℗ 2020 Solo Musica
Released | September 25, 2020 |
Duration | 5h 11m 07s |
Record Label | Solo Musica |
Catalogue No. | SM283 |
Genre | Classical (Romantic Era) |
Beethoven's World 1799-1851: The Revolutionist & His Rivals
Casal Quartett
Available in 96 kHz / 24-bit AIFF, FLAC high resolution audio formats
String Quartet in D Major, Op. 21 No. 3
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1.1
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I. Allegro
Adalbert Gyrowetz; Casal Quartett |
8:55 | |||
1.2
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II. Adagio
Adalbert Gyrowetz; Casal Quartett |
4:01 | |||
1.3
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III. Menuetto. Allegro
Adalbert Gyrowetz; Casal Quartett |
2:44 | |||
1.4
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IV. Allegro
Adalbert Gyrowetz; Casal Quartett |
5:44 | |||
String Quartet No. 1 in G Major, Op. 77 No. 1, Hob. III:81 "Lobkowitz"
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1.5
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I. Allegro moderato
Franz Joseph Haydn; Casal Quartett |
7:07 | |||
1.6
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II. Adagio
Franz Joseph Haydn; Casal Quartett |
6:34 | |||
1.7
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III. Menuetto. Presto
Franz Joseph Haydn; Casal Quartett |
4:03 | |||
1.8
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IV. Finale. Presto
Franz Joseph Haydn; Casal Quartett |
5:27 | |||
String Quartet No. 1 in F Major, Op. 18 No. 1
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1.9
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I. Allegro con brio
Ludwig van Beethoven; Casal Quartett |
9:02 | |||
1.10
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II. Adagio affettuoso ed appasionato
Ludwig van Beethoven; Casal Quartett |
9:20 | |||
1.11
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III. Scherzo. Allegro molto
Ludwig van Beethoven; Casal Quartett |
3:32 | |||
1.12
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IV. Allegro
Ludwig van Beethoven; Casal Quartett |
6:17 | |||
String Quartet No. 90 in F Major, Op. 64 No. 1, G. 248
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2.1
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I. Allegro molto
Luigi Boccherini; Casal Quartett |
7:59 | |||
2.2
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II. Adagio non tanto
Luigi Boccherini; Casal Quartett |
6:40 | |||
2.3
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III. Allegro vivo
Luigi Boccherini; Casal Quartett |
4:24 | |||
String Quartet in C Major, Op. 20 No. 3
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2.4
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I. Allegro con brio
Peter Hänsel; Casal Quartett |
9:23 | |||
2.5
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II. Adagio ma non troppo
Peter Hänsel; Casal Quartett |
5:51 | |||
2.6
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III. Polonaise
Peter Hänsel; Casal Quartett |
4:23 | |||
2.7
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IV. Finale. Allegro molto
Peter Hänsel; Casal Quartett |
5:03 | |||
String Quartet No. 9, Op. 59 No. 3 "Rasumowsky"
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2.8
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I. Introduzione. Andante con moto - Allegro vivace
Ludwig van Beethoven; Casal Quartett |
10:28 | |||
2.9
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II. Andante con moto quasi allegretto
Ludwig van Beethoven; Casal Quartett |
9:48 | |||
2.10
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III. Minuet. Grazioso
Ludwig van Beethoven; Casal Quartett |
5:14 | |||
2.11
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IV. Allegro molto
Ludwig van Beethoven; Casal Quartett |
5:54 | |||
String Quartet No. 17 in D Major, A. 481
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3.1
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I. Allegro
Gaetano Donizetti; Casal Quartett |
6:45 | |||
3.2
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II. Larghetto
Gaetano Donizetti; Casal Quartett |
3:53 | |||
3.3
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III. Minuetto. Presto
Gaetano Donizetti; Casal Quartett |
2:18 | |||
3.4
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IV. Allegro
Gaetano Donizetti; Casal Quartett |
4:17 | |||
String Quartet No. 16 in F Major, Op. 135
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3.5
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I. Allegretto
Ludwig van Beethoven; Casal Quartett |
6:29 | |||
3.6
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II. Vivace
