℗ 2020 Naxos
Released | September 11, 2020 |
Duration | 1h 20m 11s |
Record Label | Naxos |
Catalogue No. | 8.574149 |
Genre | Classical (Piano) |
Liszt Complete Piano Music, Vol. 55: Transcriptions
Andrey Ivanov
Available in 96 kHz / 24-bit AIFF, FLAC high resolution audio formats
Aus der Musik von Eduard Lassen zu Hebbels Nibelungen und Goethes Faust, S. 496
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1.1
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No. 1, Hagen und Kriemhild (After Lassen's Op. 47)
Franz Liszt; Andrey Ivanov |
7:09 | |||
1.2
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No. 2, Bechlarn (After Lassen's Op. 47)
Franz Liszt; Andrey Ivanov |
4:36 | |||
1.3
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No. 3, Osterhymne (After Lassen's Op. 57)
Franz Liszt; Andrey Ivanov |
4:54 | |||
1.4
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No. 4, Hoffest. Marsch und Polonaise (After Lassen's Op. 57)
Franz Liszt; Andrey Ivanov |
8:30 | |||
1.5
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Symphonisches Zwischenspiel zu "Über allen Zauber Liebe", S. 497 (After Lassen's Op. 77)
Franz Liszt; Andrey Ivanov |
13:34 | |||
1.6
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Operatic Aria & Sketched Variation, S. 701h No. 1 (Fragment)
Franz Liszt; Andrey Ivanov |
0:55 | |||
1.7
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Valse infernale, S. 701h No. 2 (Fragment / After Meyerbeer)
Franz Liszt; Andrey Ivanov |
0:15 | |||
Réminiscences de "Lucrezia Borgia", S. 400
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1.8
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No. 2, Chanson à boire (After Donizetti)
Franz Liszt; Andrey Ivanov |
14:41 | |||
1.9
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Valse a capriccio, S. 401 (Sur 2 Motifs de "Lucia et Parisina" / After Donizetti)
Franz Liszt; Andrey Ivanov |
9:53 | |||
1.10
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Einsam bin ich, nicht alleine, S. 453 (After Weber)
Franz Liszt; Andrey Ivanov |
5:28 | |||
1.11
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Concert Paraphrase on Mendelssohn's "Sommernachtstraum", S. 410 (After Mendelssohn's MWV M 13)
Franz Liszt; Andrey Ivanov |
10:16 | |||
Digital Booklet
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Volume 55 in the critically acclaimed Liszt Complete Piano Works series features transcriptions of pieces by his contemporary Eduard Lassen, performed here by award-winning pianist Andrey Ivanov in his recording debut. Andrey gave his first concerto performance at the age of nine. In 2006, he was selected to study at the Central School of Music in Minsk, graduating to the Moscow Conservatoire. He won first prize at the Belgrade and Minsk International Piano Competitions and went on to perform in Moscow, St Petersburg, Belgrade, Brussels and Amsterdam. He is currently studying at the Birmingham Conservatoire with Pascal Nemirovski.
96 kHz / 24-bit PCM – Naxos Studio Masters
Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -3.54 -10.27 to -0.57 | -25.97 -34.19 to -21.58 | -21.93 -30.60 to -16.20 | 13 11 to 15 | |
1 | No. 1, Hagen und Kriemhild (After Lassen's Op. 47) | -4.02 | -27.79 | -23.9 | 15 |
2 | No. 2, Bechlarn (After Lassen's Op. 47) | -7.20 | -32.51 | -28.8 | 13 |
3 | No. 3, Osterhymne (After Lassen's Op. 57) | -2.35 | -24.50 | -20.2 | 13 |
4 | No. 4, Hoffest. Marsch und Polonaise (After Lassen's Op. 57) | -0.78 | -21.81 | -17.9 | 13 |
5 | Symphonisches Zwischenspiel zu "Über allen Zauber Liebe", S. 497 (After Lassen's Op. 77) | -2.29 | -25.26 | -20.5 | 14 |
6 | Operatic Aria & Sketched Variation, S. 701h No. 1 (Fragment) | -9.10 | -28.26 | -24.2 | 11 |
7 | Valse infernale, S. 701h No. 2 (Fragment / After Meyerbeer) | -0.92 | -21.58 | -16.2 | 12 |
8 | No. 2, Chanson à boire (After Donizetti) | -0.69 | -22.23 | -18.6 | 14 |
9 | Valse a capriccio, S. 401 (Sur 2 Motifs de "Lucia et Parisina" / After Donizetti) | -0.71 | -24.52 | -20.7 | 14 |
10 | Einsam bin ich, nicht alleine, S. 453 (After Weber) | -10.27 | -34.19 | -30.6 | 14 |
11 | Concert Paraphrase on Mendelssohn's "Sommernachtstraum", S. 410 (After Mendelssohn's MWV M 13) | -0.57 | -22.99 | -19.6 | 13 |