℗ 2016 Fuga Libera
| Released | January 29, 2016 |
| Duration | 1h 02m 16s |
| Record Label | Fuga Libera |
| Catalogue No. | FUG726 |
| Genre | Classical (Chamber Music) |
Le Temps Retrouvé: Debussy - Fauré - Gaubert - Enescu - Koechlin
Toon Fret, Veronika Iltchenko
Available in 44.1 kHz / 24-bit AIFF, FLAC audio formats
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Bilitis (arr. by K. Lenski for Flute and Piano)
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1.1
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I. Pour invoquer Pan, dieu du vent d’été
Karl Lenski; Claude Debussy; Toon Fret; Veronika Iltchenko |
2:53 | |||
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1.2
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II. Pour un tombeau sans nom
Karl Lenski; Claude Debussy; Toon Fret; Veronika Iltchenko |
4:02 | |||
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1.3
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III. Pour que la nuit soit propice
Karl Lenski; Claude Debussy; Toon Fret; Veronika Iltchenko |
2:28 | |||
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1.4
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IV. Pour la danseuse aux crotales
Karl Lenski; Claude Debussy; Toon Fret; Veronika Iltchenko |
2:36 | |||
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1.5
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V. Pour l’Égyptienne
Karl Lenski; Claude Debussy; Toon Fret; Veronika Iltchenko |
3:15 | |||
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1.6
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VI. Pour remercier la pluie au matin
Karl Lenski; Claude Debussy; Toon Fret; Veronika Iltchenko |
1:51 | |||
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Deux arabesques
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1.7
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I. Première arabesque. Andantino con moto
Claude Debussy; Veronika Iltchenko |
4:53 | |||
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1.8
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II. Deuxième arabesque. Allegretto scherzando
Claude Debussy; Veronika Iltchenko |
3:25 | |||
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Fantaisie, Op. 79 (Version for Flute & Piano)
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1.9
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I. Andantino
Gabriel Fauré; Toon Fret; Veronika Iltchenko |
2:00 | |||
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1.10
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II. Allegro
Gabriel Fauré; Toon Fret; Veronika Iltchenko |
3:06 | |||
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2 Esquisses
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1.11
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I. Soir sur la plaine
Philippe Gaubert; Toon Fret; Veronika Iltchenko |
3:57 | |||
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1.12
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II. Orientale
Philippe Gaubert; Toon Fret; Veronika Iltchenko |
3:16 | |||
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1.13
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Syrinx, L. 129
Claude Debussy; Toon Fret |
2:54 | |||
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Cantabile et presto
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1.14
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I. Cantabile
George Enescu; Toon Fret; Veronika Iltchenko |
3:54 | |||
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1.15
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II. Presto
George Enescu; Toon Fret; Veronika Iltchenko |
2:33 | |||
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Flute Sonata, Op. 52
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1.16
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I. Adagio molto tranquillo
Charles Koechlin; Toon Fret; Veronika Iltchenko |
4:45 | |||
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1.17
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II. Allegretto très modéré mais sans traîner
Charles Koechlin; Toon Fret; Veronika Iltchenko |
3:57 | |||
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1.18
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III. Final. Animé et gai
Charles Koechlin; Toon Fret; Veronika Iltchenko |
6:31 | |||
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Digital Booklet
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On Le Temps Retrouvé, flutist Toon Fret and pianist Veronika Iltchenko offer a rich, sensitive reading of repertoire from the French Belle Époque, the period between the end of the Franco-Prussian War in 1871 and the onset of World War I. This selection of colourful pieces by Debussy, Gaubert, Fauré, Enescu and Koechlin is a musical mosaic unique to that fascinating chapter in the history of music, during which the flute had a prominent role.
44.1 kHz / 24-bit PCM – Fuga Libera Studio Masters
Recording: 11 - 13 May, 2012, Concert Hall, Royal Conservatory of Ghent, Belgium Recording, mixing, mastering engineer: Yannick Willox Piano technicians: Jacek & Svetlo Cover picture: © Sum 2012 Booklet picture: Julie De Clercq Design: Mpointproduction Producer: EMS consulting Executive producer: Aliénor Mahy
Recording: 11 - 13 May, 2012, Concert Hall, Royal Conservatory of Ghent, Belgium Recording, mixing, mastering engineer: Yannick Willox Piano technicians: Jacek & Svetlo Cover picture: © Sum 2012 Booklet picture: Julie De Clercq Design: Mpointproduction Producer: EMS consulting Executive producer: Aliénor Mahy
| Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -12.39 -18.72 to -1.16 | -35.73 -41.44 to -30.47 | -31.62 -37.60 to -25.20 | 13 11 to 16 | |
| 1 | I. Pour invoquer Pan, dieu du vent d’été | -14.54 | -37.04 | -33.6 | 13 |
| 2 | II. Pour un tombeau sans nom | -18.72 | -41.44 | -37.6 | 12 |
| 3 | III. Pour que la nuit soit propice | -12.41 | -34.51 | -30.9 | 13 |
| 4 | IV. Pour la danseuse aux crotales | -11.42 | -36.77 | -32.1 | 14 |
| 5 | V. Pour l’Égyptienne | -15.72 | -37.40 | -33.2 | 12 |
| 6 | VI. Pour remercier la pluie au matin | -17.62 | -41.13 | -36.9 | 11 |
| 7 | I. Première arabesque. Andantino con moto | -17.86 | -38.40 | -35.1 | 12 |
| 8 | II. Deuxième arabesque. Allegretto scherzando | -8.32 | -33.15 | -29.5 | 15 |
| 9 | I. Andantino | -16.27 | -36.01 | -32.4 | 12 |
| 10 | II. Allegro | -6.55 | -31.65 | -28.0 | 16 |
| 11 | I. Soir sur la plaine | -14.79 | -34.87 | -31.0 | 12 |
| 12 | II. Orientale | -11.04 | -33.99 | -30.2 | 14 |
| 13 | Syrinx, L. 129 | -14.03 | -38.67 | -33.4 | 11 |
| 14 | I. Cantabile | -9.11 | -34.25 | -30.1 | 12 |
| 15 | II. Presto | -9.44 | -30.76 | -26.9 | 13 |
| 16 | I. Adagio molto tranquillo | -11.54 | -35.48 | -30.4 | 15 |
| 17 | II. Allegretto très modéré mais sans traîner | -12.55 | -37.12 | -32.6 | 14 |
| 18 | III. Final. Animé et gai | -1.16 | -30.47 | -25.2 | 15 |