Ludwig van Beethoven; Casal Quartett |
3:25 | |||
3.7
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III. Lento assai, cantante e tranquillo
Ludwig van Beethoven; Casal Quartett |
7:08 | |||
3.8
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IV. Grave, ma non troppo tratto - Allegro
Ludwig van Beethoven; Casal Quartett |
7:17 | |||
String Quartet No. 14 in D Minor, D. 810 "Der Tod und das Mädchen"
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3.9
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I. Allegro
Franz Schubert; Casal Quartett |
11:43 | |||
3.10
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II. Andante con moto
Franz Schubert; Casal Quartett |
13:31 | |||
3.11
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III. Scherzo. Allegro molto
Franz Schubert; Casal Quartett |
4:06 | |||
3.12
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IV. Presto
Franz Schubert; Casal Quartett |
9:22 | |||
String Quartet No. 2 in A Minor, Op. 13, MWV R 22
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4.1
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I. Adagio - Allegro vivace
Felix Mendelssohn; Casal Quartett |
7:41 | |||
4.2
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II. Adagio non lento
Felix Mendelssohn; Casal Quartett |
7:24 | |||
4.3
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III. Intermezzo. Allegretto con moto - Allegro di molto
Felix Mendelssohn; Casal Quartett |
5:02 | |||
4.4
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IV. Presto - Adagio non lento
Felix Mendelssohn; Casal Quartett |
9:31 | |||
String Quartet No. 3 in A Major, Op. 41 No. 3
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4.5
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I. Andante espressivo - Allegro molto moderato
Robert Schumann; Casal Quartett |
7:45 | |||
4.6
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II. Assai agitato
Robert Schumann; Casal Quartett |
5:16 | |||
4.7
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III. Adagio molto
Robert Schumann; Casal Quartett |
8:43 | |||
4.8
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IV. Finale. Allegro molto vivace
Robert Schumann; Casal Quartett |
6:51 | |||
String Quartet No. 28 in A-Flat Major
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5.1
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I. Allegro non troppo
Carl Czerny; Casal Quartett |
8:49 | |||
5.2
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II. Andante sostenuto ed espressivo
Carl Czerny; Casal Quartett |
5:56 | |||
5.3
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III. Scherzo. Molto vivace
Carl Czerny; Casal Quartett |
3:28 | |||
5.4
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IV. Allegro con anima
Carl Czerny; Casal Quartett |
6:34 | |||
Digital Booklet
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Throughout history, the cultural legacy of some geniuses has been of such universal magnitude that its aftermath has spread far beyond the narrow confines of the actual field of their activity. In a study of the University of Cambridge, which is dedicated to the ranking of the 100 most important, most influential personalities in history, Ludwig van Beethoven is ranked 27th; Napoleon Bonaparte (1769 - 1821, rank 2), that brilliant commander and statesman a year older than Beethoven.
While the French Revolution and its later emperor influenced contemporary artists, Napoleon himself, did not care a bit about music. In the same way that his military campaigns of that time have continued to have an effect to the present day, Beethoven changed the face of music forever. In his fundamentally new conception of the art of sound based on the Viennese Classicism, everything that was created in composition by him at the time outshone even those, who did not know Beethoven and his music despite his later popularity. While the pianist Beethoven caused a furor and was admired at a young age, his works caused astonishment and confusion from the very beginning, and often met with frowning criticism. Of course, there were also other, more positive voices.
While Beethoven was at the height of his career in the middle phase of his life until about 1815, in recent years, the resentments against his misunderstood late style and the supposedly increasing oddness of its author grew. Nonetheless, the respect shown to him by the international music community increased until the end of his life, culminating in a funeral that the city had never seen before. The Casal Quartett‘s five-part Concert & album project explores the phenomenon of Beethoven’s impact on his time, or, conversely, how other musicians influenced him.
