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Chopin: Complete Waltzes

Aimo Pagin

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Waltz No. 1 in E-Flat, Op. 18 "Grande valse brillante"  
1.1
Vivo
Frederic Chopin; Aimo Pagin
5:50
Waltz No. 2 in A-Flat, Op. 34 No. 1 "Grande valse brillante"  
1.2
Vivace
Frederic Chopin; Aimo Pagin
6:05
Waltz No. 3 in A Minor, Op. 34 No. 2 "Grande valse brillante"  
1.3
Lento
Frederic Chopin; Aimo Pagin
5:52
Waltz No. 4 in F, Op. 34 No. 3 "Grande valse brillante"  
1.4
Vivace
Frederic Chopin; Aimo Pagin
2:38
Waltz No. 5 in A-Flat, Op. 42 "Grande valse"  
1.5
Vivace
Frederic Chopin; Aimo Pagin
4:37
Waltz No. 6 in D-Flat, Op. 64 No. 1 "Minute"  
1.6
Molto vivace
Frederic Chopin; Aimo Pagin
2:01
Waltz No. 7 in C-Sharp Minor, Op. 64 No. 2  
1.7
Tempo giusto
Frederic Chopin; Aimo Pagin
4:10
Waltz No. 8 in A-Flat, Op. 64 No. 3  
1.8
Moderato
Frederic Chopin; Aimo Pagin
3:50
Waltz No. 9 in A-Flat, Op. 69 No. 1 "Farewell"  
1.9
Lento
Frederic Chopin; Aimo Pagin
4:02
Waltz No. 10 in B Minor, Op. 69 No. 2  
1.10
Moderato
Frederic Chopin; Aimo Pagin
3:39
Waltz No. 11 in G-Flat, Op. 70 No. 1  
1.11
Molto vivace
Frederic Chopin; Aimo Pagin
2:07
Waltz No. 12 in F Minor/A-Flat, Op. 70 No. 2  
1.12
Tempo giusto
Frederic Chopin; Aimo Pagin
3:18
Waltz No. 13 in D-Flat, Op. 70 No. 3  
1.13
Moderato
Frederic Chopin; Aimo Pagin
2:50
1.14
Waltz No. 16 in A-Flat, Op. posth. B. 21
Frederic Chopin; Aimo Pagin
1:18
Waltz No. 15 in E, Op. posth. B. 44  
1.15
Tempo di valse
Frederic Chopin; Aimo Pagin
2:36
Waltz No.14 in E Minor, Op. Posth. B. 56  
1.16
Vivace
Frederic Chopin; Aimo Pagin
3:15
Waltz No. 18, Op. posth. B. 133  
1.17
Sostenuto
Frederic Chopin; Aimo Pagin
2:09
Waltz No. 19, Op. posth. B. 150  
1.18
Allegretto
Frederic Chopin; Aimo Pagin
3:02
Digital Booklet
Total Playing Time    63:19
Chopin dedicated the quasi-totality of his efforts to the piano, an instrument to which he gave a new voice, because he did not wish to dissipate his inspiration in the "hubbub" of the orchestra. He preferred concentrating on the delicate tonality of the keyboard instrument, with which he thoroughly identified. According to George Sand, "his creation was spontaneous, miraculous. He found it without looking for it, with no planning. It would come to his piano suddenly, complete and sublime. [...] He never needed expansive means to express his genius." Pianist George Mathias, a former student of Chopin's, would say that his piano only ever existed under his fingers. It is no surprise that composer Charles Koelchin considered Chopin to be one the most authentic creators of modern music.
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