℗ 2020 Naxos
| Released | August 28, 2020 |
| Duration | 1h 04m 04s |
| Record Label | Naxos |
| Catalogue No. | 8.573932 |
| Genre | Classical (Baroque Era) |
Beloved & Betrayed: Montéclair's Miniature Dramas for Flute & Voice
Anonymous, Carrie Henneman Shaw, Erica Rubis, David Walker, Les Ordinaires, Leela Breithaupt, Jory Vinikour
Available in 96 kHz / 24-bit AIFF, FLAC high resolution audio formats
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Recueil d'airs sérieux et à boire (Excerpts)
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1.1
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Déserts, où des humains j'évite la presence
Anonymous; Michel Pignolet de Montéclair; Anonymous; Carrie Henneman Shaw; Erica Rubis; David Walker |
3:24 | |||
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Ariane et Bachus
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1.2
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Ariane adoroit le volage Thesée
Anonymous; Michel Pignolet de Montéclair; Anonymous; Carrie Henneman Shaw; Les Ordinaires |
1:04 | |||
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1.3
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Plus cruel que le minotaure
Anonymous; Michel Pignolet de Montéclair; Anonymous; Carrie Henneman Shaw; Les Ordinaires |
2:54 | |||
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1.4
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Ah! Dans mon desespoir
Anonymous; Michel Pignolet de Montéclair; Anonymous; Carrie Henneman Shaw; Les Ordinaires |
0:45 | |||
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1.5
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Mais, quel Dieu fait fremir les ondes - Sur ces bords écartés
Anonymous; Michel Pignolet de Montéclair; Anonymous; Carrie Henneman Shaw; Les Ordinaires |
1:20 | |||
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1.6
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Regnez, adorable mortelle
Anonymous; Michel Pignolet de Montéclair; Anonymous; Carrie Henneman Shaw; Les Ordinaires |
3:43 | |||
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1.7
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L'amour de la plus douce chaine
Anonymous; Michel Pignolet de Montéclair; Anonymous; Carrie Henneman Shaw; Les Ordinaires |
0:55 | |||
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1.8
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Si vos amans brisent leurs chaines
Anonymous; Michel Pignolet de Montéclair; Anonymous; Carrie Henneman Shaw; Les Ordinaires |
3:35 | |||
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Concert No. 1 for Flute & Continuo in E Minor
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1.9
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I. La françoise
Michel Pignolet de Montéclair; Leela Breithaupt; Erica Rubis; Jory Vinikour |
0:53 | |||
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1.10
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II. Les tourterelles
Michel Pignolet de Montéclair; Leela Breithaupt; Erica Rubis; Jory Vinikour |
2:21 | |||
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1.11
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III. L'allemande - IV. L'angloise
Michel Pignolet de Montéclair; Leela Breithaupt; Erica Rubis; Jory Vinikour |
2:02 | |||
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1.12
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V. La mantoüane
Michel Pignolet de Montéclair; Leela Breithaupt; Erica Rubis; Jory Vinikour |
0:48 | |||
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1.13
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VI. La genoise
Michel Pignolet de Montéclair; Leela Breithaupt; Erica Rubis; Jory Vinikour |
1:02 | |||
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1.14
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VII. Sommeil des festes de l'été
Michel Pignolet de Montéclair; Leela Breithaupt; Erica Rubis; Jory Vinikour |
2:13 | |||
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1.15
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VIII. Le poitevin
Michel Pignolet de Montéclair; Jory Vinikour |
0:39 | |||
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1.16
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IX. Le breton
Michel Pignolet de Montéclair; Leela Breithaupt; Erica Rubis; Jory Vinikour |
0:47 | |||
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1.17
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X. Le parisien
Michel Pignolet de Montéclair; Leela Breithaupt; Erica Rubis; Jory Vinikour |
1:17 | |||
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1.18
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XI. L'auvergnate - XII. La florentine
Michel Pignolet de Montéclair; Leela Breithaupt; Erica Rubis; Jory Vinikour |
2:24 | |||
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1.19
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XIII. L'espagnol
Michel Pignolet de Montéclair; Leela Breithaupt; Erica Rubis; Jory Vinikour |
1:36 | |||
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1.20
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XIV. La milanoise
Michel Pignolet de Montéclair; Leela Breithaupt; Erica Rubis; Jory Vinikour |
1:45 | |||
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1.21
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XV. La venitiene
Michel Pignolet de Montéclair; Leela Breithaupt; Erica Rubis; Jory Vinikour |
1:00 | |||
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Recueil d'airs sérieux et à boire (Excerpts)
