℗ 2020 Naxos
| Released | August 28, 2020 |
| Duration | 54m 58s |
| Record Label | Naxos |
| Catalogue No. | 8.574167 |
| Genre | Classical (Guitar) |
Ruiz-Pipó: Works with Guitar, Vol. 2
Wolfgang Weigel
Available in 44.1 kHz / 24-bit AIFF, FLAC audio formats
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Otoñales
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1.1
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No. 1, —
Antonio Ruiz-Pipó; Wolfgang Weigel |
2:04 | |||
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1.2
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No. 2, —
Antonio Ruiz-Pipó; Wolfgang Weigel |
1:17 | |||
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1.3
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No. 3, —
Antonio Ruiz-Pipó; Wolfgang Weigel |
3:04 | |||
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1.4
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No. 4, —
Antonio Ruiz-Pipó; Wolfgang Weigel |
2:22 | |||
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1.5
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No. 5, —
Antonio Ruiz-Pipó; Wolfgang Weigel |
1:54 | |||
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Canción y danza
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1.6
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Canción No. 1
Antonio Ruiz-Pipó; Wolfgang Weigel |
2:10 | |||
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1.7
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Danza No. 1
Antonio Ruiz-Pipó; Wolfgang Weigel |
1:52 | |||
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1.8
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Canción No. 2
Antonio Ruiz-Pipó; Wolfgang Weigel |
2:53 | |||
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1.9
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Danza No. 2
Antonio Ruiz-Pipó; Wolfgang Weigel |
1:49 | |||
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1.10
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Canción No. 3
Antonio Ruiz-Pipó; Wolfgang Weigel |
2:32 | |||
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1.11
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Danza No. 3
Antonio Ruiz-Pipó; Wolfgang Weigel |
1:32 | |||
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1.12
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Canción No. 4
Antonio Ruiz-Pipó; Wolfgang Weigel |
2:43 | |||
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1.13
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Danza No. 4
Antonio Ruiz-Pipó; Wolfgang Weigel |
2:58 | |||
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1.14
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Preludio a Narciso Yepes No. 1
Antonio Ruiz-Pipó; Wolfgang Weigel |
1:51 | |||
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1.15
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Preludio a Narciso Yepes No. 3
Antonio Ruiz-Pipó; Wolfgang Weigel |
3:10 | |||
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1.16
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Preludio No. 10
Antonio Ruiz-Pipó; Wolfgang Weigel |
3:11 | |||
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1.17
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Preludio a Obara No. 1
Antonio Ruiz-Pipó; Wolfgang Weigel |
3:16 | |||
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1.18
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Preludio a Obara No. 2
Antonio Ruiz-Pipó; Wolfgang Weigel |
2:32 | |||
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1.19
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Preludio a Obara No. 3
Antonio Ruiz-Pipó; Wolfgang Weigel |
2:43 | |||
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1.20
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Preludio a Obara No. 4
Antonio Ruiz-Pipó; Wolfgang Weigel |
2:56 | |||
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1.21
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Preludio a Obara No. 5
Antonio Ruiz-Pipó; Wolfgang Weigel |
2:04 | |||
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1.22
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Preludio a Obara No. 6
Antonio Ruiz-Pipó; Wolfgang Weigel |
2:09 | |||
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1.23
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Preludio a Obara No. 7
Antonio Ruiz-Pipó; Wolfgang Weigel |
1:56 | |||
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Digital Booklet
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Antonio Ruiz-Pipó became an essentially Parisian artist, but his music always retained the historical roots and warmth of expression of his Spanish origins. Volume 1 of this edition focused on chamber music with guitar, and this programme presents four solo cycles. As with many of Ruiz-Pipó’s works, the Otoñales are dedicated to and inspired by figures amongst his own circle of friends and colleagues. The deeply expressive and vibrant Canciónes y danzas are a homage to Mompou, and representative of a composer steeped in the music of Albéniz and Falla but with a rigorous individuality that makes his voice unique, evocative and varied.
44.1 kHz / 24-bit PCM – Naxos Studio Masters
| Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -3.95 -9.78 to -0.20 | -25.97 -31.64 to -19.49 | -22.52 -26.80 to -16.30 | 14 11 to 18 | |
| 1 | No. 1, — | -6.14 | -28.03 | -25.0 | 13 |
| 2 | No. 2, — | -1.00 | -24.90 | -21.9 | 15 |
| 3 | No. 3, — | -6.42 | -30.40 | -25.8 | 16 |
| 4 | No. 4, — | -8.60 | -27.46 | -24.1 | 11 |
| 5 | No. 5, — | -0.27 | -21.82 | -19.0 | 14 |
| 6 | Canción No. 1 | -9.78 | -28.22 | -25.1 | 12 |
| 7 | Danza No. 1 | -0.20 | -19.49 | -17.0 | 13 |
| 8 | Canción No. 2 | -5.99 | -27.97 | -24.5 | 13 |
| 9 | Danza No. 2 | -2.90 | -23.55 | -20.6 | 14 |
| 10 | Canción No. 3 | -7.22 | -31.64 | -26.8 | 14 |
| 11 | Danza No. 3 | -2.91 | -25.31 | -22.3 | 15 |
| 12 | Canción No. 4 | -1.48 | -24.27 | -20.4 | 14 |
| 13 | Danza No. 4 | -0.20 | -20.49 | -17.4 | 13 |
| 14 | Preludio a Narciso Yepes No. 1 | -0.20 | -26.47 | -23.3 | 18 |
| 15 | Preludio a Narciso Yepes No. 3 | -5.60 | -27.16 | -23.4 | 15 |
| 16 | Preludio No. 10 | -1.67 | -28.16 | -23.9 | 14 |
| 17 | Preludio a Obara No. 1 | -5.59 | -29.96 | -25.4 | 15 |
| 18 | Preludio a Obara No. 2 | -4.30 | -25.97 | -22.7 | 14 |
| 19 | Preludio a Obara No. 3 | -3.18 | -29.90 | -26.2 | 16 |
| 20 | Preludio a Obara No. 4 | -6.00 | -27.04 | -24.0 | 11 |
| 21 | Preludio a Obara No. 5 | -0.20 | -19.56 | -16.3 | 12 |
| 22 | Preludio a Obara No. 6 | -6.66 | -26.36 | -22.5 | 12 |
| 23 | Preludio a Obara No. 7 | -4.41 | -23.21 | -20.3 | 12 |