℗ 2017 ART_INFINI
Released | October 2, 2020 |
Duration | 57m 36s |
Record Label | ART_INFINI |
Catalogue No. | MECO-1039 |
Genre | Classical (Guitar) |
The Bach
Tomomi Kohno
Available in 384 kHz / 24-bit, 192 kHz / 24-bit, 96 kHz / 24-bit AIFF, FLAC and 11.2896 MHz DSD high resolution audio formats
Violin Sonata No. 3 in C Major, BWV 1005 (Arr. T. Kohno for Guitar)
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1.1
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I. Adagio
Johann Sebastian Bach; Tomomi Kohno |
3:43 | |||
1.2
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II. Fugue
Johann Sebastian Bach; Tomomi Kohno |
10:24 | |||
1.3
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III. Largo
Johann Sebastian Bach; Tomomi Kohno |
3:33 | |||
1.4
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IV. Allegro assai
Johann Sebastian Bach; Tomomi Kohno |
6:30 | |||
Goldberg Variations, BWV 988
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1.5
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Aria (Arr. T. Kohno for Guitar)
Johann Sebastian Bach; Tomomi Kohno |
5:53 | |||
Herz und Mund und Tat und Leben, BWV 147
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1.6
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X. Chorale. Jesus bleibet meine Freude (Arr. D. Russell for Guitar)
Johann Sebastian Bach; Tomomi Kohno |
3:54 | |||
Violin Partita No. 2 in D Minor, BWV 1004
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1.7
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V. Chaconne (Arr. T. Kohno for Guitar)
Johann Sebastian Bach; Tomomi Kohno |
14:23 | |||
Orchestral Suite No. 3 in D Major, BWV 1068
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1.8
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II. Air "Air on the G String" (Arr. D. Russell for Guitar)
Johann Sebastian Bach; Tomomi Kohno |
4:31 | |||
Brandenburg Concerto No. 6 in B-Flat Major, BWV 1051
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1.9
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II. Adagio ma non tanto (Arr. Amsterdam Guitar Trio & T. Kohno for Guitar Trio)
Johann Sebastian Bach; Tomomi Kohno; Mitsuki Osawa; Haruhiko Tanaka |
4:45 |
Tomomi Kohno releases a stunning programme of Bach's masterworks with The Bach. The album spans the momentous Goldberg Variations and Brandenberg Concerto, alongside various guitar transcriptions of concerto works.
Born in Tokyo, Japan, Tomomi Kohno studied piano music since she was four. She received her first lessons on the guitar from guitarist and composer Yukihiro Yokoo at the age of seven. From ten, she continued her studies with guitarist Tsuneo Ema. In 2001, Ms. Kohno became winner of the 32th Classical Guitar Competition and received 2nd prize of the Spanish Guitar Competition in Tokyo. She continues studying with Gentaro Takada and Shin-ichi Fukuda, Japanese famous guitarists.
Now she teaches at Showa University of Music and her own Music School in Tokyo. She is a director of Japan Association of Spanish Guitar and also a member of Japan Association of Guitarists and Japan Federation of Guitarists.
384 kHz / 24-bit, 192 kHz / 24-bit, 96 kHz / 24-bit PCM and 11.2896 MHz DSD – ART_INFINI Studio Masters
Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -8.10 -9.74 to -6.52 | -25.88 -28.97 to -24.40 | -23.30 -26.10 to -22.10 | 11 11 to 13 | |
1 | I. Adagio | -7.80 | -26.22 | -23.6 | 11 |
2 | II. Fugue | -7.10 | -24.40 | -22.2 | 11 |
3 | III. Largo | -9.74 | -28.97 | -26.1 | 13 |
4 | IV. Allegro assai | -7.53 | -25.17 | -22.8 | 12 |
5 | Aria (Arr. T. Kohno for Guitar) | -9.13 | -26.84 | -24.1 | 11 |
6 | X. Chorale. Jesus bleibet meine Freude (Arr. D. Russell for Guitar) | -8.46 | -24.73 | -22.1 | 11 |
7 | V. Chaconne (Arr. T. Kohno for Guitar) | -6.52 | -24.74 | -22.1 | 12 |
8 | II. Air "Air on the G String" (Arr. D. Russell for Guitar) | -8.81 | -26.01 | -23.4 | 11 |
9 | II. Adagio ma non tanto (Arr. Amsterdam Guitar Trio & T. Kohno for Guitar Trio) | -7.87 | -25.88 | -23.3 | 11 |