℗ 2016 Decca Music Group Limited under exclusive license to Universal Music Classics, a Division of UMG Recordings, Inc.
 

Introit: The Music of Gerald Finzi

Amy Dickson, Nicolas Fleury, Thomas Gould, Tom Poster, Aurora Orchestra, Nicholas Collon

Available in 96 kHz / 24-bit AIFF and FLAC high-resolution audio formats

  • Select Format
    • AIFF 96.0 kHz | 24-bit
    • FLAC 96.0 kHz | 24-bit
Add to cart
discounted price
 
Lo, the full, final sacrifice, Op.26  
1
Amen (arr. by Paul Mealor)
Gerald Raphael Finzi; Amy Dickson; Aurora Orchestra; Nicholas Collon
2:40
Dies Natalis, Op.8  
2
V. The Salutation (arr. by Mike Sheppard)
Gerald Raphael Finzi; Amy Dickson; Aurora Orchestra; Nicholas Collon
4:17
3
Who is Sylvia?, Op.18, No.2 (arr. by Mike Sheppard)
Gerald Raphael Finzi; Nicolas Fleury; Aurora Orchestra; Nicholas Collon
1:43
Love's Labour's Lost, Op.28  
4
I. Soliloquy I: "So sweet a kiss the golden sun gives not"
Gerald Raphael Finzi; Aurora Orchestra; Nicholas Collon
1:44
5
II. Soliloquy II: "Did not the heavenly rhetoric of thine eye"
Gerald Raphael Finzi; Aurora Orchestra; Nicholas Collon
1:33
6
III. Soliloquy III: "On a day, alack the day"
Gerald Raphael Finzi; Aurora Orchestra; Nicholas Collon
1:16
7
Clear and gentle stream, Op.17, No.4 (arr. by Harvey Brough)
Gerald Raphael Finzi; Aurora Orchestra; Nicholas Collon
4:31
8
Rollicum-Rorum, Op.15, No.6 (arr. by Mike Sheppard)
Gerald Raphael Finzi; Aurora Orchestra; Nicholas Collon; Amy Dickson
1:43
9
Introit, Op.6
Gerald Raphael Finzi; Thomas Gould; Aurora Orchestra; Nicholas Collon
8:35
10
Come away, come away Death, Op.18, No.1 (arr. by Paul Mealor)
Gerald Raphael Finzi; Amy Dickson; Aurora Orchestra; Nicholas Collon
3:43
11
Prelude, Op.25
Gerald Raphael Finzi; Aurora Orchestra; Nicholas Collon
4:30
12
Romance, Op.11
Gerald Raphael Finzi; Aurora Orchestra; Nicholas Collon
7:35
13
To Lizbie Brown, Op.15, No.7 (arr. by Mike Sheppard)
Gerald Raphael Finzi; Amy Dickson; Aurora Orchestra; Nicholas Collon
4:07
Dies Natalis, Op.8  
14
I. Intrada
Gerald Raphael Finzi; Aurora Orchestra; Nicholas Collon
5:26
15
Fear no more the heat o' the sun, Op.18, No.3 (arr. by Patrick Hawes)
Gerald Raphael Finzi; Amy Dickson; Aurora Orchestra; Nicholas Collon
5:36
16
A Severn Rhapsody, Op.3
Gerald Raphael Finzi; Aurora Orchestra; Nicholas Collon
6:36
17
Eclogue Op.10
Gerald Raphael Finzi; Tom Poster; Aurora Orchestra; Nicholas Collon
11:05
Five Bagatelles, Op.23  
18
III. Carol (arr. by Ashmore, Dickson)
Gerald Raphael Finzi; Amy Dickson; Aurora Orchestra; Nicholas Collon
2:05
19
IV. Forlana (arr. by Ashmore, Dickson)
Gerald Raphael Finzi; Amy Dickson; Aurora Orchestra; Nicholas Collon
3:01
Digital Booklet
Total Playing Time    1:21:46
This 2016 release commemorates the 60th anniversary of the death of British composer Gerald Finzi, renowned for his inspired, flexible Thomas Hardy verse settings and lyrical instrumental style. The all-instrumental recording, made in conjunction with The Finzi Trust, casts Finzi's works in a new light and features soloists including Grammy nominated saxophonist Amy Dickson, violinist Thomas Gould, pianist Tom Poster and Nicolas Fleury on French horn with the Aurora Orchestra led by Nicholas Collon.
96 kHz / 24-bit PCM – Decca Music Group Studio Masters

