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SUGAREGG

Bully

Available in MQA and 96 kHz / 24-bit AIFF, FLAC high resolution audio formats
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    • AIFF 96 kHz | 24-bit
    • FLAC 96 kHz | 24-bit
    • MQA 96 kHz | 24-bit (source)
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1.1
Add It On
Bully
3:20
1.2
Every Tradition  EXPLICIT
Bully
3:25
1.3
Where to Start  EXPLICIT
Bully
3:00
1.4
Prism
Bully
5:02
1.5
You
Bully
2:24
1.6
Let You
Bully
2:54
1.7
Like Fire
Bully
3:04
1.8
Stuck in Your Head
Bully
2:08
1.9
Come Down
Bully
4:12
1.10
Not Ashamed
Bully
2:22
1.11
Hours and Hours
Bully
3:30
1.12
What I Wanted  EXPLICIT
Bully
2:45
Total Playing Time    38:06
A very old saying goes that no one saves us but ourselves. Recognizing and breaking free from the patterns impeding our forward progress can be transformative — just ask Bully’s Alicia Bognanno. Indeed, the third Bully album, SUGAREGG, may not ever have come to fruition had Bognanno not navigated every kind of upheaval imaginable and completely overhauled her working process along the way. “There was change that needed to happen and it happened on this record,” she says. “Derailing my ego and insecurities allowed me to give these songs the attention they deserved.” A highly accomplished engineer who ran the boards herself on the first two Bully albums, Bognanno was ready to be free “from the weight of feeling like I had to prove to the world I was capable of engineering a record, and wanted to be content knowing for myself what I can do without needing the approval of others to validate that.” So for SUGAREGG, she yielded recording and mixing responsibilities to outside collaborators for the first time and trekked to the remote Pachyderm Studios in Cannon Falls, Minn., an unexpected return to her home state. Behind the console was John Congleton, a Grammy-winner who has worked with everyone from St. Vincent and Sleater-Kinney to The War on Drugs and Modest Mouse. Ultimately, SUGAREGG is a testament that profound change can yield profound results — in this case, the most expressive and powerful music of Bognanno’s career.
96 kHz / 24-bit PCM – Sub Pop Records Studio Masters

Tracks 1-12 – 44.1 kHz / 24-bit PCM, mastered in 96 kHz / 24-bit

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High-resolution audio offers the highest-fidelity available, far surpassing the sound quality of traditional CDs. When you listen to music on a CD or tracks purchased via consumer services such as iTunes, you are hearing a low-resolution version of what was actually recorded and mastered in the studio. ProStudioMasters offers the original studio masters — exactly as the artist, producers and sound engineers mastered them — for download, directly to you.

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