℗ 2020 harmonia mundi / La Rêveuse
| Released | September 18, 2020 |
| Duration | 1h 00m 56s |
| Record Label | harmonia mundi |
| Catalogue No. | 905322DI |
| Genre | Classical (Sonata for keyboard, violin etc.) |
London circa 1720: Corelli's Legacy
La Rêveuse, Benjamin Perrot, Florence Bolton
Available in 96 kHz / 24-bit AIFF, FLAC high resolution audio formats
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Concerto No. II for sixth flute in D Major, Op. 3
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1.1
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I. Adagio - Allegro
William Babell; La Rêveuse; Florence Bolton; Benjamin Perrot |
2:11 | |||
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1.2
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II. Adagio
William Babell; La Rêveuse; Florence Bolton; Benjamin Perrot |
3:02 | |||
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1.3
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III. Allegro
William Babell; La Rêveuse; Florence Bolton; Benjamin Perrot |
3:13 | |||
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Sonata No. IV in D Major, Op. 1, H. 4
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1.4
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I. Adagio
Francesco Geminiani; La Rêveuse; Florence Bolton; Benjamin Perrot |
1:47 | |||
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1.5
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II. Allegro
Francesco Geminiani; La Rêveuse; Florence Bolton; Benjamin Perrot |
2:30 | |||
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1.6
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III. Grave
Francesco Geminiani; La Rêveuse; Florence Bolton; Benjamin Perrot |
1:07 | |||
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1.7
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IV. (Allegro)
Francesco Geminiani; La Rêveuse; Florence Bolton; Benjamin Perrot |
1:41 | |||
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Sonata No. IV in F Major, Op. 6
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1.8
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I. Largo - Allegro - Adagio - Allegro - Adagio - Allegro - Adagio
Arcangelo Corelli; Johann Christian Schickhardt; La Rêveuse; Florence Bolton; Benjamin Perrot |
2:28 | |||
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1.9
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II. Allegro
Arcangelo Corelli; Johann Christian Schickhardt; La Rêveuse; Florence Bolton; Benjamin Perrot |
1:52 | |||
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1.10
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III. Grave - Andante Largo
Arcangelo Corelli; Johann Christian Schickhardt; La Rêveuse; Florence Bolton; Benjamin Perrot |
2:05 | |||
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1.11
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IV. (Allegro)
Arcangelo Corelli; Johann Christian Schickhardt; La Rêveuse; Florence Bolton; Benjamin Perrot |
2:11 | |||
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Concerto a quattro in D Minor
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1.12
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I. Adagio
George Frideric Handel; La Rêveuse; Florence Bolton; Benjamin Perrot |
2:13 | |||
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1.13
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II. Allegro
George Frideric Handel; La Rêveuse; Florence Bolton; Benjamin Perrot |
1:41 | |||
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1.14
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III. Largo
George Frideric Handel; La Rêveuse; Florence Bolton; Benjamin Perrot |
1:36 | |||
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1.15
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IV. (Allegro)
George Frideric Handel; La Rêveuse; Florence Bolton; Benjamin Perrot |
2:03 | |||
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Concerto No. II, Op. 19
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1.16
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I. Allegro
Johann Christian Schickhardt; La Rêveuse; Florence Bolton; Benjamin Perrot |
2:13 | |||
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1.17
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II. Adagio
Johann Christian Schickhardt; La Rêveuse; Florence Bolton; Benjamin Perrot |
