℗ 2020 Challenge Classics
Released | September 11, 2020 |
Duration | 1h 06m 42s |
Record Label | Challenge Classics |
Catalogue No. | CC 72855 |
Genre | Classical |
1.1
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Arabeske, Op. 18
Robert Schumann; Nino Gvetadze |
7:39 | |||
Kinderszenen, Op. 15
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1.2
|
1. Von fremden Landern und Menschen
Robert Schumann; Nino Gvetadze |
1:40 | |||
1.3
|
2. Curiose Geschichte
Robert Schumann; Nino Gvetadze |
1:07 | |||
1.4
|
3.Hasche-Mann
Robert Schumann; Nino Gvetadze |
0:32 | |||
1.5
|
4. Bittendes Kind
Robert Schumann; Nino Gvetadze |
0:49 | |||
1.6
|
5. Gluckes genug
Robert Schumann; Nino Gvetadze |
1:04 | |||
1.7
|
6. Wichtige Begebenheit
Robert Schumann; Nino Gvetadze |
0:46 | |||
1.8
|
7. Traumerei
Robert Schumann; Nino Gvetadze |
2:42 | |||
1.9
|
8. Am Camin
Robert Schumann; Nino Gvetadze |
0:57 | |||
1.10
|
9. Ritter vom Steckenpferd
Robert Schumann; Nino Gvetadze |
0:45 | |||
1.11
|
10. Fast zu ernst
Robert Schumann; Nino Gvetadze |
1:46 | |||
1.12
|
11. Furchtenmachen
Robert Schumann; Nino Gvetadze |
1:54 | |||
1.13
|
12. Kind im Einschlummern
Robert Schumann; Nino Gvetadze |
2:02 | |||
1.14
|
13. Der Dichter spricht
Robert Schumann; Nino Gvetadze |
2:30 | |||
Kreisleriana, Op. 16
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1.15
|
1. Außerst bewegt
Robert Schumann; Nino Gvetadze |
2:35 | |||
1.16
|
2. Sehr innig und nicht zu rasch
Robert Schumann; Nino Gvetadze |
9:09 | |||
1.17
|
3. Sehr aufgeregt
Robert Schumann; Nino Gvetadze |
4:23 | |||
1.18
|
4. Sehr langsam
Robert Schumann; Nino Gvetadze |
3:41 | |||
1.19
|
5. Sehr lebhaft
Robert Schumann; Nino Gvetadze |
3:07 | |||
1.20
|
6. Sehr langsam II
Robert Schumann; Nino Gvetadze |
4:11 | |||
1.21
|
7. Sehr rasch
Robert Schumann; Nino Gvetadze |
2:10 | |||
1.22
|
8. Schnell und spielend
Robert Schumann; Nino Gvetadze |
3:39 | |||
From Waldszenen, Op. 82
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1.23
|
VII. Vogel als Prophet
Robert Schumann; Nino Gvetadze |
3:27 | |||
From 3 Romanzen, Op.28
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1.24
|
II. Einfach
Robert Schumann; Nino Gvetadze |
4:07 |
Robert Schumann’s piano music is invariably bound up with the dramatic events of his life. Schumann channelled both his love for Clara and his pianistic frustrations into his music, which was often composed with Clara in mind, both romantically and musically; she was an outstanding pianist and composer in her own right.
Although Clara was a powerful source of inspiration for Robert, he was also profoundly influenced by both musical and literary sources, which helped him to make sense of his rich inner world. E.T.A. In contrast with the first decade of his career, which was almost entirely given over to piano music, Schumann did not write a great deal of solo piano music in the 1840s, producing just a handful of fugues and pieces for children.
Schumann had returned from Vienna to Leipzig in April 1839. He drafted his Drei Romanzen, Op. 28, by 11 December. Clara was so enamoured of the set that she insisted on being their dedicatee: “As your bride you absolutely have to dedicate something more to me; and I know of nothing more tender than these three Romances, especially the middle one, which is the most beautiful love duet.”
Born and raised in Tbilisi, Georgian pianist Nino Gvetadze leads a busy international career. Her performances have been praised by many critics throughout the Europe and Asia. Nino received various awards, the most important were the Second Prize, Press Prize and Audience Award at the International Franz Liszt Piano Competition 2008. She became the winner of prestigious Borletti-Buitoni Trust Award in 2010.
96 kHz / 24-bit PCM – Challenge Classics Studio Masters
Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -4.50 -12.86 to -0.68 | -24.19 -34.39 to -14.73 | -20.85 -30.10 to -11.90 | 12 9 to 15 | |
1 | Arabeske, Op. 18 | -0.68 | -24.13 | -20.1 | 15 |
2 | 1. Von fremden Landern und Menschen | -12.19 | -30.56 | -27.9 | 11 |
3 | 2. Curiose Geschichte | -5.49 | -23.56 | -20.8 | 11 |
4 | 3.Hasche-Mann | -0.71 | -17.41 | -14.4 | 10 |
5 | 4. Bittendes Kind | -9.31 | -28.38 | -25.5 | 10 |
6 | 5. Gluckes genug | -2.67 | -20.02 | -17.2 | 11 |
7 | 6. Wichtige Begebenheit | -0.70 | -18.28 | -15.5 | 12 |
8 | 7. Traumerei | -10.74 | -30.94 | -27.7 | 13 |
9 | 8. Am Camin | -5.61 | -23.72 | -20.8 | 10 |
10 | 9. Ritter vom Steckenpferd | -0.70 | -14.73 | -11.9 | 10 |
11 | 10. Fast zu ernst | -7.81 | -27.46 | -24.1 | 12 |
12 | 11. Furchtenmachen | -0.71 | -24.20 | -20.6 | 14 |
13 | 12. Kind im Einschlummern | -10.95 | -30.56 | -27.7 | 12 |
14 | 13. Der Dichter spricht | -12.86 | -34.39 | -30.1 | 14 |
15 | 1. Außerst bewegt | -0.70 | -17.51 | -14.2 | 10 |
16 | 2. Sehr innig und nicht zu rasch | -1.66 | -23.32 | -19.9 | 13 |
17 | 3. Sehr aufgeregt | -0.70 | -19.86 | -16.5 | 11 |
18 | 4. Sehr langsam | -8.20 | -29.32 | -26.0 | 13 |
19 | 5. Sehr lebhaft | -0.70 | -21.85 | -19.1 | 14 |
20 | 6. Sehr langsam II | -1.49 | -26.89 | -22.6 | 15 |
21 | 7. Sehr rasch | -0.71 | -17.73 | -13.9 | 10 |
22 | 8. Schnell und spielend | -0.70 | -18.49 | -13.7 | 9 |
23 | VII. Vogel als Prophet | -5.11 | -28.62 | -24.6 | 14 |
24 | II. Einfach | -6.82 | -28.60 | -25.7 | 13 |