℗ 2016 Les Hay Babies Music sous lience Simone Records
| Released | October 14, 2016 |
| Duration | 53m 42s |
| Record Label | Simone Records |
| Catalogue No. | SMCD026 |
| Genre | Rock (Folk Rock) |
La 4ième dimension (Version Longue)
Les Hay Babies
Available in 88.2 kHz / 24-bit AIFF, FLAC high resolution audio formats
|
1.1
|
Baby viendra back à genou
Les Hay Babies |
4:01 | |||
|
1.2
|
But Now I Know
Les Hay Babies |
4:16 | |||
|
1.3
|
Deux sandwiches
Les Hay Babies |
4:36 | |||
|
1.4
|
Still pareil
Les Hay Babies |
4:51 | |||
|
1.5
|
Tous les jours de la semaine
Les Hay Babies |
5:33 | |||
|
1.6
|
Half du temps
Les Hay Babies |
4:55 | |||
|
1.7
|
Laisse-le pas te laisser
Les Hay Babies |
2:43 | |||
|
1.8
|
Motel 1755
Les Hay Babies |
2:37 | |||
|
1.9
|
*69
Les Hay Babies |
3:06 | |||
|
1.10
|
Johnny Boy
Les Hay Babies |
2:59 | |||
|
1.11
|
Fais-toi pas pogner (fucking cellulaire) EXPLICIT
Les Hay Babies |
4:19 | |||
|
1.12
|
Pour le mal, pour l'amour, pour le mieux
Les Hay Babies |
5:19 | |||
|
1.13
|
La poule aux oeufs d'or
Les Hay Babies |
4:27 |
The highly-anticipated second Hay Babies album, La 4ième dimension (Version Longue) is released on Simone Records.
For this new opus - whose title is a nod to the homonymous film by amateur director Rogers Normandin - they preferred to swap the banjo and ukulele for electric guitar and bass, as well as swap their studio musicians for their tour group. Thus, Mico Roy (guitar), Marc-André Belliveau (drums) and Kevin McIntyre (bass and keyboards), their stage accomplices, all from New Brunswick, lent themselves to the exercise of simultaneous recording. The mix is signed by Ben Bouchard , who also wears the co-director's hat, along with Acadian multi-instrumentalist Pierre-Guy Blanchard. The result is 13 pieces with varied tones, half of which were written during a week-long closed session in Rawdon during the winter of 2016.
88.2 kHz / 24-bit PCM – Simone Records Studio Masters
Tracks 1-13 – 44.1 kHz / 24-bit PCM, mastered in 88.2 kHz / 24-bit
Tracks 1-13 – 44.1 kHz / 24-bit PCM, mastered in 88.2 kHz / 24-bit
| Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -0.64 -0.65 to -0.62 | -13.02 -16.98 to -11.54 | -10.56 -14.50 to -9.10 | 7 6 to 11 | |
| 1 | Baby viendra back à genou | -0.64 | -11.54 | -9.5 | 7 |
| 2 | But Now I Know | -0.65 | -12.00 | -9.3 | 7 |
| 3 | Deux sandwiches | -0.63 | -13.32 | -10.8 | 8 |
| 4 | Still pareil | -0.64 | -13.30 | -11.0 | 7 |
| 5 | Tous les jours de la semaine | -0.63 | -14.28 | -11.4 | 8 |
| 6 | Half du temps | -0.65 | -13.61 | -10.8 | 7 |
| 7 | Laisse-le pas te laisser | -0.65 | -13.11 | -10.8 | 7 |
| 8 | Motel 1755 | -0.65 | -11.68 | -9.1 | 7 |
| 9 | *69 | -0.62 | -11.87 | -9.4 | 7 |
| 10 | Johnny Boy | -0.64 | -11.67 | -9.2 | 6 |
| 11 | Fais-toi pas pogner (fucking cellulaire) | -0.65 | -13.17 | -11.0 | 7 |
| 12 | Pour le mal, pour l'amour, pour le mieux | -0.65 | -12.68 | -10.5 | 7 |
| 13 | La poule aux oeufs d'or | -0.65 | -16.98 | -14.5 | 11 |