℗ 2020 Paraty
| Released | September 25, 2020 |
| Duration | 1h 00m 47s |
| Record Label | Paraty |
| Catalogue No. | PTY820196D |
| Genre | Classical (Ancient) |
Dialogues
Ronald Martin Alonso
Available in 96 kHz / 24-bit AIFF, FLAC high resolution audio formats
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Suite pour viole en Sol Mineur
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1.1
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I. Prélude
Monsieur de Sainte-Colombe; Ronald Martin Alonso |
2:15 | |||
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1.2
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II. Pianelle
Monsieur de Sainte-Colombe; Ronald Martin Alonso |
1:49 | |||
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1.3
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III. Sarabande
Monsieur de Sainte-Colombe; Ronald Martin Alonso |
2:06 | |||
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1.4
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IV. Gigue
Monsieur de Sainte-Colombe; Ronald Martin Alonso |
2:02 | |||
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Le chemin de Jérusalem
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1.5
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Mouvement 1
Philippe Hersant; Ronald Martin Alonso |
3:14 | |||
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1.6
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Mouvement 2
Philippe Hersant; Ronald Martin Alonso |
1:46 | |||
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1.7
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Mouvement 3
Philippe Hersant; Ronald Martin Alonso |
3:38 | |||
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Suite pour viole en Do Majeur
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1.8
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I. Allemande
Monsieur de Sainte-Colombe; Ronald Martin Alonso |
2:30 | |||
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1.9
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II. Courante
Monsieur de Sainte-Colombe; Ronald Martin Alonso |
1:58 | |||
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1.10
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III. Sarabande
Monsieur de Sainte-Colombe; Ronald Martin Alonso |
3:24 | |||
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1.11
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IV. Gigue
Monsieur de Sainte-Colombe; Ronald Martin Alonso |
1:08 | |||
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1.12
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V. Sarabande en passacaille
Monsieur de Sainte-Colombe; Ronald Martin Alonso |
2:40 | |||
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1.13
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VI. Gigue
Monsieur de Sainte-Colombe; Ronald Martin Alonso |
1:53 | |||
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1.14
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VII. Menuet
Monsieur de Sainte-Colombe; Ronald Martin Alonso |
0:44 | |||
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1.15
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VIII. Menuet
Monsieur de Sainte-Colombe; Ronald Martin Alonso |
1:21 | |||
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1.16
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IX. Chaconne
Monsieur de Sainte-Colombe; Ronald Martin Alonso |
4:46 | |||
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Pascolas
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1.17
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Mouvement 1
Philippe Hersant; Ronald Martin Alonso |
2:48 | |||
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1.18
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Mouvement 2
Philippe Hersant; Ronald Martin Alonso |
2:17 | |||
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1.19
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Mouvement 3
Philippe Hersant; Ronald Martin Alonso |
1:08 | |||
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Suite pour viole en Ré Mineur
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1.20
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I. Prélude
Monsieur de Sainte-Colombe; Ronald Martin Alonso |
2:38 | |||
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1.21
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II. Allemande
Monsieur de Sainte-Colombe; Ronald Martin Alonso |
3:09 | |||
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1.22
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III. Courante
Monsieur de Sainte-Colombe; Ronald Martin Alonso |
2:15 | |||
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1.23
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IV. Sarabande
Monsieur de Sainte-Colombe; Ronald Martin Alonso |
2:25 | |||
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1.24
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V. Double de la Sarabande
Monsieur de Sainte-Colombe; Ronald Martin Alonso |
1:51 | |||
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1.25
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VI. Gigue
Monsieur de Sainte-Colombe; Ronald Martin Alonso |
1:50 | |||
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1.26
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VII. Chaconne
Monsieur de Sainte-Colombe; Ronald Martin Alonso |
3:12 | |||
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Digital Booklet
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The solo pieces by Monsieur de Sainte-Colombe presented here were written around 1690 and are part of a manuscript included in the archives of the municipal library in Tournus, Burgundy. Today, a few composers take inspiration from Sainte-Colombe's heritage to give new life to the viola da gamba. The French composer Philippe Hersant, born in Rome in 1948, has written a number of pieces for solo viola da gamba, including 'Le chemin de Jérusalem' (The Road to Jerusalem - 2003). This selection invites us into a journey where music dialogues wordlessly and where the sound of the viole and the emotions it elicits combine to narrate a story, to awaken intense emotions and send us from one extreme of emotion to another, from profound sadness to ecstatic joy. The viola da gamba: an instrument that has come back to life and which like a mirror reflects the past into the present.
96 kHz / 24-bit PCM – Paraty Studio Masters
| Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -3.77 -9.53 to -1.03 | -23.54 -33.56 to -19.52 | -20.33 -29.40 to -16.80 | 11 10 to 15 | |
| 1 | I. Prélude | -3.14 | -22.93 | -19.8 | 10 |
| 2 | II. Pianelle | -3.02 | -19.52 | -16.8 | 10 |
| 3 | III. Sarabande | -6.66 | -26.64 | -23.2 | 12 |
| 4 | IV. Gigue | -2.80 | -20.96 | -18.1 | 11 |
| 5 | Mouvement 1 | -1.27 | -23.66 | -18.9 | 12 |
| 6 | Mouvement 2 | -4.31 | -23.90 | -19.4 | 11 |
| 7 | Mouvement 3 | -4.23 | -26.20 | -21.4 | 13 |
| 8 | I. Allemande | -1.03 | -22.05 | -19.5 | 12 |
| 9 | II. Courante | -2.14 | -23.12 | -20.5 | 12 |
| 10 | III. Sarabande | -1.34 | -23.08 | -19.9 | 11 |
| 11 | IV. Gigue | -6.40 | -24.31 | -21.4 | 10 |
| 12 | V. Sarabande en passacaille | -2.59 | -22.30 | -19.2 | 11 |
| 13 | VI. Gigue | -3.45 | -21.33 | -18.8 | 11 |
| 14 | VII. Menuet | -8.07 | -29.71 | -26.5 | 11 |
| 15 | VIII. Menuet | -7.14 | -24.84 | -22.0 | 10 |
| 16 | IX. Chaconne | -1.40 | -22.85 | -20.0 | 13 |
| 17 | Mouvement 1 | -4.62 | -23.64 | -19.9 | 12 |
| 18 | Mouvement 2 | -9.53 | -33.56 | -29.4 | 15 |
| 19 | Mouvement 3 | -1.19 | -21.75 | -17.6 | 10 |
| 20 | I. Prélude | -2.05 | -20.14 | -17.5 | 10 |
| 21 | II. Allemande | -1.12 | -20.00 | -17.3 | 11 |
| 22 | III. Courante | -2.74 | -22.83 | -20.1 | 11 |
| 23 | IV. Sarabande | -4.65 | -24.47 | -21.5 | 11 |
| 24 | V. Double de la Sarabande | -5.17 | -23.65 | -20.9 | 11 |
| 25 | VI. Gigue | -5.60 | -22.63 | -20.1 | 10 |
| 26 | VII. Chaconne | -2.47 | -21.83 | -19.0 | 12 |