℗ 2020 Pure Noise Records
Released | November 20, 2020 |
Duration | 40m 17s |
Record Label | Pure Noise Records |
Catalogue No. | PNE285 |
Genre | Rock (Rock 'n' Roll) |
1.1
|
Void
Seahaven |
6:06 | |||
1.2
|
Moon
Seahaven |
4:29 | |||
1.3
|
Dandelion
Seahaven |
4:39 | |||
1.4
|
I Don't Belong Here
Seahaven |
4:23 | |||
1.5
|
Lose
Seahaven |
4:14 | |||
1.6
|
Harbor
Seahaven |
4:04 | |||
1.7
|
Living Hell
Seahaven |
3:46 | |||
1.8
|
Bait
Seahaven |
3:45 | |||
1.9
|
Eraser
Seahaven |
4:51 |
There was a time when it looked like Seahaven might never make music again.
The sonic leap from 2011’s cathartic, gritty debut LP Winter Forever to 2014’s Reverie Lagoon: Music For Escapism Only — a wondrous sequence of nocturnal, fireside soundscapes — turned heads through the underground. But it left Torrance, California’s foremost musical shape-shifters with an almost impossible act to follow. Shows became sporadic. Heading into 2020, it had been over half a decade since the quartet released its previous album. Fans feared it was all over. For Seahaven themselves, it sometimes felt that way, too.
Enter Halo of Hurt — Seahaven’s first album in six years and a riveting new chapter in their ongoing evolution. Astral and eerie, moonlit and menacing, Halo of Hurt reignites the magic dust that made Seahaven’s early 2010s run so special. It’s an adventurous rock album that urges you to grapple with your self doubt and innermost demons, then cast them into oblivion. “In Halo of Hurt, there’s some underlying anxiety from coming up short after 2014,” Soto admits. “I wanted to bring it back to the beginning of the band — a revived version of our younger selves in my garage in 2009. No timelines, no pressure. No need to fit a certain mold.”
Seahaven completed the self-produced LP at the Omaha, Nebraska studio Another Recording Company in early 2020, mere days before much of the country found itself in indefinite lockdown.
96 kHz / 24-bit PCM – Pure Noise Records Studio Masters
Tracks 1-9 – contains material which utilizes a limited amount of the available bandwidth
Tracks 1-9 – contains material which utilizes a limited amount of the available bandwidth
Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -0.12 -0.12 to -0.12 | -12.65 -13.62 to -10.81 | -10.00 -11.00 to -8.10 | 7 6 to 8 | |
1 | Void | -0.12 | -12.01 | -8.9 | 6 |
2 | Moon | -0.12 | -10.81 | -8.1 | 6 |
3 | Dandelion | -0.12 | -12.47 | -10.1 | 7 |
4 | I Don't Belong Here | -0.12 | -13.62 | -10.5 | 7 |
5 | Lose | -0.12 | -12.67 | -10.4 | 8 |
6 | Harbor | -0.12 | -12.84 | -9.3 | 6 |
7 | Living Hell | -0.12 | -13.54 | -11.0 | 8 |
8 | Bait | -0.12 | -13.26 | -10.7 | 6 |
9 | Eraser | -0.12 | -12.62 | -11.0 | 8 |