4:02 | |||
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1.18
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III. Vivace
Johann Christian Schickhardt; La Rêveuse; Florence Bolton; Benjamin Perrot |
1:39 | |||
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1.19
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IV. (Allegro)
Johann Christian Schickhardt; La Rêveuse; Florence Bolton; Benjamin Perrot |
1:59 | |||
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Sonata per la viola da gamba in G Minor, HWV 364b
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1.20
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I. Andante larghetto
George Frideric Handel; La Rêveuse; Florence Bolton; Benjamin Perrot |
2:04 | |||
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1.21
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II. Allegro
George Frideric Handel; La Rêveuse; Florence Bolton; Benjamin Perrot |
1:58 | |||
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1.22
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III. Adagio
George Frideric Handel; La Rêveuse; Florence Bolton; Benjamin Perrot |
0:47 | |||
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1.23
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IV. (Allegro)
George Frideric Handel; La Rêveuse; Florence Bolton; Benjamin Perrot |
2:19 | |||
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Admeto, HWV 22
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1.24
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No. 5b. Aria "Spera si mio caro bene" (Arr. for flute and basso continuo)
George Frideric Handel; La Rêveuse; Florence Bolton; Benjamin Perrot |
7:15 | |||
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Pyrrhus and Demetrius
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1.25
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Aria "Thus with thirst my souls expiring" (Arr. for flute and basso continuo)
Nicola Francesco Haym; La Rêveuse; Florence Bolton; Benjamin Perrot |
5:00 | |||
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Digital Booklet
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Who could have imagined that London would become the capital of Italian opera in the early eighteenth century? The 1720s witnessed a feverish demand for music that led many foreign virtuosos to move to the city. Concert-loving Londoners relished the last sonatas in the style of the old master Corelli, the first recorder and flute concertos, and the works of the youthful newcomer Handel . . . Let us admire this lively scene with the musicians of La Rêveuse, in their first recording for harmonia mundi!
96 kHz / 24-bit PCM – harmonia mundi Studio Masters
| Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -3.23 -11.24 to -0.30 | -22.18 -28.85 to -18.96 | -19.06 -25.70 to -16.10 | 12 10 to 14 | |
| 1 | I. Adagio - Allegro | -0.32 | -22.50 | -18.3 | 14 |
| 2 | II. Adagio | -5.10 | -22.30 | -18.1 | 11 |
| 3 | III. Allegro | -0.30 | -20.09 | -16.4 | 13 |
| 4 | I. Adagio | -4.47 | -23.40 | -20.1 | 12 |
| 5 | II. Allegro | -0.59 | -21.33 | -18.2 | 13 |
| 6 | III. Grave | -5.24 | -25.20 | -21.8 | 12 |
| 7 | IV. (Allegro) | -3.51 | -22.35 | -19.0 | 12 |
| 8 | I. Largo - Allegro - Adagio - Allegro - Adagio - Allegro - Adagio | -1.99 | -20.45 | -17.5 | 11 |
| 9 | II. Allegro | -1.02 | -18.96 | -16.1 | 10 |
| 10 | III. Grave - Andante Largo | -3.76 | -21.14 | -17.9 | 10 |
| 11 | IV. (Allegro) | -4.11 | -22.82 | -19.8 | 11 |
| 12 | I. Adagio | -3.20 | -22.42 | -19.4 | 12 |
| 13 | II. Allegro | -3.57 | -21.19 | -18.0 | 11 |
| 14 | III. Largo | -5.15 | -23.32 | -20.6 | 10 |
| 15 | IV. (Allegro) | -1.38 | -21.64 | -18.4 | 12 |
| 16 | I. Allegro | -0.56 | -19.72 | -17.1 | 12 |
| 17 | II. Adagio | -3.94 | -20.24 | -17.4 | 10 |
| 18 | III. Vivace | -1.52 | -19.35 | -16.7 | 12 |
| 19 | IV. (Allegro) | -2.24 | -20.37 | -17.5 | 11 |
| 20 | I. Andante larghetto | -4.04 | -24.11 | -21.3 | 12 |
| 21 | II. Allegro | -4.24 | -23.32 | -20.5 | 12 |
| 22 | III. Adagio | -11.24 | -28.85 | -25.7 | 11 |
| 23 | IV. (Allegro) | -4.02 | -23.32 | -20.5 | 12 |
| 24 | No. 5b. Aria "Spera si mio caro bene" (Arr. for flute and basso continuo) | -1.73 | -20.73 | -17.7 | 13 |
| 25 | Aria "Thus with thirst my souls expiring" (Arr. for flute and basso continuo) | -3.47 | -25.39 | -22.5 | 12 |