96 kHz / 24-bit PCM – Solo Musica Studio Masters
Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -0.95 -5.52 to 0.00 | -22.58 -29.54 to -18.70 | -18.79 -26.10 to -14.50 | 14 12 to 16 | |
1.1 | I. Allegro | 0.00 | -20.70 | -17.0 | 13 |
1.2 | II. Adagio | 0.00 | -23.85 | -19.8 | 14 |
1.3 | III. Menuetto. Allegro | 0.00 | -23.16 | -19.4 | 13 |
1.4 | IV. Allegro | 0.00 | -21.12 | -17.5 | 14 |
1.5 | I. Allegro moderato | 0.00 | -20.44 | -17.0 | 13 |
1.6 | II. Adagio | 0.00 | -23.45 | -19.2 | 15 |
1.7 | III. Menuetto. Presto | -0.40 | -21.19 | -17.5 | 13 |
1.8 | IV. Finale. Presto | 0.00 | -20.21 | -16.7 | 13 |
1.9 | I. Allegro con brio | 0.00 | -23.27 | -19.3 | 15 |
1.10 | II. Adagio affettuoso ed appasionato | 0.00 | -22.86 | -18.5 | 14 |
1.11 | III. Scherzo. Allegro molto | -1.60 | -25.83 | -21.7 | 14 |
1.12 | IV. Allegro | -0.03 | -21.60 | -18.2 | 14 |
2.1 | I. Allegro molto | -0.62 | -20.43 | -16.7 | 13 |
2.2 | II. Adagio non tanto | -0.62 | -23.59 | -19.7 | 14 |
2.3 | III. Allegro vivo | -0.62 | -20.64 | -16.9 | 14 |
2.4 | I. Allegro con brio | 0.00 | -21.02 | -17.5 | 13 |
2.5 | II. Adagio ma non troppo | -3.38 | -26.52 | -23.0 | 13 |
2.6 | III. Polonaise | -2.78 | -25.54 | -21.9 | 14 |
2.7 | IV. Finale. Allegro molto | -0.20 | -22.01 | -18.5 | 14 |
2.8 | I. Introduzione. Andante con moto - Allegro vivace | -0.49 | -22.09 | -17.8 | 14 |
2.9 | II. Andante con moto quasi allegretto | -0.56 | -25.92 | -22.9 | 16 |
2.10 | III. Minuet. Grazioso | -0.56 | -23.31 | -19.9 | 15 |
2.11 | IV. Allegro molto | -0.59 | -19.39 | -15.9 | 12 |
3.1 | I. Allegro | -0.03 | -21.57 | -17.8 | 14 |
3.2 | II. Larghetto | -3.60 | -26.57 | -23.0 | 14 |
3.3 | III. Minuetto. Presto | -0.17 | -22.43 | -18.8 | 15 |
3.4 | IV. Allegro | 0.00 | -21.08 | -17.7 | 14 |
3.5 | I. Allegretto | -0.02 | -22.77 | -19.1 | 15 |
3.6 | II. Vivace | -0.19 | -21.77 | -18.0 | 14 |
3.7 | III. Lento assai, cantante e tranquillo | -5.52 | -27.97 | -24.3 | 14 |
3.8 | IV. Grave, ma non troppo tratto - Allegro | -0.04 | -20.23 | -15.9 | 12 |
3.9 | I. Allegro | 0.00 | -21.17 | -17.0 | 13 |
3.10 | II. Andante con moto | 0.00 | -23.28 | -18.9 | 14 |
3.11 | III. Scherzo. Allegro molto | 0.00 | -20.86 | -17.1 | 13 |
3.12 | IV. Presto | 0.00 | -18.70 | -14.5 | 12 |
4.1 | I. Adagio - Allegro vivace | 0.00 | -21.19 | -17.3 | 14 |
4.2 | II. Adagio non lento | -1.12 | -23.25 | -19.1 | 13 |
4.3 | III. Intermezzo. Allegretto con moto - Allegro di molto | -4.69 | -29.54 | -26.1 | 15 |
4.4 | IV. Presto - Adagio non lento | 0.00 | -21.62 | -16.9 | 14 |
4.5 | I. Andante espressivo - Allegro molto moderato | -1.76 | -23.68 | -19.7 | 15 |
4.6 | II. Assai agitato | -0.80 | -21.15 | -17.3 | 13 |
4.7 | III. Adagio molto | -0.56 | -23.80 | -20.1 | 15 |
4.8 | IV. Finale. Allegro molto vivace | -0.25 | -20.91 | -17.6 | 13 |
5.1 | I. Allegro non troppo | 0.00 | -23.08 | -19.3 | 15 |
5.2 | II. Andante sostenuto ed espressivo | -0.18 | -22.68 | -18.7 | 14 |
5.3 | III. Scherzo. Molto vivace | -0.03 | -22.62 | -18.9 | 15 |
5.4 | IV. Allegro con anima | -0.01 | -21.06 | -17.4 | 14 |