexts.”
96 kHz / 24-bit PCM – Songlines Recordings Studio Masters
Tracks 1-17 – contains material which utilizes a limited amount of the available bandwidth
Tracks 1-17 – contains material which utilizes a limited amount of the available bandwidth
| Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -0.75 -1.25 to -0.70 | -18.19 -21.46 to -14.55 | -14.96 -17.80 to -11.90 | 10 9 to 12 | |
| 1 | Undecided | -0.70 | -17.08 | -13.9 | 9 |
| 2 | Twining | -0.70 | -19.01 | -14.9 | 10 |
| 3 | No Blood Relation | -0.70 | -17.01 | -14.2 | 10 |
| 4 | Long Wing | -0.74 | -20.61 | -16.9 | 12 |
| 5 | 3 Places in Southern California | -0.70 | -14.55 | -11.9 | 9 |
| 6 | The Fifth Day | -0.70 | -17.31 | -14.6 | 10 |
| 7 | Deep Well Well | -0.82 | -19.12 | -15.8 | 10 |
| 8 | Tin Palace | -0.70 | -16.15 | -13.4 | 10 |
| 9 | Cell Walk | -1.25 | -20.48 | -17.4 | 12 |
| 10 | Sutter St. | -0.81 | -20.84 | -17.6 | 11 |
| 11 | Laughter | -0.70 | -19.17 | -15.8 | 11 |
| 12 | For Lou Harrison | -0.70 | -16.37 | -13.7 | 10 |
| 13 | Sleeper Ship | -0.70 | -18.74 | -14.9 | 11 |
| 14 | Ironbound | -0.70 | -16.11 | -13.1 | 9 |
| 15 | Marcuselle | -0.71 | -18.25 | -14.6 | 10 |
| 16 | We Will Be Silk | -0.70 | -21.46 | -17.8 | 12 |
| 17 | American Bandstand | -0.70 | -16.99 | -13.8 | 9 |