℗ 2019 Signum Records
Released September 13, 2019
Duration 1h 22m 15s
Record Label Signum Records
Catalogue No. SIGCD587
Genre Classical (Vocal)
 

Song's First Cycle

Robin Tritschler, Malcolm Martineau

Available in 96 kHz / 24-bit AIFF, FLAC high resolution audio formats
  • Select Format
    • AIFF 96 kHz | 24-bit
    • FLAC 96 kHz | 24-bit
Add to cart
discounted price

 
3 Songs from Sophiens Reise  
1.1
Verdankt sei es dem Glanz der Großen, K.392 / K⁶340a
Wolfgang Amadeus Mozart; Robin Tritschler; Malcolm Martineau
3:16
1.2
An die Einsamkeit K.391 / K⁶340b
Wolfgang Amadeus Mozart; Robin Tritschler; Malcolm Martineau
3:32
1.3
Ich würd‘ auf meinem Pfad K.390 / K⁶340c
Wolfgang Amadeus Mozart; Robin Tritschler; Malcolm Martineau
3:14
Lieder aus der ‘Selam'  
1.4
Labetrank der Liebe D.302
Franz Schubert; Wolfgang Amadeus Mozart; Robin Tritschler; Malcolm Martineau
2:55
1.5
An die Geliebte D.303
Franz Schubert; Robin Tritschler; Malcolm Martineau
1:53
1.6
Wiegenlied D.304
Franz Schubert; Robin Tritschler; Malcolm Martineau
6:54
1.7
Mein Gruss an dem Mai D.305
Franz Schubert; Robin Tritschler; Malcolm Martineau
5:39
1.8
Skolie D.306
Franz Schubert; Robin Tritschler; Malcolm Martineau
0:53
1.9
Die Sternenwelten D.307
Franz Schubert; Robin Tritschler; Malcolm Martineau
3:56
1.10
Die Macht der Liebe D.308
Franz Schubert; Robin Tritschler; Malcolm Martineau
1:50
An die ferne Geliebte, Op. 98  
1.11
I. Auf dem Hügel sitz’ ich, spähend
Ludwig van Beethoven; Robin Tritschler; Malcolm Martineau
3:03
1.12
II. Wo die Berge so blau
Ludwig van Beethoven; Robin Tritschler; Malcolm Martineau
1:58
1.13
III. Leichter Segler in den Höhen
Ludwig van Beethoven; Robin Tritschler; Malcolm Martineau
1:53
1.14
IV. Diese Wolken in den Höhen
Ludwig van Beethoven; Robin Tritschler; Malcolm Martineau
0:57
1.15
V. Es kehret der Maien
Ludwig van Beethoven; Robin Tritschler; Malcolm Martineau
2:48
1.16
VI. Nimm die hin denn, diese Lieder
Ludwig van Beethoven; Robin Tritschler; Malcolm Martineau
3:58
Die vier Temperamente bei dem Verlust der Geliebten, Op. 46  
1.17
I. Der Leichtmüthige
Carl Maria von Weber; Robin Tritschler; Malcolm Martineau
3:56
1.18
II. Der Schwermüthige
Carl Maria von Weber; Robin Tritschler; Malcolm Martineau
3:09
1.19
III. Der Liebewüthige
Carl Maria von Weber; Robin Tritschler; Malcolm Martineau
3:24
1.20
IV. Der Gleichmüthige
Carl Maria von Weber; Robin Tritschler; Malcolm Martineau
2:58
1.21
Ensamkeit, D.620
Franz Schubert; Robin Tritschler; Malcolm Martineau
20:09
The creation of the Song Cycle as a new art form in the early 19th Century was paved with musical experiments and innovations. On this disc we illustrate the progress made by the great Lied composers of the day toward the cyclical perfection finally achieved by Beethoven and Schubert, and since emulated by Schumann, Loewe, Wolf, Fauré, Britten, Shostakovich and so many others. A Song Cycle is distinguishable from a collection of songs or a Liederspiel by some type of interior cohesion: a unifying theme, text from a single source, a narrative. It could be a musical connection: recurring devices and motifs, key relationships between songs, or perhaps a fixed performance order. Usually, a combination of these criteria is necessary to bestow on any song collection the title of Song Cycle.
96 kHz / 24-bit PCM – Signum Records Studio Masters
Track title
Peak
(dB FS)
RMS
(dB FS)
LUFS
(integrated)
DR
Album average
Range of values
-3.69
-9.18 to -0.53
-24.48
-28.91 to -20.82
-20.92
-25.80 to -17.30
13
11 to 15
1
Verdankt sei es dem Glanz der Großen, K.392 / K⁶340a
-3.45-23.99-20.712
2
An die Einsamkeit K.391 / K⁶340b
-4.10-25.77-22.013
3
Ich würd‘ auf meinem Pfad K.390 / K⁶340c
-2.81-25.16-21.414
4
Labetrank der Liebe D.302
-6.27-27.51-24.013
5
An die Geliebte D.303
-6.88-26.32-22.612
6
Wiegenlied D.304
-4.81-25.22-21.012
7
Mein Gruss an dem Mai D.305
-3.32-22.08-18.913
8
Skolie D.306
-1.41-20.82-17.312
9
Die Sternenwelten D.307
-3.94-23.95-20.312
10
Die Macht der Liebe D.308
-3.96-23.72-19.912
11
I. Auf dem Hügel sitz’ ich, spähend
-2.82-25.90-22.714
12
II. Wo die Berge so blau
-2.80-24.79-20.312
13
III. Leichter Segler in den Höhen
-4.24-25.13-22.113
14
IV. Diese Wolken in den Höhen
-4.77-22.34-19.411
15
V. Es kehret der Maien
-3.36-24.53-21.013
16
VI. Nimm die hin denn, diese Lieder
-1.23-23.42-19.914
17
I. Der Leichtmüthige
-2.26-22.75-19.213
18
II. Der Schwermüthige
-4.19-24.74-21.112
19
III. Der Liebewüthige
-1.16-22.70-19.014
20
IV. Der Gleichmüthige
-9.18-28.91-25.814
21
Ensamkeit, D.620
-0.53-24.31-20.715

Offers & New Releases

exclusive benefits for mailing list members

Subscribe Now

What is High-Resolution Audio?

High-resolution audio offers the highest-fidelity available, far surpassing the sound quality of traditional CDs. When you listen to music on a CD or tracks purchased via consumer services such as iTunes, you are hearing a low-resolution version of what was actually recorded and mastered in the studio. ProStudioMasters offers the original studio masters — exactly as the artist, producers and sound engineers mastered them — for download, directly to you.

What do I need for playback?

You may need additional software / hardware to take full advantage of the higher 24-bit high-res audio formats, but any music lover that has heard 16-bit vs 24-bit will tell you it's worth it!

Software for Mac OS X

Software for Windows

Hardware Suggestions