℗ 2010 Analekta
| Released | September 7, 2010 |
| Duration | 1h 01m 15s |
| Record Label | Analekta |
| Catalogue No. | AN2 9957 |
| Genre | Classical (Baroque) |
Salsa Baroque
Ensemble Caprice, Matthias Maute
Available in 88.2 kHz / 24-bit AIFF, FLAC high resolution audio formats
|
1.1
|
Collection Flores de música, 1706-1709 / Chacona
Anonymous; Ensemble Caprice; Matthias Maute |
2:39 | |||
|
1.2
|
Hanacpachap cussicuinin
Anonymous; Ensemble Caprice; Matthias Maute |
3:47 | |||
|
1.3
|
Collection Flores de música, 1706-1709 / Differenzias sobre la Gayta
Anonymous; Ensemble Caprice; Matthias Maute |
4:17 | |||
|
1.4
|
Tleycantimo choquiliya
Gaspar Fernandes; Ensemble Caprice; Matthias Maute |
3:37 | |||
|
1.5
|
Collection Flores de música, 1706-1709 / Xácara
Anonymous; Ensemble Caprice; Matthias Maute |
2:03 | |||
|
1.6
|
Los coflades de la estleya
Juan de Araujo; Ensemble Caprice; Matthias Maute |
4:20 | |||
|
1.7
|
Collection Flores de música, 1706-1709 / Pasacalles de 2o tono
Anonymous; Ensemble Caprice; Matthias Maute |
2:29 | |||
|
1.8
|
Yo soy la locura (excerpt from Ballet de la follie)
Henry de Bailly; Ensemble Caprice; Matthias Maute |
4:57 | |||
|
1.9
|
Pastorale / I. Allegro
Domenico Zipoli; Ensemble Caprice; Matthias Maute |
1:14 | |||
|
1.10
|
Pastorale / II. Piva
Domenico Zipoli; Ensemble Caprice; Matthias Maute |
0:24 | |||
|
1.11
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Pastorale / III. Pastorale
Domenico Zipoli; Ensemble Caprice; Matthias Maute |
1:20 | |||
|
1.12
|
Collection Truxillo del Perú II, c. 1780
Anonymous; Ensemble Caprice; Matthias Maute |
2:23 | |||
|
1.13
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Battalia imperiale / I. Battalia imperiale
Domenico Zipoli; Ensemble Caprice; Matthias Maute |
1:11 | |||
|
1.14
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Battalia imperiale / II. Battalia dolorosa
Domenico Zipoli; Ensemble Caprice; Matthias Maute |
1:00 | |||
|
1.15
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Battalia imperiale / III. Battalia furiosa
Domenico Zipoli; Ensemble Caprice; Matthias Maute |
1:22 | |||
|
1.16
|
Tarará
Antonio de Salazar; Ensemble Caprice; Matthias Maute |
1:30 | |||
|
1.17
|
Collection Flores de música, 1706-1709 / Tremblante estilo italiano
Anonymous; Ensemble Caprice; Matthias Maute |
3:06 | |||
|
1.18
|
Xicochi Conetzintle
Gaspar Fernandes; Ensemble Caprice; Matthias Maute |
2:05 | |||
|
1.19
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Marizapalos
Santiago de Murcia; Ensemble Caprice; Matthias Maute |
3:34 | |||
|
1.20
|
La Jotta
Santiago de Murcia; Ensemble Caprice; Matthias Maute |
3:49 | |||
|
1.21
|
Collection Flores de música, 1706-1709 / Discurso con ecos
Anonymous; Ensemble Caprice; Matthias Maute |
6:39 | |||
|
1.22
|
Convidando está la noche
Juan García de Zéspedes; Ensemble Caprice; Matthias Maute |
3:29 |
One can describe baroque music of Latin America as a fusion of harmonies and rhythms of Europe and Africa blended with Amerindian nuances and styles. This unique fusion dates back to the 16th century and gave rise to a complex and fascinating multitude of musical forms resulting in a great variety of instrumentations, structures, and rhythmic and melodic phrasing.
Salsa is the Spanish word for sauce, designating at the same time a dance as well as a family of musical genres in Latin-American music. It is this latter meaning and its ancient roots that, together with a bit of humour, Ensemble Caprice has taken to give the title Salsa Baroque to their project. Despite the human and political tragedies surrounding the colonization of the South-American continent, the multipolar musical culture that resulted is distinguished by its fiery spirit and passion: here is music with a unique character that enriches the repertoire of the 17th century with refreshing novelties.
88.2 kHz / 24-bit PCM – Analekta Studio Masters
| Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -4.23 -13.23 to 0.00 | -24.14 -34.52 to -20.03 | -20.77 -30.70 to -15.60 | 13 10 to 16 | |
| 1 | Collection Flores de música, 1706-1709 / Chacona | -4.72 | -22.45 | -19.2 | 11 |
| 2 | Hanacpachap cussicuinin | -0.26 | -20.20 | -17.4 | 13 |
| 3 | Collection Flores de música, 1706-1709 / Differenzias sobre la Gayta | -2.10 | -20.94 | -17.6 | 12 |
| 4 | Tleycantimo choquiliya | -0.25 | -20.54 | -17.4 | 14 |
| 5 | Collection Flores de música, 1706-1709 / Xácara | -0.25 | -22.05 | -18.9 | 16 |
| 6 | Los coflades de la estleya | -0.07 | -21.53 | -18.4 | 14 |
| 7 | Collection Flores de música, 1706-1709 / Pasacalles de 2o tono | -4.33 | -25.41 | -22.4 | 12 |
| 8 | Yo soy la locura (excerpt from Ballet de la follie) | -3.22 | -23.50 | -18.9 | 12 |
| 9 | Pastorale / I. Allegro | -8.43 | -25.84 | -23.2 | 10 |
| 10 | Pastorale / II. Piva | -8.07 | -24.52 | -20.8 | 10 |
| 11 | Pastorale / III. Pastorale | -6.64 | -23.86 | -20.2 | 11 |
| 12 | Collection Truxillo del Perú II, c. 1780 | 0.00 | -20.03 | -15.6 | 12 |
| 13 | Battalia imperiale / I. Battalia imperiale | -1.25 | -21.07 | -17.8 | 13 |
| 14 | Battalia imperiale / II. Battalia dolorosa | -8.68 | -26.86 | -23.6 | 10 |
| 15 | Battalia imperiale / III. Battalia furiosa | -1.26 | -22.12 | -19.0 | 14 |
| 16 | Tarará | -3.05 | -22.36 | -19.2 | 13 |
| 17 | Collection Flores de música, 1706-1709 / Tremblante estilo italiano | -13.23 | -34.52 | -30.7 | 13 |
| 18 | Xicochi Conetzintle | -6.05 | -27.59 | -23.8 | 13 |
| 19 | Marizapalos | -13.17 | -32.74 | -30.5 | 14 |
| 20 | La Jotta | -3.25 | -26.13 | -23.2 | 15 |
| 21 | Collection Flores de música, 1706-1709 / Discurso con ecos | -4.47 | -24.93 | -21.0 | 13 |
| 22 | Convidando está la noche | -0.25 | -21.95 | -18.2 | 14 |