℗ 2020 Nils Petter Molvær under exclusive license to BMG Rights Management
 

SulaMadiana

Mino Cinelu, Nils Petter Molvær

Available in MQA and 96 kHz / 24-bit AIFF, FLAC high resolution audio formats
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1.1
Le monde qui change
Mino Cinelu; Nils Petter Molvær
0:59
1.2
New York Stroll
Mino Cinelu; Nils Petter Molvær
6:27
1.3
SulaMadiana (For Manu Dibango)
Mino Cinelu; Nils Petter Molvær
4:17
1.4
O Xingu
Mino Cinelu; Nils Petter Molvær
2:28
1.5
Take the A# Train
Mino Cinelu; Nils Petter Molvær
5:26
1.6
Theories of Dreaming
Mino Cinelu; Nils Petter Molvær
1:54
1.7
Indianala
Mino Cinelu; Nils Petter Molvær
5:30
1.8
Kanno Mwen
Mino Cinelu; Nils Petter Molvær
3:34
1.9
Tambou Madiana (For Jimmy Cobb)
Mino Cinelu; Nils Petter Molvær
0:20
1.10
Process of Breathing
Mino Cinelu; Nils Petter Molvær
2:03
1.11
Rose of Jericho
Mino Cinelu; Nils Petter Molvær
6:35
1.12
Song for Julle (For Tony Allen)
Mino Cinelu; Nils Petter Molvær
3:38
1.13
Song for Julle (Oslo)
Mino Cinelu; Nils Petter Molvær
3:14
1.14
SulaMadiana, Pt. 1
Mino Cinelu; Nils Petter Molvær
3:39
Total Playing Time    50:04
"Percussionist and trumpeter create sparkling musical conversations across disparate cultural backgrounds, recalling Miles Davis, Afrobeat and more." - The Guardian BMG’s new imprint Modern Recordings releases the atmospheric new album SulaMadiana by Mino Cinelu and Nils Petter Molvær. The album title takes its name from Sula, the island off the west coast of Norway where Molvær is from, and Madiana, a synonym for Martinique, where Cinelu’s father comes from. The album pays tribute to Manu Dibango, Tony Allen and Jimmy Cobb, all recently departed. How do you create an entire world from nothing but tones, sounds and rhythms? A world full of width and depth, full of colours, movements and manifestations, with different temperatures and divergent courses of time. On SulaMadiana, it only takes two musicians to form such a world.
96 kHz / 24-bit PCM – Modern Recordings Studio Masters

Tracks 1, 6 – 48 kHz / 24-bit PCM, mastered in 96 kHz / 24-bit Tracks 4, 9 – contains material which has been processed by a perceptual audio coding algorithm Tracks 4, 9, 10 – 44.1 kHz / 24-bit PCM, mastered in 96 kHz / 24-bit

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