℗ 1972 Kinks Properties Limited under exclusive license to Sanctuary Records Group, a BMG Company
| Released | September 18, 2020 |
| Duration | 1h 11m 08s |
| Record Label | Sanctuary Records |
| Genre | Rock |
|
1.1
|
Here Comes Yet Another Day
The Kinks |
3:56 | |||
|
1.2
|
Maximum Consumption
The Kinks |
4:06 | |||
|
1.3
|
Unreal Reality
The Kinks |
3:37 | |||
|
1.4
|
Hot Potatoes
The Kinks |
3:29 | |||
|
1.5
|
Sitting in My Hotel
The Kinks |
3:22 | |||
|
1.6
|
Motorway
The Kinks |
3:31 | |||
|
1.7
|
You Don't Know My Name
The Kinks |
2:36 | |||
|
1.8
|
Supersonic Rocket Ship
The Kinks |
3:31 | |||
|
1.9
|
Look a Little on the Sunny Side
The Kinks |
2:48 | |||
|
1.10
|
Celluloid Heroes
The Kinks |
6:21 | |||
|
1.11
|
Top of the Pops (Live)
The Kinks |
4:35 | |||
|
1.12
|
Brainwashed (Live)
The Kinks |
2:58 | |||
|
1.13
|
Mr. Wonderful (Live)
The Kinks |
0:43 | |||
|
1.14
|
Acute Schizophrenia Paranoia Blues (Live)
The Kinks |
4:00 | |||
|
1.15
|
Holiday (Live)
The Kinks |
3:55 | |||
|
1.16
|
Muswell Hillbilly (Live)
The Kinks |
3:09 | |||
|
1.17
|
Alcohol (Live)
The Kinks |
5:22 | |||
|
1.18
|
Banana Boat Song (Live)
The Kinks |
1:40 | |||
|
1.19
|
Skin and Bone (Live)
The Kinks |
3:55 | |||
|
1.20
|
Baby Face (Live)
The Kinks |
1:53 | |||
|
1.21
|
Lola (Live)
The Kinks |
1:41 |
"... this is a delightfully varied, endlessly entertaining album; its best moments equal or surpass the best rock & roll of the last few years. And the indications are that Ray Davies is just beginning to loosen up."
- Rolling Stone
Everybody's in Show-Biz is the eleventh studio album released by English rock group the Kinks, released in 1972. A double album, the first disc features studio recordings, while the second disc documents a two-night Carnegie Hall stand.
Everybody's in Show-Biz is often seen by fans as a transition album for the Kinks, marking the change in Ray Davies' songwriting style toward more theatrical, campy and vaudevillian work, as evidenced by the rock-opera concept albums that followed it.
This album marks Davies' explorations of the trials of rock-star life and the monotony of touring, themes that would reappear in future releases like The Kinks Present A Soap Opera and the 1987 live album Live: The Road.
44.1 kHz / 24-bit PCM – Sanctuary Records Studio Masters
| Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -1.45 -4.23 to -0.21 | -18.35 -23.71 to -16.22 | -15.03 -19.40 to -12.80 | 11 9 to 13 | |
| 1 | Here Comes Yet Another Day | -0.21 | -16.76 | -14.0 | 11 |
| 2 | Maximum Consumption | -0.83 | -17.99 | -15.1 | 12 |
| 3 | Unreal Reality | -1.83 | -18.00 | -14.8 | 11 |
| 4 | Hot Potatoes | -0.95 | -16.72 | -14.0 | 10 |
| 5 | Sitting in My Hotel | -0.32 | -17.87 | -14.2 | 10 |
| 6 | Motorway | -1.97 | -18.07 | -15.0 | 11 |
| 7 | You Don't Know My Name | -1.58 | -16.82 | -13.4 | 10 |
| 8 | Supersonic Rocket Ship | -1.76 | -19.89 | -16.9 | 11 |
| 9 | Look a Little on the Sunny Side | -0.64 | -19.42 | -16.5 | 13 |
| 10 | Celluloid Heroes | -1.56 | -18.54 | -15.5 | 10 |
| 11 | Top of the Pops (Live) | -0.69 | -16.96 | -13.9 | 10 |
| 12 | Brainwashed (Live) | -0.45 | -16.22 | -12.8 | 10 |
| 13 | Mr. Wonderful (Live) | -3.07 | -22.35 | -18.2 | 12 |
| 14 | Acute Schizophrenia Paranoia Blues (Live) | -1.34 | -16.95 | -13.3 | 11 |
| 15 | Holiday (Live) | -0.59 | -18.98 | -15.0 | 11 |
| 16 | Muswell Hillbilly (Live) | -1.48 | -16.37 | -13.0 | 9 |
| 17 | Alcohol (Live) | -1.71 | -18.25 | -14.7 | 10 |
| 18 | Banana Boat Song (Live) | -4.23 | -23.71 | -19.4 | 12 |
| 19 | Skin and Bone (Live) | -1.33 | -17.08 | -14.1 | 10 |
| 20 | Baby Face (Live) | -2.28 | -18.44 | -15.2 | 11 |
| 21 | Lola (Live) | -1.66 | -19.95 | -16.7 | 11 |