Executive Producer: Alexander Van Ingen
Recording Producer: Alexander Van Ingen
Recording Engineer: Andrew Mellor Assistant
Engineers: Robin Hawkins, Claire Hay
Recording Editor: Dave Rowell
Mixed & Mastered by Andrew Mellor
Recording Location: Fairfield Halls, Croydon, 14 July & 20–21 August 2015
Publishers: Boosey & Co. Ltd [1]–[6], [8], [10], [13]-[15]; Boosey & Hawkes Music Publishers Ltd [7], [9], [16], [17]; Hawkes & Son (London) Ltd [11], [12]
Front & Back Cover: How bravely autumn paints upon the sky (1938) by Edward McKnight Kauffer (1890–1954) - London Transport Museum
Creative Director: Niall O’Rourke
Product Management: Sam Le Roux Introductory Note & Translations © 2016 Decca Music Group Limited
Photo of Gerald Finzi on p.6: Herbert Lambert. Courtesy of the Finzi Trust
Booklet Editing & Art Direction: WLP Ltd

For Your Consideration | More ▸

Eugène Ysaÿe: Neiges d'antan Amaury Coeytaux; Svetlin Roussev; Orchestre Philharmonique Royal de Liège; Jean-Jacques Kantorow
88.2
Haydn: Symphonies 78, 79, 80, 81 Accademia Bizantina; Ottavio Dantone
96
Claude Debussy: Préludes Alexei Lubimov
44.1
Incanto (Remastered 2018) Andrea Bocelli
96
Classical Music Stars in Malta (Live) Alissa Margulis; Alexander Buzlov; Daria Tschaikowskaja; Khachaturian Trio; Julian Milkis; Alexander Rudin
96
Messiaen: Des canyons aux étoiles (Live) Andrew Barclay; Erika Öhman; John Ryan; Tzimon Barto; London Philharmonic Orchestra; Christoph Eschenbach
96
Johanna Doderer: Symphony No. 2, "Bohinj" - Violin Concerto No. 2, "In Breath of Time" Anne Schwanewilms; Yury Revich; Deutsche Staatsphilharmonie Rheinland-Pfalz; Ariane Matiakh
48
Schubert: Wanderer André Schuen; Daniel Heide
96
Tchaikovsky - Korngold: Violin Concertos Anne-Sophie Mutter; Wiener Philharmoniker; London Symphony Orchestra; André Previn
44.1
Stradella: Amanti, olà, olà! - Chi resiste al Dio bendato Alessandro Stradella Consort; Estevan Velardi
96
Music for People Andrew Hamilton
88.2
Adrianne Pieczonka sings Strauss and Wagner Adrianne Pieczonka; Brian Zeger
96
Francesca Caccini: La liberazione di Ruggiero dall'isola di Alcina Allabastrina; La Pifarescha; Elena Sartori
88.2
La Prèmiere Adam Stadnicki; Galya Kolarova
96192
Handel: Messiah, HWV 56 Andrew Staples; John Relyea; Elizabeth DeShong; Erin Wall; Toronto Mendelssohn Choir; Toronto Symphony Orchestra; Andrew Davis
96

Offers & New Releases

exclusive benefits for mailing list members

Subscribe Now

What is High-Resolution Audio?

High-resolution audio offers the highest-fidelity available, far surpassing the sound quality of traditional CDs. When you listen to music on a CD or tracks purchased via consumer services such as iTunes, you are hearing a low-resolution version of what was actually recorded and mastered in the studio. ProStudioMasters offers the original studio masters — exactly as the artist, producers and sound engineers mastered them — for download, directly to you.

What do I need for playback?

You may need additional software / hardware to take full advantage of the higher 24-bit high-res audio formats, but any music lover that has heard 16-bit vs 24-bit will tell you it's worth it!

Software for Mac OS X

Software for Windows

Hardware Suggestions