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1.22
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Qu'à l'amour on est peu contraire
Anonymous; Michel Pignolet de Montéclair; Anonymous; Carrie Henneman Shaw; David Walker |
1:45 | |||
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Premier recueil de brunettes, Suite No. 1
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1.23
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I. Je suis charmé d'une brune
Anonymous; Michel Pignolet de Montéclair; Anonymous; Carrie Henneman Shaw; Leela Breithaupt; Erica Rubis; David Walker |
1:36 | |||
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1.24
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II. Le beau berger Tircis
Anonymous; Michel Pignolet de Montéclair; Anonymous; Carrie Henneman Shaw; Leela Breithaupt; Erica Rubis; David Walker |
1:46 | |||
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1.25
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III. La bergere Celimene
Anonymous; Michel Pignolet de Montéclair; Anonymous; Leela Breithaupt; David Walker |
1:54 | |||
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1.26
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IV. Iris aux bords de Seine
Anonymous; Michel Pignolet de Montéclair; Anonymous; Carrie Henneman Shaw; Erica Rubis |
1:04 | |||
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1.27
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V. J'aime un brun depuis un jour
Anonymous; Michel Pignolet de Montéclair; Anonymous; Carrie Henneman Shaw; Erica Rubis; David Walker |
0:31 | |||
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1.28
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VI. Lisette aime son berger
Anonymous; Michel Pignolet de Montéclair; Anonymous; Carrie Henneman Shaw; Leela Breithaupt |
1:33 | |||
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1.29
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VII. Aimable solitude
Anonymous; Michel Pignolet de Montéclair; Anonymous; Carrie Henneman Shaw; David Walker |
1:19 | |||
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1.30
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VIII. Berger prens soin de mon troupeau
Anonymous; Michel Pignolet de Montéclair; Anonymous; Carrie Henneman Shaw; Leela Breithaupt; Erica Rubis; David Walker |
1:07 | |||
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Le dépit généreux
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1.31
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Dieux justes! Dieux vengeurs!
Anonymous; Michel Pignolet de Montéclair; Anonymous; Carrie Henneman Shaw; Les Ordinaires |
1:41 | |||
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1.32
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Arbres épais, sombre feüillage!
Anonymous; Michel Pignolet de Montéclair; Anonymous; Carrie Henneman Shaw; Les Ordinaires |
3:16 | |||
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1.33
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Cherirai-je toujours une fatale flame?
Anonymous; Michel Pignolet de Montéclair; Anonymous; Carrie Henneman Shaw; Les Ordinaires |
0:58 | |||
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1.34
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Douce tranquilité, paisible indifference
Anonymous; Michel Pignolet de Montéclair; Anonymous; Carrie Henneman Shaw; Les Ordinaires |
2:42 | |||
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1.35
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Mais ciel quel changement!
Anonymous; Michel Pignolet de Montéclair; Anonymous; Carrie Henneman Shaw; Les Ordinaires |
0:41 | |||
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1.36
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Je sens finir mes peines
Anonymous; Michel Pignolet de Montéclair; Anonymous; Carrie Henneman Shaw; Les Ordinaires |
3:42 | |||
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Recueil d'airs sérieux et à boire (Excerpts)
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1.37
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Adieu, mes innocents troupeaux
Anonymous; Michel Pignolet de Montéclair; Anonymous; Carrie Henneman Shaw; David Walker |
2:02 | |||
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Digital Booklet
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Michel Pignolet de Montéclair, a noted basse violon player in Paris, composed a small but exquisite body of innovative works in a variety of forms, including an opera-ballet. He was also an important figure in the composition of music for flute at a time when innovations in design brought it to prominence as a solo instrument. This album traces his earliest published pieces through to his mature works of the 1730s.
They show how Montéclair’s use of vocalized writing, and his ornate and complex obbligati in the cantatas proved to be pivotal in the development of the transverse flute. "Les Ordinaires" brings us as close as can be imagined to the private spheres of one of the most flamboyant European royal figures of all time. Each composer’s contribution is a refined gem of Baroque taste, whether it be through musical reference to poetry, the gamut of human emotions, forms of dance or idealized depictions of life within and beyond the walls and gardens of the palace. The ensemble made their Naxos debut in 2018 in the album Inner Chambers, described as ‘relaxed music for gentle enjoyment ... presented with fine stylish feeling’ by American Record Guide.
