℗ ℗ 2020 Berlin Phil Media

Beethoven: Symphony No. 7

Berliner Philharmoniker, Kirill Petrenko

Available in 96 kHz / 24-bit AIFF, FLAC high resolution audio formats

  • Select Format
    • AIFF 96 kHz | 24-bit
    • FLAC 96 kHz | 24-bit
Add to cart
discounted price
Symphony No. 7 in A Major, Op. 92  
I. Poco sostenuto. Vivace
Ludwig van Beethoven; Berliner Philharmoniker; Kirill Petrenko
II. Allegretto
Ludwig van Beethoven; Berliner Philharmoniker; Kirill Petrenko
III. Presto. Trio I und II. Assai meno presto
Ludwig van Beethoven; Berliner Philharmoniker; Kirill Petrenko
IV. Allegro con brio
Ludwig van Beethoven; Berliner Philharmoniker; Kirill Petrenko
Total Playing Time    37:40
Meiningen, Munich, Berlin – three cities with which Kirill Petrenko has been closely associated thus far in his career: the small former ducal capital in Thuringia, where he conducted the Meiningen premiere of Wagner’s Ring des Nibelungen on four consecutive evenings in 2001; the Bavarian metropolis, where he brought spectacular new successes to the renowned State Opera; and the German capital, to which – after five years as general music director of the Komische Oper (2002 to 2007) – he now returns to begin his tenure as artistic director of the Berliner Philharmoniker.

In celebration of his new position, The Berlin Philharmoniker releases Petrenko's wonderful interpretation of the monumental Seventh Symphony from Beethoven. The Symphony No. 7 in A major, Op. 92, is a symphony in four movements composed between 1811 and 1812, while improving his health in the Bohemian spa town of Teplice. The work is dedicated to Count Moritz von Fries.
96 kHz / 24-bit PCM – Berlin Philharmonic Orchestra Studio Masters

For Your Consideration | More ▸

Beethoven Unbound Llŷr Williams
Camillo Togni: Works for Flute Roberto Fabbriciani; Massimiliano Damerini; Dorothy Dorow; Carlo Alberto Neri; Vincenzo Saldarelli; I Cameristi Lombardi; Mario Conter
Sofia Gubaidulina: Complete Guitar Works: Repentance - Sotto Voce - Serenade - Toccata David Tanenbaum; Thomas Viloteau; Paul Psarras; Peter Wyrick; Mark Wright; Marc Teicholz; Jodi Levitz; Scott Pingel
Beethoven & Pössinger: Violin Concertos Anton Steck; L'arpa festante; Matthew Halls
Liszt: Années de pèlerinage II, S.161 Francesco Piemontesi
Handel: Brockes Passion, HWV 48 Concerto Copenhagen; Lars Ulrik Mortensen; Maria Keohane; Joanne Lunn; Hanna Zumsande; Daniel Carlsson; Daniel Elgersma; Ed Lyon; Gwilym Bowen; Peter Harvey; Jakob Bloch Jespersen
Johann Sebastian Bach: The Two Violin Concertos - Double Concerto - Concerto for Violin and Oboe Vesko Eschkenazy; Tjeerd Top; Alexei Ogrintchouk; Concertgebouw Chamber Orchestra
96dsd 2.8
Haydn: Piano Sonatas Kristian Bezuidenhout
Leopold Godowsky: Six Waltz-Poems for the left hand, Concert study, Transcriptions Konstantin Scherbakov
Verdi: Oberto Orchestra del Teatro Regio di Parma; Antonello Allemandi; Fabio Sartori; Francesca Sassu; Giovanni Battista Parodi; Mariana Pentcheva
Garayev: Violin Sonata & 24 Preludes for Piano Vadim Repin; Murad Hüseynov
Colour & Light: 20th-Century British Piano Music Nathan Williamson
Thomas: La Cour de Célimène Andrew Litton; Philharmonia Orchestra; Alexander Oliver; Nicole Tibbels; Sandra Browne; Marilyn Hill Smith; Yvonne Kenny; Bruce Ford
Ravel: Piano Concerto in G Major - Prokofiev: Piano Concerto No. 5 - Schlimé: 3 Improvisations Francesco Tristano Schlimé; Russian National Orchestra; Mikhail Pletnev
96dsd 2.8
V for Valse Vassilis Varvaresos

Offers & New Releases

exclusive benefits for mailing list members

Subscribe Now

What is High-Resolution Audio?

High-resolution audio offers the highest-fidelity available, far surpassing the sound quality of traditional CDs. When you listen to music on a CD or tracks purchased via consumer services such as iTunes, you are hearing a low-resolution version of what was actually recorded and mastered in the studio. ProStudioMasters offers the original studio masters — exactly as the artist, producers and sound engineers mastered them — for download, directly to you.

What do I need for playback?

You may need additional software / hardware to take full advantage of the higher 24-bit high-res audio formats, but any music lover that has heard 16-bit vs 24-bit will tell you it's worth it!

Software for Mac OS X

Software for Windows

Hardware Suggestions