℗ 2016 2xHD - Naxos
Latin American Guitar Sonatas: Pujol - Bravo - Angulo - Santórsola
Anton Baranov
Available in 96 kHz / 24-bit, AIFF, FLAC and 5.6448 MHz, 2.8224 MHz DSD / DSF high-resolution audio formats
Guitar Sonatine |
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1 |
I. Allegro ritmico Maximo Diego Pujol; Anton Baranov |
4:03 | |||
2 |
II. Andante e molto legato Maximo Diego Pujol; Anton Baranov |
5:01 | |||
3 |
III. Allegro Maximo Diego Pujol; Anton Baranov |
4:00 | |||
Sonata Portena |
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4 |
I. Allegro ma non troppo Javier Eduardo Bravo; Anton Baranov |
8:08 | |||
5 |
II. Andantino Javier Eduardo Bravo; Anton Baranov |
5:08 | |||
6 |
III. Presto agitato Javier Eduardo Bravo; Anton Baranov |
5:06 | |||
7 |
Guitar Sonata No. 2 Eduardo Angulo; Anton Baranov |
11:02 | |||
Guitar Sonata No. 4, "Italiana" |
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8 |
I. Allegro energico Guido Santórsola; Anton Baranov |
4:04 | |||
9 |
II. Reverie Guido Santórsola; Anton Baranov |
6:42 | |||
10 |
III. Alla Tarantella Guido Santórsola; Anton Baranov |
4:06 | |||
Digital Booklet |
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Total Playing Time 57:20
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Anton Baranov, the 2013 winner of the Guitar Foundation of America (GFA) Competition and one of the foremost guitarists of his generation, devotes this programme to four composers of different generations and diverse backgrounds from Central and South America who combine traditional elements of the guitarist's art in the Latin American world with a delight for experimentation. The result is a entertaining and imaginative kaleidoscope of colour and rhythm.
96 kHz / 24-bit PCM and 2.8224 MHz, 5.6448 MHz DSD – 2xHD - Naxos Studio Masters
In order to achieve the most accurate reproduction of the original recording we tailor our process specifically for each project, using a selection from our pool of state-of-the-art audiophile components and connectors.The process begins with a transfer to analog from the original 24bits/96kHz resolution master, using cutting edge D/A converters. The analog signal is then sent through a hi-end tube pre-amplifier before being recorded directly in DXD using the dCS905 A/D and the dCS Vivaldi Clock. All connections used in the process are made of OCC silver cable.
DSD and PCM versions are separately generated, directly from the analog signal.
2xHD Mastering: René Laflamme
2xHD Executive Producer: André Perry
In order to achieve the most accurate reproduction of the original recording we tailor our process specifically for each project, using a selection from our pool of state-of-the-art audiophile components and connectors.The process begins with a transfer to analog from the original 24bits/96kHz resolution master, using cutting edge D/A converters. The analog signal is then sent through a hi-end tube pre-amplifier before being recorded directly in DXD using the dCS905 A/D and the dCS Vivaldi Clock. All connections used in the process are made of OCC silver cable.
DSD and PCM versions are separately generated, directly from the analog signal.
2xHD Mastering: René Laflamme
2xHD Executive Producer: André Perry