℗ 2020 CapriccioNR
| Released | September 4, 2020 |
| Duration | 51m 44s |
| Record Label | CapriccioNR |
| Catalogue No. | C5408 |
| Genre | Classical (Orchestral) |
Rott: Complete Orchestral Works, Vol.1
Gürzenich-Orchester Köln, Christopher Ward
Available in 96 kHz / 24-bit AIFF, FLAC high resolution audio formats
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1.1
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Hamlet Overture, Nowak 39
Hans Rott; Gürzenich-Orchester Köln; Christopher Ward |
10:47 | |||
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Suite in E Major, Nowak 33
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1.2
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I. Präludium. Nicht zu langsam
Hans Rott; Gürzenich-Orchester Köln; Christopher Ward |
3:36 | |||
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1.3
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II. Langsam
Hans Rott; Gürzenich-Orchester Köln; Christopher Ward |
2:32 | |||
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1.4
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Prelude to "Julius Caesar" in B-Flat Major, Nowak 40
Hans Rott; Gürzenich-Orchester Köln; Christopher Ward |
3:57 | |||
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1.5
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Orchestra Prelude in E Major, Nowak 32
Hans Rott; Gürzenich-Orchester Köln; Christopher Ward |
7:19 | |||
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Suite in B-Flat Major, Nowak 34 (Excerpts)
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1.6
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II. Scherzo
Hans Rott; Gürzenich-Orchester Köln; Christopher Ward |
3:45 | |||
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1.7
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IV. Finale. Sehr schnell
Hans Rott; Gürzenich-Orchester Köln; Christopher Ward |
5:19 | |||
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1.8
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Pastoral Prelude in F Major, Nowak 41
Hans Rott; Gürzenich-Orchester Köln; Christopher Ward |
14:29 | |||
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Digital Booklet
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"It simply cannot be gauged what music has lost with him."
- Gustav Mahler
Hans Rott was a composer from Gustav Mahler’s time who had been unknown or known only by name even to most pundits. Many people have expressed the opinion, perhaps justifiably, that only his tragic fate prevented him from going down in the annals of music as Mahler’s equal and establishing a permanent position in the repertoire. A member of Bruckner’s circle within the music scene in Vienna, he developed a pronounced antipathy towards Johannes Brahms. In view of many of his works, it is difficult to comprehend that during Rott’s lifetime presumably not one of them was performed in public, but that only presentations took place under the aegis of internal conservatory events. With these recordings Capriccio attend to fill the gap with his (some of them reconstructed) orchestral works and document these fascinating worlds of music for the eternity.
96 kHz / 24-bit PCM – CapriccioNR Studio Masters
| Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -3.00 -6.59 to -1.00 | -25.91 -28.97 to -22.37 | -21.01 -25.60 to -18.00 | 13 12 to 15 | |
| 1 | Hamlet Overture, Nowak 39 | -2.92 | -26.40 | -21.0 | 13 |
| 2 | I. Präludium. Nicht zu langsam | -3.03 | -28.41 | -22.9 | 14 |
| 3 | II. Langsam | -1.00 | -22.37 | -18.0 | 13 |
| 4 | Prelude to "Julius Caesar" in B-Flat Major, Nowak 40 | -1.00 | -23.46 | -18.3 | 12 |
| 5 | Orchestra Prelude in E Major, Nowak 32 | -3.48 | -26.76 | -21.7 | 13 |
| 6 | II. Scherzo | -6.59 | -28.97 | -25.6 | 15 |
| 7 | IV. Finale. Sehr schnell | -5.00 | -27.18 | -22.5 | 13 |
| 8 | Pastoral Prelude in F Major, Nowak 41 | -1.00 | -23.67 | -18.1 | 13 |