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Debussy: Etudes, Martyre de saint Sébastien

Philippe Bianconi

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12 Etudes, L. 136, Livre 1  
1.1
I. Pour les "cinq doigts", d'après Monsieur Czerny
Claude Debussy; Philippe Bianconi
3:17
1.2
II. Pour les tierces. Moderato ma non troppo
Claude Debussy; Philippe Bianconi
3:38
1.3
III. Pour les quartes. Andantino con moto
Claude Debussy; Philippe Bianconi
5:06
1.4
IV. Pour les sixtes. Lento
Claude Debussy; Philippe Bianconi
4:13
1.5
V. Pour les octaves. Joyeux et emporté, librement rythmé
Claude Debussy; Philippe Bianconi
2:54
1.6
VI. Pour les huit doigts. Vivamente, molto leggiero e legato
Claude Debussy; Philippe Bianconi
1:49
12 Etudes, L. 136, Livre 2  
1.7
VII. Pour les degrés chromatiques. Scherzando, animato assai
Claude Debussy; Philippe Bianconi
2:23
1.8
VIII. Pour les agréments. Lento, rubato e leggiero
Claude Debussy; Philippe Bianconi
5:22
1.9
IX. Pour les notes répétées. Scherzando
Claude Debussy; Philippe Bianconi
3:28
1.10
X. Pour les sonorités opposées. Modéré, sans lenteur
Claude Debussy; Philippe Bianconi
5:25
1.11
XI. Pour les arpèges composés
Claude Debussy; Philippe Bianconi
4:54
1.12
XII. Pour les accords. Décidé, rythmé, sans lourdeur
Claude Debussy; Philippe Bianconi
4:54
1.13
Élégie, L. 138
Claude Debussy; Philippe Bianconi
2:21
Le Martyre de saint Sébastien, L. 124  
1.14
I. La Cour des Lys. Prélude (transcription André Caplet)
Claude Debussy; Philippe Bianconi
3:59
1.15
II. Danse extatique (transcription André Caplet)
Claude Debussy; Philippe Bianconi
2:57
1.16
III. La Chambre magique (transcription André Caplet)
Claude Debussy; Philippe Bianconi
3:10
1.17
IV. La Passion (transcription André Caplet)
Claude Debussy; Philippe Bianconi
4:07
1.18
V. Le Laurier blessé (transcription André Caplet)
Claude Debussy; Philippe Bianconi
2:18
1.19
VI. Le Bon Pasteur (transcription André Caplet)
Claude Debussy; Philippe Bianconi
2:37
1.20
Les Soirs illuminés par l'ardeur du charbon, CD. 150
Claude Debussy; Philippe Bianconi
2:25
Digital Booklet
Total Playing Time    71:17
Philippe Bianconi offers a lucid, transparent reading, notable for its energy, of these key late works. Beyond the formidable technical, even experimental challenge they set, the Études – dedicated to Chopin, whom Debussy revered – are revealed under Bianconi's fingers in all their poetry, rhythm and colour. The complement to the programme, Debussy's last two piano pieces, like the suite from Le Martyre de saint Sébastien, show a different facet of his genius, spiritual, austere and poignant.
96 kHz / 24-bit PCM – La Dolce Volta Studio Masters

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