96 kHz / 24-bit PCM – Naxos Studio Masters
| Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -5.59 -14.71 to -0.11 | -25.83 -32.89 to -22.50 | -22.45 -29.00 to -18.90 | 12 8 to 17 | |
| 1 | Déserts, où des humains j'évite la presence | -0.12 | -24.67 | -21.2 | 15 |
| 2 | Ariane adoroit le volage Thesée | -1.70 | -24.36 | -20.8 | 14 |
| 3 | Plus cruel que le minotaure | -5.13 | -23.79 | -20.9 | 12 |
| 4 | Ah! Dans mon desespoir | -4.21 | -24.21 | -20.4 | 11 |
| 5 | Mais, quel Dieu fait fremir les ondes - Sur ces bords écartés | -2.44 | -24.98 | -21.1 | 12 |
| 6 | Regnez, adorable mortelle | -1.83 | -25.21 | -21.9 | 14 |
| 7 | L'amour de la plus douce chaine | -0.11 | -24.77 | -20.6 | 13 |
| 8 | Si vos amans brisent leurs chaines | -0.11 | -26.88 | -23.0 | 17 |
| 9 | I. La françoise | -6.71 | -24.96 | -21.8 | 10 |
| 10 | II. Les tourterelles | -6.38 | -25.00 | -22.1 | 10 |
| 11 | III. L'allemande - IV. L'angloise | -7.24 | -27.48 | -24.7 | 13 |
| 12 | V. La mantoüane | -8.46 | -25.63 | -22.8 | 11 |
| 13 | VI. La genoise | -9.40 | -27.61 | -24.5 | 10 |
| 14 | VII. Sommeil des festes de l'été | -10.13 | -27.97 | -24.9 | 10 |
| 15 | VIII. Le poitevin | -14.71 | -32.89 | -29.0 | 11 |
| 16 | IX. Le breton | -8.52 | -26.37 | -23.0 | 11 |
| 17 | X. Le parisien | -6.75 | -25.13 | -22.4 | 9 |
| 18 | XI. L'auvergnate - XII. La florentine | -5.77 | -24.40 | -21.5 | 12 |
| 19 | XIII. L'espagnol | -6.43 | -23.54 | -20.6 | 8 |
| 20 | XIV. La milanoise | -5.61 | -24.85 | -21.9 | 10 |
| 21 | XV. La venitiene | -7.32 | -24.42 | -21.2 | 9 |
| 22 | Qu'à l'amour on est peu contraire | -2.68 | -22.50 | -18.9 | 12 |
| 23 | I. Je suis charmé d'une brune | -3.09 | -23.46 | -20.7 | 12 |
| 24 | II. Le beau berger Tircis | -5.34 | -25.96 | -22.7 | 11 |
| 25 | III. La bergere Celimene | -10.98 | -26.51 | -23.5 | 8 |
| 26 | IV. Iris aux bords de Seine | -10.32 | -29.11 | -25.4 | 11 |
| 27 | V. J'aime un brun depuis un jour | -3.12 | -23.34 | -19.9 | 13 |
| 28 | VI. Lisette aime son berger | -4.70 | -25.13 | -21.5 | 12 |
| 29 | VII. Aimable solitude | -8.85 | -26.35 | -22.8 | 11 |
| 30 | VIII. Berger prens soin de mon troupeau | -4.39 | -22.88 | -19.5 | 11 |
| 31 | Dieux justes! Dieux vengeurs! | -4.99 | -28.91 | -24.6 | 14 |
| 32 | Arbres épais, sombre feüillage! | -4.29 | -26.35 | -23.3 | 13 |
| 33 | Cherirai-je toujours une fatale flame? | -6.00 | -25.85 | -21.9 | 12 |
| 34 | Douce tranquilité, paisible indifference | -3.06 | -28.19 | -24.7 | 14 |
| 35 | Mais ciel quel changement! | -10.64 | -29.49 | -26.1 | 12 |
| 36 | Je sens finir mes peines | -4.55 | -27.98 | -24.2 | 13 |
| 37 | Adieu, mes innocents troupeaux | -0.59 | -24.43 | -20.7 | 14 |