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Dreamland

Glass Animals

Available in 48 kHz / 24-bit AIFF, FLAC audio formats

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1.1
Dreamland
Glass Animals
3:23
1.2
Tangerine
Glass Animals
3:21
1.3
((home movie: 1994))
Glass Animals
0:07
1.4
Hot Sugar
Glass Animals
3:55
1.5
((home movie: btx))
Glass Animals
0:14
1.6
Space Ghost Coast To Coast  EXPLICIT
Glass Animals
3:07
1.7
Tokyo Drifting  EXPLICIT
Glass Animals
3:38
1.8
Melon and the Coconut  EXPLICIT
Glass Animals
2:23
1.9
Your Love (Déjà Vu)
Glass Animals
3:54
1.10
Waterfalls Coming Out Your Mouth  EXPLICIT
Glass Animals
2:42
1.11
It’s All So Incredibly Loud
Glass Animals
4:19
1.12
((home movie: rockets))
Glass Animals
1:00
1.13
Domestic Bliss  EXPLICIT
Glass Animals
3:18
1.14
Heat Waves
Glass Animals
3:59
1.15
((home movie: shoes on))
Glass Animals
0:31
1.16
Helium
Glass Animals
5:28
Total Playing Time    45:19
At the beginning of the third album from London band Glass Animals, frontman Dave Bayley asks himself a series of questions about fundamental issues: identity, memory, love, friendship, the person you have been and the person you want to be. How do you answer so many questions that cut to the heart of who you are? Well, Bayley sings in the very last line, “You go make an album and call it Dreamland.”

“I’ve always hated the idea of writing about myself,” says Bayley, who is Glass Animals’ singer, songwriter and producer. On Dreamland, at last, he throws off that reluctance and takes the plunge. It’s a memoir in the form of a song cycle, inspired by sonic maestros from Brian Wilson to Timbaland, and it holds nothing back.

Recorded in London in 2019, Dreamland was produced by Bayley and mixed by David Wrench, Manny Maroquin and MixedbyAli, with invaluable advice from executive producer Paul Epworth. Glass Animals’ most enthralling album to date, it’s a pop record of rare scope, vision and emotional depth. So the discomfort of autobiographical songwriting was worth it, then?

“I’m still quite self-conscious about it,” Bayley admits with a smile, “but it’s done now.”

He went and made an album and he called it Dreamland.
48 kHz / 24-bit PCM – Polydor Records Studio Masters

Tracks 3, 5 – contains material which has been processed by a perceptual audio coding algorithm
Track 7 – 44.1 kHz / 24-bit PCM, mastered in 48 kHz / 24-bit

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