℗ 2020 Mark Records
Released | August 7, 2020 |
Duration | 1h 03m 56s |
Record Label | Mark Records |
Catalogue No. | 54633-MCD |
Genre | Classical (Brass & Woodwinds) |
Study
Matthew Tropman, Elena Miraztchiyska, Jun Okada
Available in 44.1 kHz / 24-bit AIFF, FLAC audio formats
36 Études trancandantes pour trompette (Excerpts Arr. for Euphonium & Piano)
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1.1
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No. 2, Du style
Jean-Marie Cottet; Theo Charlier; Matthew Tropman; Elena Miraztchiyska |
3:52 | |||
1.2
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No. 4, Du style
Jean-Marie Cottet; Theo Charlier; Matthew Tropman; Elena Miraztchiyska |
3:12 | |||
1.3
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No. 6, Du style
Jean-Marie Cottet; Theo Charlier; Matthew Tropman; Elena Miraztchiyska |
2:37 | |||
1.4
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No. 8, Intervalles (Les Quartes)
Jean-Marie Cottet; Theo Charlier; Matthew Tropman; Elena Miraztchiyska |
3:17 | |||
1.5
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No. 15, Intervalles (Les Quintes)
Jean-Marie Cottet; Theo Charlier; Matthew Tropman; Elena Miraztchiyska |
3:57 | |||
1.6
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No. 19, Intervalles (Les Septimes)
Jean-Marie Cottet; Theo Charlier; Matthew Tropman; Elena Miraztchiyska |
4:05 | |||
1.7
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No. 34, Fantasie rhythmique
Jean-Marie Cottet; Theo Charlier; Matthew Tropman; Elena Miraztchiyska |
3:10 | |||
1.8
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The Last Rose of Summer (Arr. for Euphonium & Piano)
Benjamin Britten; Matthew Tropman; Elena Miraztchiyska |
3:47 | |||
1.9
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Variations on "Believe Me, If All Those Endearing Young Charms"
Simone Mantia; Matthew Tropman; Elena Miraztchiyska |
6:13 | |||
1.10
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Élégie in E-Flat Minor, Op. 3 No. 1 (Arr. for Euphonium & Piano)
Sergei Rachmaninoff; Matthew Tropman; Elena Miraztchiyska |
5:53 | |||
1.11
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Tuba Étude No. 6
Verne Reynolds; Matthew Tropman |
4:19 | |||
1.12
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Tuba Étude No. 16
Verne Reynolds; Matthew Tropman |
2:56 | |||
Sonata in E Major, BWV 1035 (Excerpts Arr. for Tuba & Piano)
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1.13
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I. Adagio ma non tanto
Johann Sebastian Bach; Matthew Tropman; Jun Okada |
2:41 | |||
1.14
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II. Allegro
Johann Sebastian Bach; Matthew Tropman; Jun Okada |
3:05 | |||
1.15
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IV. Allegro
Johann Sebastian Bach; Matthew Tropman; Jun Okada |
3:11 | |||
1.16
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Chaconne
Paul Hayden; Matthew Tropman; Jun Okada |
7:41 | |||
Digital Booklet
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44.1 kHz / 24-bit PCM – Mark Records Studio Masters
Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -0.87 -1.86 to -0.60 | -18.50 -20.71 to -15.32 | -15.66 -17.60 to -12.00 | 10 7 to 13 | |
1 | No. 2, Du style | -0.60 | -18.60 | -15.5 | 11 |
2 | No. 4, Du style | -0.60 | -17.81 | -15.2 | 10 |
3 | No. 6, Du style | -0.60 | -17.58 | -14.7 | 10 |
4 | No. 8, Intervalles (Les Quartes) | -0.60 | -18.06 | -15.3 | 11 |
5 | No. 15, Intervalles (Les Quintes) | -0.60 | -18.23 | -15.6 | 12 |
6 | No. 19, Intervalles (Les Septimes) | -0.60 | -18.87 | -16.3 | 12 |
7 | No. 34, Fantasie rhythmique | -0.60 | -18.20 | -15.6 | 11 |
8 | The Last Rose of Summer (Arr. for Euphonium & Piano) | -0.60 | -19.34 | -16.1 | 10 |
9 | Variations on "Believe Me, If All Those Endearing Young Charms" | -1.77 | -19.52 | -16.8 | 10 |
10 | Élégie in E-Flat Minor, Op. 3 No. 1 (Arr. for Euphonium & Piano) | -0.60 | -15.32 | -12.0 | 7 |
11 | Tuba Étude No. 6 | -1.86 | -20.71 | -17.6 | 10 |
12 | Tuba Étude No. 16 | -1.67 | -19.44 | -16.6 | 10 |
13 | I. Adagio ma non tanto | -1.49 | -18.85 | -16.0 | 9 |
14 | II. Allegro | -0.60 | -19.15 | -16.8 | 13 |
15 | IV. Allegro | -0.60 | -19.74 | -17.4 | 12 |
16 | Chaconne | -0.60 | -16.65 | -13.1 | 8 |