℗ 2010 Chandos

Bruckner: Symphony No. 5

The Hague Residentie Orchestra, Neeme Järvi

Available in 96 kHz / 24-bit AIFF, FLAC high resolution audio formats

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Symphony No. 5 in B-Flat Major, WAB 105  
I. Introduction. Adagio - Allegro
Anton Bruckner; The Hague Residentie Orchestra; Neeme Järvi
II. Adagio. Sehr langsam
Anton Bruckner; The Hague Residentie Orchestra; Neeme Järvi
III. Scherzo. Molto vivace (Schnell) – Trio. Im gleichen Tempo
Anton Bruckner; The Hague Residentie Orchestra; Neeme Järvi
IV. Finale. Adagio – Allegro moderato – Choral
Anton Bruckner; The Hague Residentie Orchestra; Neeme Järvi
Digital Booklet
Total Playing Time    61:49
"There is much about this recording to commend. It offers good audio, a competent and committed orchestra and a scherzo which has a good balance between momentum and gravity ..."
- MusicWeb International

"... an interesting and rewarding performance ... turns out to be very satisfying ... if you're looking for a fresh if slightly strange view of this strange symphony, this well-engineered production deserves your attention."
- ClassicsToday.com

On this recording, the Hague Residentie Orchestra performs Bruckner's Symphony No. 5 under chief conductor Neeme Järvi, who has led this symphony with orchestras around the world and is recognized as one of the work's foremost interpreters. Symphony No. 5, among Bruckner's most famous compositions, is widely regarded as the finest of his nine numbered symphonies.
96 kHz / 24-bit PCM – Chandos Studio Masters

Recording venue: Dr Anton Philipszaal, The Hague, The Netherlands; 17 - 19 September 2009
Recording producer: Jean-Pierre Gabriël
Sound engineer: Wim van den Berg
Assistant engineers: Frank van Kleef and Stephan Trikojus
Editor: Jean-Pierre Gabriël
Mastering: Jonathan Cooper
A & R administrator: Mary McCarthy
Front cover: ‘Snow-covered Alps, Bludenz, Vorarlberg, Austria’, photograph © Jonas Jungblut/Getty Images Back cover: Photograph of Neeme Järvi by H. Frederick Stucker
Design and typesetting: Cassidy Rayne Creative
Booklet editor Finn S. Gundersen

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