℗ 2020 Affetto Recordings
| Released | September 18, 2020 |
| Duration | 1h 10m 17s |
| Record Label | Affetto Recordings |
| Catalogue No. | AF2006 |
| Genre | Classical (Solo Instrumental) |
Music for One Horn
Howard Wall
Available in 96 kHz / 24-bit AIFF, FLAC high resolution audio formats
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1.1
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La calavera (Version for Solo Horn)
Howard Wall |
4:20 | |||
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1.2
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Retracing II
Howard Wall |
2:41 | |||
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5 Poetic Pieces (Excerpts)
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1.3
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No. 1, Andante cantabile
Howard Wall |
2:08 | |||
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1.4
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No. 2, Movement trés libre
Howard Wall |
1:43 | |||
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1.5
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No. 4, Allegro vivo
Howard Wall |
3:14 | |||
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1.6
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Pastorale
Howard Wall |
4:03 | |||
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Gargoyles
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1.7
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I. Nervous
Howard Wall |
2:27 | |||
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1.8
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II. Romantic
Howard Wall |
3:23 | |||
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1.9
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III. Frolicsome
Howard Wall |
2:00 | |||
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1.10
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IV. Doleful
Howard Wall |
2:55 | |||
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1.11
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V. Strident
Howard Wall |
2:16 | |||
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1.12
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VI. Malicious
Howard Wall |
3:07 | |||
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1.13
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VII. Somnolent
Howard Wall |
3:33 | |||
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1.14
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VIII. Triumphant
Howard Wall |
2:47 | |||
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1.15
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Tango Etude No. 4 (Transcr. H. Wall for Horn)
Howard Wall |
4:00 | |||
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1.16
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Monodie, Op. 218bis
Howard Wall |
3:31 | |||
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1.17
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Polegnala e Todora & Gankino horo (Arr. H. Wall for Horn)
Howard Wall |
2:39 | |||
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1.18
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Vagabundo
Howard Wall |
3:25 | |||
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3 Preludes for Solo Horn
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1.19
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No. 3, —
Howard Wall |
1:35 | |||
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1.20
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Kaddish
Howard Wall |
2:57 | |||
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1.21
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Idiom
Howard Wall |
8:08 | |||
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1.22
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Tonada y joropo
Howard Wall |
3:25 | |||
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Digital Booklet
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A longtime member of two of the world’s most renowned orchestras – The New York Philharmonic and The Philadelphia Orchestra, hornist Howard Wall also performs and records with the All-Star Orchestra, and is an avid chamber music proponent. Among the 22 tracks in his solo album Music for One Horn, 16 are world-premiere recordings. This is a kaleidoscopic collection of eclectic styles and genres ranging from Charles Koechlin’s refined impressionism and Elliott Carter’s sophisticated modernism, to Phillip Ramey’s Bartokian reflections, Astor Piazzolla’s melancholic tango mood, Elizabeth Raum’s idiomatic virtuosity, Pascal Proust’s exalted dance rhythms, the poetic inspirations of Georges Barboteu, the otherworldly mysticism of Alice Gomez, the profound emotion of Lev Kogan’s Kaddish prayer, the stunning beauty and unique rhythms of Bulgarian folk music and Venezuelan joropo.
96 kHz / 24-bit PCM – Affetto Recordings Studio Masters
Tracks 7-14 – 44.1 kHz / 24-bit PCM, mastered in 96 kHz / 24-bit
Tracks 7-14 – 44.1 kHz / 24-bit PCM, mastered in 96 kHz / 24-bit
| Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -3.31 -9.65 to -0.21 | -21.24 -31.75 to -16.76 | -17.63 -27.70 to -13.80 | 10 7 to 15 | |
| 1 | La calavera (Version for Solo Horn) | -3.58 | -20.07 | -17.0 | 10 |
| 2 | Retracing II | -3.30 | -20.26 | -16.8 | 9 |
| 3 | No. 1, Andante cantabile | -1.34 | -16.76 | -13.8 | 8 |
| 4 | No. 2, Movement trés libre | -5.18 | -19.39 | -16.2 | 7 |
| 5 | No. 4, Allegro vivo | -2.16 | -18.60 | -15.5 | 9 |
| 6 | Pastorale | -3.91 | -20.97 | -17.2 | 9 |
| 7 | I. Nervous | -3.58 | -26.56 | -22.0 | 12 |
| 8 | II. Romantic | -4.14 | -26.11 | -20.0 | 10 |
| 9 | III. Frolicsome | -3.68 | -25.09 | -21.1 | 13 |
| 10 | IV. Doleful | -8.72 | -26.25 | -23.0 | 9 |
| 11 | V. Strident | -0.21 | -23.03 | -18.8 | 15 |
| 12 | VI. Malicious | -1.05 | -23.43 | -18.1 | 13 |
| 13 | VII. Somnolent | -9.65 | -31.75 | -27.7 | 11 |
| 14 | VIII. Triumphant | -1.46 | -21.75 | -18.4 | 12 |
| 15 | Tango Etude No. 4 (Transcr. H. Wall for Horn) | -3.03 | -19.43 | -16.3 | 8 |
| 16 | Monodie, Op. 218bis | -2.63 | -17.96 | -13.8 | 8 |
| 17 | Polegnala e Todora & Gankino horo (Arr. H. Wall for Horn) | -1.78 | -17.34 | -14.8 | 9 |
| 18 | Vagabundo | -2.98 | -17.51 | -14.8 | 8 |
| 19 | No. 3, — | -2.87 | -18.81 | -16.0 | 10 |
| 20 | Kaddish | -2.32 | -18.13 | -15.1 | 7 |
| 21 | Idiom | -2.76 | -18.58 | -15.3 | 8 |
| 22 | Tonada y joropo | -2.43 | -19.43 | -16.1 | 10 |