℗ 2019 Sub Pop Records
| Released | June 28, 2019 |
| Duration | 43m 49s |
| Record Label | Sub Pop Records |
| Genre | Soundtrack (Jazz) |
A Tuba to Cuba (Original Soundtrack)
Preservation Hall Jazz Band
Available in MQA and 44.1 kHz / 24-bit AIFF, FLAC audio formats
|
1.1
|
Yesteryear
Preservation Hall Jazz Band |
0:49 | |||
|
1.2
|
Tumba
Preservation Hall Jazz Band |
3:54 | |||
|
1.3
|
I Am
Preservation Hall Jazz Band |
2:51 | |||
|
1.4
|
Descarga del Son
Septeto Típico Oriental |
5:49 | |||
|
1.5
|
Keep Your Head Up (feat. Eme Alfonso)
Preservation Hall Jazz Band; Eme Alfonso |
4:45 | |||
|
1.6
|
Corazón
Preservation Hall Jazz Band |
3:18 | |||
|
1.7
|
Eleggua
Raíces Habanera |
5:37 | |||
|
1.8
|
Kreyol
Preservation Hall Jazz Band |
3:43 | |||
|
1.9
|
El Manicero
Preservation Hall Jazz Band |
3:52 | |||
|
1.10
|
Solitude
Preservation Hall Jazz Band |
3:18 | |||
|
1.11
|
Las Palomas
Alejandro Almanares |
1:20 | |||
|
1.12
|
Malecón
Preservation Hall Jazz Band |
4:33 |
“This joyous, wide-ranging account of a New Orleans jazz band's 2015 visit to Cuba is crammed with fascinating facts and toe-tickling tunes.”
- New York Times
“Jaunty, at times poetic chats and drop-ins with many Big Easy and Cuban jazz artists, discussion of their music’s African lineage (the Atlantic slave trade factored in), stirring examples of native instrumentation, and pulsating performances combine with colorful, travelogue-type shots (love those old Cuban theaters) and vivid archival footage to create a vibrant and joyous portrait.”
- LA Times
The legendary Preservation Hall Jazz Band present the soundtrack to A Tuba to Cuba, the critically acclaimed documentary directed by T.G. Herrington and Danny Clinch. The film follows Ben Jaffe of New Orleans’ famed Preservation Hall Jazz Band as he seeks to fulfill his late father's dream of retracing their musical roots to the shores of Cuba in search of the indigenous music that gave birth to New Orleans jazz. A Tuba to Cuba celebrates the triumph of the human spirit expressed through the universal language of music and challenges us to resolve to build bridges, not walls.
44.1 kHz / 24-bit PCM – Sub Pop Records Studio Masters
Tracks 4, 7 – contains material which has been processed by a perceptual audio coding algorithm
Tracks 4, 7 – contains material which has been processed by a perceptual audio coding algorithm
| Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -0.33 -2.17 to -0.08 | -13.65 -19.27 to -10.37 | -10.56 -16.10 to -7.60 | 8 6 to 13 | |
| 1 | Yesteryear | -2.17 | -17.53 | -13.1 | 8 |
| 2 | Tumba | -0.08 | -11.21 | -8.8 | 6 |
| 3 | I Am | -0.08 | -10.37 | -7.6 | 6 |
| 4 | Descarga del Son | -0.18 | -13.68 | -10.7 | 8 |
| 5 | Keep Your Head Up (feat. Eme Alfonso) | -0.08 | -11.26 | -8.5 | 7 |
| 6 | Corazón | -0.18 | -16.38 | -13.9 | 11 |
| 7 | Eleggua | -0.18 | -12.53 | -9.0 | 8 |
| 8 | Kreyol | -0.08 | -13.29 | -10.0 | 8 |
| 9 | El Manicero | -0.18 | -11.14 | -8.2 | 6 |
| 10 | Solitude | -0.18 | -14.59 | -10.6 | 9 |
| 11 | Las Palomas | -0.48 | -19.27 | -16.1 | 13 |
| 12 | Malecón | -0.08 | -12.55 | -10.2 | 8 |